Alan Rickman Guestbook

(April 2002)

Juliana, here are "The View" links you seek:

The View: Videogram part 1 (7 min 52 secs, 10.7 MB)
The View: Videogram part 2 (4 min 44 secs, 6.5 MB)

Pam, "I'm glad you're back." :-)

And thank you for all the fantastic reviews, everyone!

Suzanne <Suz@mail.usa.comfoo>
TX USA - Tuesday, April 30, 2002 at 23:05:49 (PDT)

This serves me right for not checking this guestbook for so long: I didn't even know Rickman was on Broadway! So now I need the working details: What ticket service have you found to be most reliable--or is Ticketmaster the only game in town? And the play is supposed to run until the beginning of September, but how long do you give Rickman in it before someone else steps in? (Knowing my luck, I'd book for June and the lead male role will have been refilled.) And, lastly, to those who have already gone, does the theater layout have a lot of obstructed views to watch out for? I have been thinking long and hard about how to celebrate my upcoming 40th in September, and this may be just the ticket! (Assuming I can still get a good one!). Thanks, folks! (And, Suzanne, I promise to never, ever again neglect this board!)
Pam
- Tuesday, April 30, 2002 at 22:42:40 (PDT)

Channel NY1 has a weekly drama program, "On Stage." On Sunday 4/29 they reviewed and showed scenes from two shows that opened last week, so there's a pretty good chance that next weekend they'll cover PL. They also interviewed an actor from a show that's been around for a few weeks, so we can hope that AR will turn up somewhere down the road. The same show is repeated several times on Saturday, Sunday and Monday. It looks like you might be able to see it at the website, www.ny1.com, but due to my employer's firewall I can't confirm this. Here's from their website:

New York City's only weekly half-hour theater show, "On Stage" covers all the action on, off and off-off Broadway. The show features in-depth interviews with performers, writers, producers and directors, as well as the latest backstage scoop from contributing correspondents, plus reviews of all the current shows.

"On Stage" airs Saturdays and Sundays from 9:30 a.m.-10:00 a.m., and again from 7:30 p.m.-8:00 p.m. It also airs Mondays from 9:30 p.m.-10:00 p.m., and that same night from 12:30 a.m-1:00 a.m.
Anne/Manhattan <agilhuly@gibsondunn.comfoo>
- Tuesday, April 30, 2002 at 22:27:46 (PDT)

I was at the Saturday PL matinee. Spectacular. I loved the stage door scene after the performance. Alan was a true gentleman. Some of the autograph seekers were great fans. One well dressed woman told him she traveled to London just to see him in PL, and now was strilled to be watching Alan in NY. Imagine that!
Long Island Lady
NY - Tuesday, April 30, 2002 at 20:52:23 (PDT)

Could some kind soul please post a link to Alan's guest appearance on The View? I am too tired and lazy to search for it. Thank you a million. Juliana
Juliana <daltrey63@hotmail.comfoo>
- Tuesday, April 30, 2002 at 20:19:29 (PDT)

I was thrilled to see a review for PL in our local "Shreveport, Louisiana" paper. It was a repeat of what others have said.

Seeing a PL review way down in Louisiana made PL seem even more special!! I can't believe that I will see it in 2 weeks! WOW!
SSP <sharon@spulsifer.comfoo>
Haughton, LA - Tuesday, April 30, 2002 at 18:47:09 (PDT)

And who on earth is "Halle's Semi-Revived Alan Rickman website" and how does it rank so highly in the search engines given it doesn't appear to have been updated since 1996?! Just curious!
Sally
Sydney, Australia - Tuesday, April 30, 2002 at 17:35:36 (PDT)

Hello everyone! NOW, that's the GB I liked so much... many many reports, comments and links to PL and the cast! Great. Thank you for all this typing... that's a lot of work...

I am glad that PL is such a success in NY and all the praise on AR... he deserves it, I am sure.
I am one of the few who haven't seen PL and won't if they don't do a revival in London but reading all your reports make me feel like I could take part a little bit (I read the play and that helps).
I'd be happy if I could read even more in the next weeks... please don't stop!

Does anybody know if there are any articles in the "Time magazine" or the "Newsweek"? Because these are the only US-magazines I can get over here. Thanks a lot.
And to all who'll be going to see PL in the next weeks: Have a good time!!!
Sunny
Germany - Tuesday, April 30, 2002 at 16:45:06 (PDT)

Sorry for being O/T. Renie, I've tried to email you twice at your hotmail address (without the foo), and both times received a delivery failure.
Annette <annettegeisel@charter.netfoo>
Mansfield, Tx - Tuesday, April 30, 2002 at 16:22:18 (PDT)

Alas, Melissa, I was in New York only 36 hours--two plays was all I could manage! I will have room for one outing that is not "Private Lives" in June, and have decided to see "Sweet Smell of Success"--I quite like John Lithgow (even when not running into him at Tiddyman's in Kalispell).
Georgiana <gellis@drizzle.comfoo>
Seattle - Tuesday, April 30, 2002 at 14:53:59 (PDT)

Ann, Melissa, thanks for the Tony's info! I shall be checking their website, and aiming to become a US citizen by June 2nd as, sadly, I don't think that the ceremony will be televised over here!! *sob!*
Catherine <catherineharpham@hotmail.co.ukfoo>
Reading, England - Tuesday, April 30, 2002 at 13:25:32 (PDT)

Catherine, the Tony nominations will be announced on Monday, May 6. The announcement will be webcast live via streaming audio at www.tonys.org, beginning at 8:30 a.m.(ET) sharp.

Per the Tony website: "Then, throughout the following month, check back for interviews with the nominees, video clips from nominated shows, news updates, daily poll questions, and more.

The Tony Awards will be broadcast live from Radio City Music Hall on Sunday, June 2. PBS stations begin the national telecast at 8:00 p.m. (ET/PT) with coverage of the first ten awards. CBS will continue the broadcast 9:00 to 11:00 p.m. (ET/PT). Here at www.tonys.org, you'll be able to meet the nominees and presenters live on the red carpet at Radio City. We'll also take you backstage to interview the winners immediately after they pick up their Tony medallions."
Ann
NJ USA - Tuesday, April 30, 2002 at 13:19:48 (PDT)

Catherine, The Tony nominations will be announced on May 6 at 8:30 AM Eastern Time. The awards ceremony is on June 2 and will be televised.
Melissa
NJ, USA - Tuesday, April 30, 2002 at 13:17:42 (PDT)

Georgiana, Yes, I heard that Alan Bates is excellent in 'Fortune's Fool'. Between Bates, Neeson and AR, it's a three-way race to win the DD award. Did you see 'The Crucible' when you were in the City?
Melissa
NJ, USA - Tuesday, April 30, 2002 at 13:13:44 (PDT)

Some more excellent reading in the reviews today, thankyou all (even if you have destroyed my illusion that you sat there patiently and typed them all out!! :-))

Also good to see the awards nominations following hot on the heels of these reviews (am I mistaken in thinking that the Tony nominations are out shortly?); I have my fingers firmly crossed that Mr. Rickman gets an award as his performance is superb!
Catherine <catherineharpham@hotmail.co.ukfoo>
Reading, England - Tuesday, April 30, 2002 at 13:08:26 (PDT)

Melissa, Alan Bates was also quite fine in "Fortune's Fool"--one review claimed his would be the Tony performance to beat. The play has this magnificent scene where he wanders around the dining table delivering this unending speech about a court case, getting drunker and drunker (and funnier and funnier)--it was quite spectacular.
Georgiana <gellis@drizzle.comfoo>
Seattle - Tuesday, April 30, 2002 at 13:04:15 (PDT)

Annette & Georgiana, You're right about the stiff competition for awards. I'm afraid that AR may not have a lock on taking home Best Actor honors for any of the awards he gets nominated for. Liam Neeson is his only big obstacle. Neeson was marvelous in The Crucible, and voters tend to lean towards dramas versus comedies. So in spite of AR's brilliant performance, he may not win because of the genre he's in. I hope to be proven wrong.
Melissa
NJ, USA - Tuesday, April 30, 2002 at 12:27:28 (PDT)

Did anyone see any reviews on TV? I had my VCR all set to tape and kept surfing from one news program to another but saw nary a one. I was hoping to get the short scene they usually show when they review, so I could look at it over and over and over and ....

This is another New Jersey review, from The Star Ledger (Glad you remember The Bergen Record, Renie):

'Lives' in the fast lane

Witty repartee propels comedy about lovers who drive each other crazy NEW YORK STAGE

Monday, April 29, 2002

BY MICHAEL SOMMERS

Star-Ledger Staff

NEW YORK -- A witty yet wistful comedy, "Private Lives" is an intoxicating mix of "cocktails and laughter -- and what comes after," as the lyric goes to a song composed by Noel Coward a few years before he wrote his stage classic late in 1929.

Opening yesterday at the Richard Rodgers Theatre, a splendid new production of "Private Lives" stars Alan Rickman and Lindsay Duncan in their first Broadway appearance since "Les Liaisons Dangereuses" in 1986.

Rickman and Duncan are superbly matched as Elyot and Amanda, a glamorous couple who can't live without each other. Unfortunately, neither can they live together.

"Like two violent acids bubbling about in a nasty little matrimonial bottle" is the way Amanda describes her tempestuous first union to her new groom Victor (Adam Godley). Elyot says much the same to his bride Sybil (Emma Fielding).

As the newlywed couples begin their Riviera honeymoons on flanking hotel terraces, however, Elyot and Amanda accidentally meet in the moonlight as a distant orchestra plays "their" song, "Someday I'll Find You."

"Extraordinary how potent cheap music is," muses Amanda as she and Elyot reluctantly realize that they're still terribly in love. After "Romeo and Juliet," "Private Lives" boasts the most famous balcony scene in the English language -- humorous, tender, rueful stuff -- and the present stars make it glow with the seductive magic of their chemistry together.

Designer Tim Hatley provides lovely surroundings. All Art Nouveau trimmings in alabaster creams and gold, the terraces on the floors above the couple rise in sharply diminishing perspective like layers on a wedding cake. Rippling shades of mauve and blue in Peter Mumford's lighting scheme enhance the romantic atmosphere as Elyot and Amanda vainly struggle to resist each other's charms.

When those old feelings prove too strong, they elope to Paris. But their lovemaking gives way to brittle bouts of bickering that erupt with increasing volatility despite the couple's best efforts to remain idyllic. By the time Victor and Sybil track them down, Elyot and Amanda are battling royally, trashing their apartment -- another striking design, this time in vermilion -- and attacking each other with gusto.

But many know this story already, since "Private Lives" has remained a popular item ever since Coward and Gertrude Lawrence memorably romped about in the original. Criticized then as a slight escapade dependent upon the stars' magnetism, the comedy proves to be a brilliantly crafted study of soulmates whose destiny is to drive each other crazy.

Director Howard Davies' keen direction brings out the occasional notes of poignant emotion that lurk beneath the glissandos of small talk that give "Private Lives" sparkle.

Rickman and Duncan portray Elyot and Amanda as a couple of melancholy babies whose sophisticated banter disguises their pensive inner selves. They're simultaneously too, too divine, yet all too aware of their own frailties. "We're figures of fun, all right," notes Elyot. Somehow the growling, moody Rickman makes a scowl appear sexy while Duncan effortlessly volleys high-comedy repartee with a sweet voice and great tragic eyes.

A perfect comedy, perfectly played, "Private Lives" is not to be missed by anyone who savors the finer points either in life or theater.

Ann
NJ USA - Tuesday, April 30, 2002 at 11:43:35 (PDT)

*pant* *pant* *pant* (having missed weeks of this and trying to catch up before Eurostarring off to France.) Keyser, I have to agree as an amateur photographer, your Alan-shot is great. He looks very young and relaxed on it. Everybody, thanks for all the US paper and personal reviews, it's a treat to see they are so well received over there, so pleased for the lot of them. Sigh! - Marialis, I think I have seen the Valdim version of Les Liaisons Dangereuses but have little memories of it (it was a while ago and I was very young).. I haven't seen the version starring (gasp!) Malkovitch, the one version I remember best must the one called Valmont, directed by the guy (can't remember how to spell his name so I won't ridicule myself) who directed Amadeus (I think) and starring Colin Firth (I think) and, uh, the actress who played in American Beauty (can't do names tonight). OK, it was a Franco-American film, not French, but I remember enjoying that one (not sure I would today, I was still a teenager), and it got better reviews than the two others. I'll be back home for a while in a few days' time, I'll try to hire the older one while I'm there... but the book was written for Mr R to play, really, I can see that...

GML
UK - Tuesday, April 30, 2002 at 11:41:32 (PDT)

The awards competition is very tough, as Georgiana pointed out a while ago--the plays and actors are big names, in highly celebrated (critically speaking) productions. The Seagull with Meryl Streep, Liam Neeson in the Crucicle---these are heavyweights, and it's a true testament to the acting abilities of Rickman and Duncan that a "light" play--and the actors in them--are being so well appreciated. (Not to take anything away from the entire cast and crew, but without Elyot and Amanda you don't have a play.) It's wonderful that rightful praise is being heaped on both actors, especially AR, in a successful return to Broadway.

Annette from Tx, would you drop me an email, please? Thanks.
Renie <reniept@hotmail.com foo>
Any h*nd stories still greatly appreciated....here or in email., - Tuesday, April 30, 2002 at 11:36:15 (PDT)

Also at Playbill, for $10 + shipping you can buy the opening night Playbill for PL.

http://store.yahoo.com/playbill/privlivofopn.html
Ann
NJ USA - Tuesday, April 30, 2002 at 11:19:51 (PDT)

The New York Times article on the Drama Desk nominations is now on line. No new information. (You need to be registered with them to access this site.)
Georgiana <gellis@drizzle.comfoo>
Seattle - Tuesday, April 30, 2002 at 10:36:58 (PDT)

Thanks, Melissa. I see that "Private Lives" received 7 Drama Desk nominations, putting it No. 5 on the list, behind four musicals--or the top play in terms of numbers of nominations. Alas, some pretty stiff competition in a number of categories, and mostly from the 'dramatic,' rather than the 'comedic.'
Georgiana <gellis@drizzle.comfoo>
Seattle - Tuesday, April 30, 2002 at 09:27:02 (PDT)

One more thing about the DD Awards. They'll be televised live on May 19th at 9 PM on the NY1 channel, which I don't have. They'll be re-broadcast on May 27th at 9 PM on WNET Channel 13, which I do have. So I'll probably tape it then.
Melissa
NJ, USA - Tuesday, April 30, 2002 at 08:55:15 (PDT)

The Drama Desk Awards will be handed out on May 19th in the LaGuardia Concert Hall at Lincoln Center. Tickets are pricey: $175 for the General Public, and $400 for a Prime Access Pass. There are only 30 PAP's. They give you prime seating at the award show. The seats are located in the first 3 rows of the center section of the theatre. The PAP also allows you admittance to 2 private VIP celebrity parties, one before the show and one after. Call SmartTix at 212/206-1515 or order online at: www.smarttix.com. I got this info from the Drama Desk website: www.dramadesk.org. So, does anyone wanna go?
Melissa
NJ, USA - Tuesday, April 30, 2002 at 08:46:05 (PDT)

The Drama Desk Award nominations are just out and PL has done splendidly. Alan Rickman, Best Actor; Lindsay Duncan, Best Actress, Best Revival, Howard Davies, Best Director. PL also got nominations for best costumes, set design and lighting. The Awards will be be handed out May 19th. For the complete lit of nominees, visit the Playbill website.
Melissa
NJ, USA - Tuesday, April 30, 2002 at 08:16:24 (PDT)

Constance, The Opening Night party was held at Tavern On The Green restaurant in Central Park.
Melissa
NJ, USA - Tuesday, April 30, 2002 at 05:50:55 (PDT)

For a very nice gathering of PL Opening Night Party photos and reviews go to Claire's page. Nice work Claire! Thanks!(looking forward to the enlargements)!!!!!!!!!! By the way ; Where was the Opening Night Party held?
Constance
Cary, NC USA - Tuesday, April 30, 2002 at 04:19:22 (PDT)

Just noticed that if you go to Annette's 'different link' and look for Simon Callow's first night photo's there are some more piccy's of AR, LD and company at his opening night play about Dickens. Enjoy
Branca
UK - Tuesday, April 30, 2002 at 03:33:47 (PDT)

A small entry in Variety today, from the now-famous party:

Sunday's Broadway opening of "Private Lives" turned out some famous couples for Noel Coward's most famous couple, Amanda and Elyot. Duos watching Lindsay Duncan and Alan Rickman on stage at the Richard Rodgers Theater included Emma Thompson and Mike Nichols, Tom Hanks and Rita Wilson, Baz Luhrmann and Catherine Martin, Ernestine and Bill Bradley (news - web sites) and Ian McKellen and Nick Cuthell.

Although the production is yet another sterling Brit import, the life in this "Private Lives" began with Gotham producer Emanuel Azenberg, who held the play's option. A year ago, he and director Howard Davies decided to open in London and, if all went well, bring their Coward to Broadway.

"I wanted it to be done like Ibsen," Azenberg said at the Tavern on the Green party. "Not campy or with a wink the way Noel Coward is usually performed here, but with respect."

Surprisingly, neither of the evening's two stars mentioned Ibsen. "Coward is very difficult to perform," Rickman said. "The first act of 'Private Lives' is Restoration comedy, the second is Chekhov and the third is Feydeau."

As for Duncan, her attention was drawn to Broadway's previous incarnation of "Private Lives," the infamous 1983 production starring Elizabeth Taylor and Richard Burton. "What was it like?!" exclaimed the actress, eyes wide. Neither Chekhov nor Ibsen could do it justice.

Magda
Canada - Tuesday, April 30, 2002 at 03:02:15 (PDT)

Keyser, what a delicious photo!

One more review, from the New York Sun:

Shining Late-Season Imports - Jeremy McCarter Reviews a Coward Revival . . .

The British are bringing much-needed luster to the closing days of this year's Broadway season.

The glittering "Private Lives," which Noel Coward wrote in four days in 1930, is a precursor to Hollywood's comedy of remarriage. Divorced for five years, Elyot and Amanda find themselves in adjacent hotel rooms on the first night of their honeymoons with new spouses. They realize they are even more miserable apart than they were together, and decide to run off. The bickering that begins almost immediately and never lets up echoes the verbal combat in Strindberg's "Dance of Death" that Sir Ian McKellen and Helen Mirren brought vividly to life earlier this season. In fact, when the bemused Edgar laments in that play's last scene that no sooner do you stop fooling and begin to take life seriously than "someone comes along and makes a fool of you," he is warming up to the "Private Lives" world-view.

Coward neither wanted nor attained Strindbergian levels of seriousness here (or anywhere else), but a dark current does run beneath this story about charming, perpetually droll bon vivants. Before divorcing, Elyot and Amanda's relationship was physically violent, and it will be again before the show ends. It's played for laughs, of course, though they're not as big here as in "Blithe Spirit," where Elvira complains that her ex-husband used to hit her with a billiard cue and he replies, "Only very, very gently."

It is presumably to mine the darker reaches of the play that Alan Rickman has been tapped to play Elyot. He succeeds in this, and proves himself to be a deft comic actor besides. Yet in his unguarded moments Rickman reveals a saturnine air that's out of place in this confection. He pinches his eyebrows and squints down his nose, and seems to be deciding if he should devour one of his co-stars. He lacks the naturally flippant disposition to be the ideal Elyot (a role Coward did after all create for himself), but has the talent to be an effective one.

It is hard to imagine a more fully realized Amanda than Lindsay Duncan's. She has the range to hit all of Amanda's notes - insouciance, hurt, rage, charm - and the confidence to informs her overmatched husband Victor that, far from being vulnerable, her heart is "jagged with sophistication." The line is pure Coward, and so is Duncan's reading of it: like a pitcher she winds up before her delivery.

The notoriously image-obsessed Coward could have been better served by the show's designers. He would roll in his grave if he saw the riot of clashing yellows they perpetrate with Sybil, Elyot's new bride, in act three. Her hair and dress and the stage-right sofa are all shades of yellow - oddly bright, oddly bland, and oddly dirty, respectively. Individually, they're palatable; together, they're discouraging. To paraphrase Wilde's reputed last words, one of them has to go.

I noticed the same thing about the yellow. Odd!
Anne/Manhattan <agilhuly@gibsondunn.comfoo>
- Tuesday, April 30, 2002 at 00:04:48 (PDT)

Sorry, the link below didn't work, let me try this one more time ... click here.
Annette
- Monday, April 29, 2002 at 20:40:03 (PDT)

One final review for tonight from Newsday with a link which shows another pic I haven't seen.

The Sophistication of 'Private Lives'

The revival of Noel Coward's comedy is elegant and refreshing

By Linda Winer

STAFF WRITER

April 29, 2002

FINALLY, BROADWAY HAS actors who wear silk pajamas without looking tarted up for a Noel Coward costume ball. At last, we have a production of "Private Lives" that plays high-stakes romantic games for keeps at what one grown-up character calls the "big tables."

After decades of revivals that exploited Coward's most popular comedy as a sideshow for aging actresses with something to prove, we have been granted a visit from the exquisitely sophisticated Lindsay Duncan and the sardonically sophisticated Alan Rickman in the Howard Davies staging that recently broke box office records for a nonmusical in London.

For a generation forced to know Amanda as Elizabeth Taylor with her itsy- bitsy voice and hopeless stage presence in her saddest 1983 days, or Amanda as Joan Collins with her bad wig and Kabuki technique in 1992, this is both a relief and a revelation. Even Davies and company can do little to stop Coward's smart and breezy 1930 style show from degenerating into tedious low-comedy violence in the third act. For the hours until the inevitable slapping and the chasing and the household-object tossing, however, we are rapt in a world where hearts may break but always keep their wits about them.

The only other time Duncan and Rickman made sparks on Broadway together, they were the most glamorous of sadistic 18th century co-conspirators in Davies' erotic and elegantly brutal staging of "Les Liaisons Dangereuses." Fifteen years later, their relationship is dangerous again - only, this time, their cruelty to others is merely an afterthought by two people delighted, terrified and transported by passion for one another and for their irresistible selves.

How different this play feels when Amanda and Elyot are so palpably crazy about one another. Divorced for five years and on honeymoons in the same French hotel, the two brilliant but bratty spirits reconnect with a frisson that, for once, convinces us that they have no choice but to leave their inadequately normal new spouses immediately. Duncan, a specialist in the shudder under the surface of Harold Pinter plays, can make the fine bones beneath her creamy skin into weapons. Rickman, one of Hollywood's favorite smart villains, has such a believable combination of rough and slick qualities that expressions of love feel almost unbearably intimate.

It helps to remember that Coward created these volatile free spirits for himself, at 31, and Gertrude Lawrence, 29. Duncan and Rickman are not such crazy kids, but their Amanda and Elyot have the combustible chemistry of people who can't stay away from each other, no matter whom their libidos might hurt. There are positive and negative charges between them, but every high-strung moment is charged.

They meet, deliciously and agonizingly cute, on their honeymoon nights at a hotel that Tim Hatley has designed as an enchanted leaning tower of meringue and moonlight - dreamily created by Peter Mumford. Seldom has onstage air seemed so high in the clouds. After the two abandon their new mates, we are dropped into Amanda's Paris flat, a darkly rose and deeply tufted studio, where intimacies seem as inevitable - and at least as authentic - as the Eiffel Tower outside.

Davies has wisely acknowledged that, though the new spouses are all too conventional for these wild things, the other newlyweds have to be attractive enough to keep us from doubting the instincts of the main characters. Emma Fielding and Adam Godley are somewhat more than stock characters in the first act, though the difference between their elevated artifice and the others' articulate emotionalism is more than merely style. But in the last act, when Coward goes for pratfalls instead of profundity, Fielding and Godley have blissful fun proving Coward's proposition that "Few people are completely normal, deep down in their private lives."

Alex Belcourt, despite an ill-advised but virtuosic somersault entrance, has just the right rude superiority as the French maid. And, except for the oddly snug cut of Elyot's fashionable suits, Jenny Beavan's costumes - like the Coward song the couple so touchingly croaks - have a talent to amuse and to dazzle.
Annette
Mansfield, Tx - Monday, April 29, 2002 at 20:36:51 (PDT)

Associated Press is a wire service. Backstage is a publication. Many publications will carry a wire service article--generally verbatim. They have a credit listed as "AP."
Georgiana <gellis@drizzle.comfoo>
Seattle - Monday, April 29, 2002 at 17:05:02 (PDT)

Here is the link to which Juliana was referring.

Also, here is a different link to some more opening night photos ...once there, just click on Photos: Private Lives opening.
Annette
Mansfield, Tx - Monday, April 29, 2002 at 16:26:25 (PDT)

Go to www.playbill.com for some excellent pictures of the Private Lives party and cast. Click on the "news" topic. I am sorry I do not know how to link this stuff. He looks great!!
Juliana <daltrey63@hotmail.comfoo>
- Monday, April 29, 2002 at 16:18:34 (PDT)

LOL--Georgiana's review at Fausta's Rickmanista Review is the 7th link Googlge pulls up--c'est formidable, Georgiana. *wink*

To answer Sally's question, the Daily Telegiraffe is not part of my dear friend's wonderful Rickmanista, though both sites link to each other!

Howard Davies et al can relax, non?

Renie
CA, (But I remember the Bergen Record from my wee days....) - Monday, April 29, 2002 at 16:12:10 (PDT)

Michael Kuchwara has nicked his own review from 'Associated Press' and putit in 'Backstage' or is this one and the same publication?
Sally
london, UK - Monday, April 29, 2002 at 15:23:09 (PDT)

Copy and paste? Moi? LOL You gave the game away Magda!
Sue
Fingers still steaming!!!, England - Monday, April 29, 2002 at 15:15:13 (PDT)

Re: Only 3 stars out of 4? I personally think it has to do with the prejudice against comedies (related to why comedies never seem to get the award for best picture). "Oh, they're very good, but we save the highest ratings for 'serious' stuff." Never mind the kind words about how much better they have staged it, etc-it still is "only" that Noel Coward comedy. (Never mind that comedy is SO much harder to act than drama).
Trisha <patricia.schuman@gte.netfoo>
Bothell, WA United States - Monday, April 29, 2002 at 14:56:28 (PDT)

Since it's that easy, here is the review from Backstage.

Private Lives

reviewed By MICHAEL KUCHWARA

There's new life to be found in "Private Lives," the popular Noel Coward comedy first seen on Broadway more than 70 years ago and which hasn't been offstage since.

Yet it's taken director Howard Davies and a superb cast headed by Lindsay Duncan and Alan Rickman to find not only the pleasures but the pain in Coward's smart, witty rumination on the ways and waywardness of love.

The production, which opened Sunday at the Richard Rodgers Theatre, is blissfully funny--sharp and chic, as well as insightful into the destructive things people do to the ones they care about the most.

By now, we all know--or should know--the story. Amanda and Elyot, divorced five years ago, meet accidentally on their Riviera honeymoons with new spouses, Victor and Sibyl. The flame may have flickered between the ex-helpmates but it never entirely went out. The only thing to do is run off together to Paris.

"We're being terribly bad, so terribly bad, we'll suffer for this. I know we shall," says the overly dramatic Amanda. "It can't be helped," counters Elyot--and she readily agrees. The two spend the rest of the play dealing with their impetuous decision.

"Private Lives" has gotten a bum rap on Broadway over the last two decades. The leaden Elizabeth Taylor-Richard Burton vehicle in the 1980s and then the equally misguided Joan Collins-Simon Jones version in the '90s did nothing to enhance the play's reputation.

What makes Davies' production, seen in London earlier this season, so successful is that he has grounded the frivolity of both Amanda and Elyot in the couple's awareness of the high cost of their shenanigans. It reaches its high point in a wistful duet between the two, combining Coward's "Someday I'll Find You"--sung in the original by Coward and Gertrude Lawrence--with his "If Love Were All," interpolated into the show by Davies.

Duncan and Rickman are not singers, but they are accomplished performers, getting the emotional underpinnings to those songs. Both, however, are expert comedians.

Watch what Rickman can do with just one raised eyebrow. Guaranteed laughs. His Elyot is cranky, spoiled and thoroughly captivating. There is also a world-weariness to his portrait of the man, a sadness that occasionally creeps over his face as he contemplates further outbursts, physical as well as emotional, with Amanda.

Duncan is sleek and sexy, particularly in the formal wear designed by Jenny Beavan for the play's first act. The actress, best-known for her work in the plays of Harold Pinter, can make her voice purr with the smoothness of satisfied kitten. Yet she too can find the unease which accompanies Amanda's rediscovery of old romance. And Duncan does a delicious doubletake when she first discovers Elyot on an adjoining balcony in the honeymoon scene.

Davies doesn't neglect the play's second spouses, two of the most unappreciated characters in 20th-century English comedy. Here they hold their own and even shine. Can you make a stuffed shirt out of a lanky tweed scarecrow? Adam Godley does and his portrayal of the bewildered Victor is a model of comic hilarity.

Emma Fielding's Sibyl is equally proper and formidable in her own way, as the evening's very physical finale reveals. Alex Belcourt, as a most gymnastic French maid, completes the cast.

The London production has been expanded to fill the large expanse of the Rodgers stage, making Amanda's Parisian apartment look as big as an airplane hangar. Yet designer Tim Hatley's Act 1 hotel balconies are marvels, extending all the way to the proscenium arch of the theater.

"We're older and wiser now," Elyot says in justifying the couple's actions. Older, yes. Wiser, maybe, as the characters continue to spar with a fierceness that doesn't slacken even as their self-doubts never quite disappear.

This "Private Lives" is a revival in the best sense of the word. It resurrects the play, celebrates Coward's near-perfect craftsmanship and yet manages to find new meaning in the master's stylish banter.

Ann
NJ USA - Monday, April 29, 2002 at 14:54:57 (PDT)

To go with all of the wonderful reviews being posted, Claire has new photos up at her site. Some are from newspaper reviews, but Claire, where did you get the curtain call photo and the party photos?
Annette
Mansfield, Tx - Monday, April 29, 2002 at 14:50:04 (PDT)

And we do, Magda! Thanks for the tip. I was going to type this from my paper, but instead I went to their website and got it from there. The following review is from a northern New Jersey newspaper, The Record.

Another great Rickman-Duncan liaison

Monday, April 29, 2002

By ROBERT FELDBERG

Staff Writer

PRIVATE LIVES: A Broadway play revival at the Richard Rodgers Theater, 226 W. 46th St. Written by Noel Coward. With Alan Rickman, Lindsay Duncan, Emma Fielding, and Adam Godley. Directed by Howard Davies. $47.50 to $85. (212) 307-4100.

Noel Coward's bittersweet romantic comedy "Private Lives" is a wonderful play that has, in recent Broadway history, attracted the wrong people. One foul production starred Elizabeth Taylor and Richard Burton, while another showcased the talents of Joan Collins.

This time, though, the people reviving Coward's 1930 work have gotten it very, very right. The British production that opened Sunday at the Richard Rodgers Theater is extremely funny, touchingly romantic, brilliantly acted, and altogether one of the brightest treats of this or any other theater season.

Lindsay Duncan and Alan Rickman, who teamed up on Broadway 15 years ago in the memorable "Les Liaisons Dangereuses," are Amanda and Elyot, the couple who can't live apart but might murder each other if they stay together.

From the moment Elyot appears on that famous balcony with his new second wife, the fluttery but practical Sybil (Emma Fielding), Rickman subtly gives us his exact emotional temperature. A few restrained though easy gestures, a half-smile, a measured voice let us know that this is a man who's reined in his wit and style to accommodate the conventionality of a new mate.

Similarly, when Amanda appears on the adjoining balcony with her new spouse, the proper and dull Victor (Adam Godley), Duncan, though making Amanda quite charming, suggests a woman striving to keep her willfulness under wraps.

The tower of identical, art deco hotel balconies, designed by Tim Hatley in exaggerated perspective, makes its own statement, as does his dark, lush, heavily pillowed Paris apartment, which houses the characters in the second and third acts.

After Amanda and Elyot each, hilariously, sense the presence of the other on the next balcony and then come face to face for the first time since their divorce five years earlier, the comic tone slides naturally into a deeply romantic - yet cool-eyed - evocation of love.

Running off to Paris, Amanda and Elyot luxuriate in their rediscovery of each other, unlimbering their smart, impudent, and subversively funny true selves while trying to keep their assertive personalities from sabotaging their joy. They express their tenderest emotions through Coward's sublime songs "Some Day I'll Find You" and "If Love Were All."

The scene, with its summoning of that heady moment when love is at its most dominant, is remarkable, not only because that feeling is seldom tapped in other productions of the play, but because it's rarely evoked in any play.

Strictly speaking, Duncan and Rickman are a bit old for their parts, since Amanda and Elyot should be in their 30s. But the actors are so good, their chemistry so strong, and the spell of romance so deep, that observation is instantly forgotten.

With Amanda and Elyot being who they are - and with Sybil and Victor inevitably showing up - their new-old relationship hits several enormous bumps. They are, however, wildly funny bumps as this marvelously symmetrical play careens toward its perfect ending.

Under the smooth, confident direction of Howard Davies, the production is a series of delicious moments. Fielding and Godley are perfectly cast, making Sybil and Victor ideal foils while also giving them distinctive personalities. Even the fleeting appearances of a slovenly French maid (Alex Belcourt) who coughs on the food she serves are richly amusing.

This is captivating theater.

Ann
NJ USA - Monday, April 29, 2002 at 14:41:25 (PDT)

Thanks to all for finding the time to put those up for us.If that isn't a bunch of really excellent reviews, then I don't know what is (interspersed with light entertainment from Jules-thank you Jules!) I especially liked the 'Variety' review, which was a little 'different' from the usual, I thought. But John Lahr's review was the most brilliant of all, and the most interesting. He says that Act II goes on too long- with which I agree-have always thought that, but when he referred to AR's "oboelike voice", I thought that described it to a tee! And his "sensationally droll presence"!! What wonderful language!

Lovely photos too! But I am so tired of Elyot's brown dressing gown. He's had that since the Albery! I think we should club together and buy him a new one! Any takers?
Sally
London, UK - Monday, April 29, 2002 at 14:29:56 (PDT)

Catherine, Sue and Ann:

As enjoyable as it is to bask in your admiration, I am compelled to admit on my own behalf (and to rat on everybody else) that I didn't type out the review; I simply "copied and pasted". Took all of 20 seconds, absolute max. You'll just have to go back to admiring me for my wit and culture.
Magda
Canada - Monday, April 29, 2002 at 14:29:09 (PDT)

Forgot to add: the Drama League nominations came out today. Nominated in the category "Distinguished Production of a Revival" is, of course, "Private Lives"! The awards will be presented at a May 10th luncheon.
Ann
NJ USA - Monday, April 29, 2002 at 14:27:54 (PDT)

I've only just got on my computer, so I've only read bits and pieces of the beautiful reviews. Thank you to all who took the time and trouble to type them for us.

Here is the address for the review from Backstage magazine: "http://www.backstage.com/backstage/showguide/review_display.jsp?vnu_content_id=1477480". I especially liked their comment, "Watch what Rickman can do with just one raised eyebrow." We knew that.

Thank you again to Suzanne and Anne of Manhattan for the sending of the flowers and gift certificate. I would have loved to have seen their faces!
Ann
NJ USA - Monday, April 29, 2002 at 14:23:34 (PDT)

Just felt I had to add my thanks to Catherine's to all those people who have found the time and the energy to share all those fab reviews with us all - what a labour of love, but you have brightened the day considerably over the water here! So pleased that the critics over there love it as much as we did; as someone has already said, we knew it already, but it just nice for them to be universally recognised as brilliant!
Keep the reviews and sightings coming - it's so nice to be reminded of very happy times of a few months ago at the Albery!
Sue
Lincoln, UK - Monday, April 29, 2002 at 13:01:39 (PDT)

I think they like it!! The PL reviews make excellent reading (not that I ever doubted that they wouldn't!)! I rushed home from work in the hopes of finding maybe a couple of reviews posted here on the GB, and there are loads! Thanks to anyone who took the time and trouble to type them up - they've made my evening!!
Catherine <catherineharpham@hotmail.co.ukfoo>
Reading, England - Monday, April 29, 2002 at 10:27:26 (PDT)

Here's a link to the USA Today review. If this is a "3-star," wonder what it takes to get a 4?
Georgiana <gellis@drizzle.comfoo>
Seattle - Monday, April 29, 2002 at 09:36:34 (PDT)

Thanks, Julia. The photograph was taken with a 35mm Minolta with a 70mm-200mm lens and 400 speed film. Unfortunately, my scanner is dirty. The image has some discoloration because of that.

Apart from the eBay comment, Mr. Rickman made a comment to me regarding the "When Love Speaks" CD. I had the CD signed (many thanks to the person who recommended this on the Guestbook, I'd love to find your name but there are SO many posts on the Guestbook, I cannot find the post!) and he mentioned that he was pleased that I had bought the CD. I thanked him for bringing the play to New York and shook his hand. Then I asked if I could take the photos.

He is a very charming man and seems to be very patient and kind to fans, unless he suspects that the individual is just someone who is selling autographs or photographs obtained at the stage door
Keyser <keyserfankf@netscape.netfoo>
USA - Monday, April 29, 2002 at 09:14:22 (PDT)

Here's the review from USA Today! Director revives 'Private Lives' By Elysa Gardner, USA TODAY NEW YORK � You could say Noel Coward was the Neil Simon of his time and social class. Strip away the British sensibility and erudite wit coloring the former's plays, and you're generally left with a bunch of two-dimensional characters trading quips and barbs that often seem contrived and are seldom revelatory. And frankly, Simon's characters tend to have less free time to indulge in the sort of idle chatter that can get pretty tired over two hours. But the right director and cast can work wonders with Coward's wry humor and elegant wordplay. Luckily, such a team was deployed for the U.K.-based revival of Private Lives ( out of four) that opened Sunday at Broadway's Richard Rodgers Theatre. The key players here are Alan Rickman and Lindsay Duncan, the seasoned pros cast as Coward's most notorious ex-spouses. Elyot and Amanda � poor darlings � are both desperately trying to move on with their lives when, by a most unfortunate coincidence, they find themselves honeymooning with new mates in adjacent suites at a French hotel. Brash, impetuous creatures that they are, the two throw caution and reason to the wind and dive into wanton bliss. But it's only a matter of time before their rekindled passion takes a sour turn, and matters get messy � as does Amanda's stylish flat in Paris, a stunning testament to scenic designer Tim Hatley's flair for structure and lush detail, even after it is trashed in one of the play's more amusing moments. Rickman and Duncan manage this turbulent journey with perfect comic pitch. Expertly balancing brisk irony with unabashed goofiness, both reveal the sillier and more whimsical qualities underlying Elyot and Amanda's haughty airs, and illustrate how central this duality is to the couple's volatile chemistry. Their rapport is complemented by deft supporting performances from Emma Fielding and Adam Godley as Elyot's perky young bride and Amanda's stiff, seemingly rather dim husband, who from the start seem much better suited to each other than either's demanding partner. Fielding's overenthusiastic ing�nue is a bit cloying at first, but when called on to lose her composure, she proves winningly wacky. Likewise, Godley's self-conscious suitor evolves from a droll distraction into a vigorously funny foil for both Elyot and Amanda, even as he tries to resist getting carried away with all the others. "I'm glad I'm normal," he tells Amanda at one point. "What an odd thing to be glad about," she responds. Director Howard Davies handles such moments with playful precision, capturing the breezy and biting elements that continue to make the play thoroughly diverting. Private Lives may not be the richest biscuit as comedies go, but its cool charm has remained surprisingly fresh.
Linda P.
- Monday, April 29, 2002 at 09:06:12 (PDT)

Did anyone attend PL last night? I would have loved to see AR's reaction to the gorgeous flowers sent on behalf of the GB.
Melissa
NJ, USA - Monday, April 29, 2002 at 08:02:29 (PDT)

Well, let's just dispense with the formality of the awards shows and go ahead and hand over the Tonys, Critics Circle, etc. trophies to AR and LD already. Here is yet another glowing review, this time from The New Yorker Magazine. (I bet the cast/crew had one heck of an opening night party ... with these reviews. Good thing today is an off day.)

LOVE BITES

by JOHN LAHR

Behaving badly in "Private Lives."

Issue of 2002-05-06, Posted 2002-04-29

On No�l Coward's bookplates was a caricature of him winking�a gesture that announced both his raffish insouciance and his high-camp refusal to suffer. Coward was his own unrepentant invention, and he made a myth of his separation from others. "I am related to no one except myself," he said. He was an egotist; he was a gay man who passed for a heterosexual matin�e idol; and he had the public's number. His wink was the visual equivalent of a raspberry blown at convention. Coward gives that impulse a voice in the most gossamer of his good plays, "Private Lives," when his spokesman Elyot Chase says, "Let's be superficial and pity the poor philosophers. Let's blow trumpets and squeakers, and enjoy the party, as much as we can, like very small, quite idiotic school children." Coward's trumpets and squeakers blow full force in the acclaimed London production directed by Howard Davies (which has been imported to the Richard Rodgers, along with its two theatrical grandees, Alan Rickman and Lindsay Duncan). "You mustn't be serious, my dear one; it's just what they want," Elyot tells his former wife, Amanda, after they've rediscovered each other, on adjacent patios in Deauville, while both on their second honeymoons with new mates. He goes on, "All the futile moralists who try to make life unbearable. Laugh at them. . . . Laugh at everything, all their sacred shibboleths. Flippancy brings out the acid in their damned sweetness and light."

"Private Lives" is a comedy of bad manners, whose emotional and structural minimalism turns all the cumbersome proprieties of English drawing-room drama upside down. The play was first staged in 1930, as the decorum of the turn of the century was giving way to a post-First World War sense of dissolution, in which romance was a put-on, honor a masquerade, and communication a kind of false trail of language that led only back to solitude:

AMANDA: China must be very interesting.

ELYOT: Very big, China.

AMANDA: And Japan�

ELYOT: Very small.

In the play's brilliantly constructed first scene, Amanda and Elyot don't meet cute; they meet in high dudgeon. Elyot smokes a cigarette, and Amanda crosses over to his balcony. "Give me one, for God's sake," she says. They are furious with each other and with their new marriages of inconvenience. They stand looking out at the sea, and at the Duke of Westminster's yacht. Amanda says, "I wish I were on it." Elyot replies, "I wish you were too." Thus begins the rebarbative banter, the vinegar in which Britain's sophisticated twenties and thirties were pickled.

Elyot and Amanda�two dandies of detachment who jilt their spouses and run away together to a Parisian love nest�do no real work and have no faith, no principles, and no commitment to anything but their own pleasure. "Within a few years," one dyspeptic early critic wrote, "the student of drama will be sitting in complete bewilderment before the text of 'Private Lives,' wondering what on earth these fellows in 1930 saw in so flimsy a trifle." On the contrary, Elyot and Amanda are among the first enduring sightings on the British stage of what might be called "the modern." Coward�who wrote, in the song "Twentieth Century Blues," "What is there to strive for / Love or keep alive for?"�managed to translate his metaphysical stalemate into comic action. English life had lost its sense of continuity, and Elyot and Amanda are, like the plot, aimless. Their capriciousness is at once galling and, when viewed from Coward's slyly renegade perspective, gallant. His totemic wink surfaces dramatically at the play's finale, during a humiliating showdown between Elyot and Amanda and their outraged mates, Sybil and Victor, who hunt them down and are hellbent on castigating them. The castoffs start to bicker�"I fail to see what humor there is in incessant trivial flippancy," Victor says, when Sybil defends her feckless husband�and, just then, Elyot slips the wink to Amanda. The plot hinges on this moment: it acknowledges the defiant bond of caprice and engineers peace between the exes. As the curtain falls, Sybil and Victor are pummelling each other; Elyot and Amanda tiptoe away from the chaos and out the door. For Coward, who never fully revealed himself in public, this image of evasion is iconic�he repeats it at the end of "Hay Fever" and of "Present Laughter"�and it works as a sort of mission statement for all of his comedy.

In an attempt to disarm critics as well as the public, Coward wrote a series of acute assessments of his plays, which serve as introductions to them. " 'Private Lives,' from the playwright's point of view, may or may not be considered interesting," he wrote, "but, at any rate, from the point of view of technical acting, it is very interesting indeed." As usual, the Master was right; as Elyot and Amanda, Rickman and Duncan have a field day with Coward's nuanced silences, with all the verbal tics and physical revelations of repressed feeling. They understand and convey the essential spiritual conundrum of their characters, who are at once overexcited and underinvolved. I have heard it said that Rickman is a selfish actor�an opinion I heartily decry. He has a sensationally droll presence, underscored by his oboelike voice, which is bored at the edges and content to make its own mellow ironic music. Words�especially consonants�hold their fire, then spill out with hilarious precision. "Mr. and Mrs. Victor Prynne," he says to Amanda, rolling her new name on his tongue with teasing condescension. In mockery, Rickman can be lethal. He also knows the value of being still; his underplaying draws the audience in. In the face of his jejune, pert new bride (the excellent Emma Fielding), Rickman uses his heavy-lidded eyes to parse every aspect of ennui�resignation, sorrow, fatigue, scorn. Standing on Tim Hatley's witty hotel balcony, with the other white balconies above him cantilevered backward like a tilting wedding cake, he strikes something more than the usual clipped, pukka Coward stereotype. Like Coward, he exudes an adamant faith in his own intelligence.

This confidence positively combusts when it meets up with Duncan's quick-witted combination of sex and steel. Duncan is, for me, the finest and most versatile English actress of her generation. In the first scene, she strides onstage in a sleek black-and-white dressing gown, and before she even opens her mouth you know, from her particular aura of containment, that a wild heart is trapped within the cage of her politesse. Duncan has the look of an angel and the mischievous eyes of a devil. When she confesses to her lanky, jug-eared husband (the expert Adam Godley) that her young heart "was jagged with sophistication," she reveals both a sharp mind and a wicked tongue. With her bravado, Duncan hints at shadow but never shows it.

"Manners are especially the need of the plain," Evelyn Waugh joked. "The pretty can get away with anything." "Private Lives" proves the point. Act II finds the giddy goats ensconced in Amanda's garret, a large crimson split-level pad, overflowing with pillows and couches. Elyot and Amanda, who are "beautiful people," are now working hard to behave beautifully with each other. Rickman and Duncan have a great time walking on these emotional eggshells. They foxtrot around the parquet floor; they sing; they make a playful spectacle of their mental agility; they even staunchly refuse to fight.

AMANDA: It's nice, isn't it?

ELYOT: Strangely peaceful. It's an awfully bad reflection on our characters. We ought to be absolutely tortured with conscience.

AMANDA: We are, every now and then. . . .

ELYOT: You're even more ruthless than I am.

Coward understands that manners are about reciprocity, which is well beyond these two. All avowals to the contrary, Amanda and Elyot can't get beyond themselves�a tragedy in life, but a gold mine in comedy. Their outrageousness works a kind of psychic jujitsu that dethrones the serious and neutralizes moral indignation. Thrown off guard by the characters' irresistible high jinks, the audience finds itself accepting the unacceptable; "bad" becomes "good." This is Coward's deft and exhilarating game.

Howard Davies's radical notion is to play Elyot and Amanda's physical passion for real, rather than opting for the standard notional sexual allure. This allows him to capitalize on the wonderful chemistry between Rickman and Duncan, and gives them some memorable moments of "big romantic stuff" while snuggled up on sofas, but it also throws the comedy weirdly off kilter. Coward knew that this particular fun machine was jerry-built�"As a complete play, it leaves a lot to be desired," he wrote�and that speed was essential to make its jokes and its artificiality pay off. Here Act II, which is the play's set piece, goes on too long. When the tormenting couple shout out their code word for silence ("Sollocks") and call for a two-minute cool-down period, the actors amble wordlessly around their garret for two real minutes. When Elyot sits at the piano to sing "Some Day I'll Find You," the song turns into a medley, in which he is joined by Amanda. The famous battle royal that ends the second act is transformed by Davies from a spontaneous free-for-all into a self-conscious production number. Although well executed, it mutes the hilarity of Sybil and Victor's shock when they walk in on their spouses, only to find them rolling on the floor, going at each other hammer and tongs. Still, if the pacing sometimes falters, the stars' bad behavior does not. Rickman and Duncan give the best comic performances that have been seen on Broadway in a very long time.
Annette
Mansfield, Tx - Monday, April 29, 2002 at 07:55:47 (PDT)

thanks a lot for all the reviews. especially the variety one really brings back kind memories and the urgent wish to go to new york. NOW!
if what my dictionary tells me about the meaning of the word "oafish" is right, i'm sure i stand humble but not alone in saying as the great geraldine in barchester chronicles "idiot, indeed" to the reviewer.
nothing personal, really. only my artistic impression of someone using that word to describe that face.
mortianna
- Monday, April 29, 2002 at 07:25:34 (PDT)

Funny, "oafish" is not a word that comes to mind at all when I think of his portrayal of Hans Gruber, Colonel Brandon or even Snape. And what do you mean, you don't like his singing?

LOL-if that is the worst you can find out of all of these reviews, they must be prepared to be sold out for the rest of the run within a few days! What a triumph. Tony Award Nominations are announced May 6, correct??

There were a some pictures (I think only two with AR) on the www.broadway.com site.
Trisha <patricia.schuman@gte.netfoo>
Bothell, WA United States - Monday, April 29, 2002 at 07:22:26 (PDT)

And the Daily News did not like the second act. Can you imagine? That lovely touch of Chekhov in the midst of bathos?

In all seriousness, it would be hard to imagine more glowing reviews. A triumph for our thespians! And, to recall that Mr. Rickman said to me in London they would play "Five weeks ... or five days" in New York, fearing the reception. It looks like those $1.8 in advance sales were right on the mark.

But, then, we knew that!

Georgiana <gellis@drizzle.comfoo>
Seattle - Monday, April 29, 2002 at 07:18:46 (PDT)

Can't sing well??? (Goodness - it's hard finding the bad bits, isn't it?) :o)
Jules
UK - Monday, April 29, 2002 at 06:55:36 (PDT)

I put the "Hollywood Reporter" review up on the News page.
Georgiana <gellis@drizzle.comfoo>
Seattle - Monday, April 29, 2002 at 06:47:53 (PDT)

Here's another good review from Brodway.com: Private Lives Review by William Stevenson It's hardly shocking that No�l Coward's 72-year-old Private Lives holds up as a witty comedy. After all, it's frequently revived as a star vehicle for everyone from Maggie Smith to Joan Collins. But it's still a pleasant surprise that the latest Broadway production, imported from London with its entire cast intact, is fresh, sparkling, and delightfully, wickedly funny. This is due not only to Coward's brilliant dialogue ("Some women should be struck regularly-like gongs") but also to Howard Davies' lively direction and the star turns by Alan Rickman and Lindsay Duncan (who previously costarred on Broadway in Les Liaisons Dangereuses). As the battling Elyot and Amanda, they're a priceless pair. For those who haven't seen Private Lives or who've forgotten the plot, Elyot and Amanda were once married and then bitterly divorced. We first meet Elyot and his new bride, Sibyl (Emma Fielding), who are enjoying the first night of their honeymoon on the terrace of their hotel room in the south of France. While at first they appear blissfully happy, the mood doesn't last, thanks largely to Elyot's temper. "I should like to cut off your head with a meat ax," he says before long. If Elyot is a lovable rogue, Sibyl is a goody two shoes. And it so happens that Amanda is staying right next door on her honeymoon with her new husband, Victor (Adam Godley), who is also prim, proper, and, well, pretty boring. Like Elyot, Amanda is armed with a rapier tongue. In other words, they're made for each other. And their mousy new spouses aren't cut out for the abuse Elyot and Amanda are inclined to dish out. I won't give away the rest of the story, but it's not difficult to predict. What makes the play so amusing is Coward's bitchy repartee. Rickman earns one of the evening's biggest laughs when he calls Amanda a "slattern" and a "fishwife." But Amanda holds her own: Her bite is just as bad as her bark. Some of the dialogue will no doubt ring a bell, as when Amanda remarks, "Extraordinary how potent cheap music is." With lines like that, it's no wonder Private Lives remains a classic. But it's not usually presented with such panache. Director Howard Davies keeps the pace sprightly, although it does slow down in the second act. With help from fight coordinator Terry King, he stages more physical roughhousing than is necessary. But most of the time Davies wisely keeps the focus on the sharp dialogue. And fortunately, he has Rickman and Duncan to put it over with style. Rickman, who's also done memorable work in low-budget movies like An Awfully Big Adventure and Truly Madly Deeply, makes Elyot absolutely incorrigible, as he should be. Nasty and selfish, Elyot is also so entertaining-especially as played by Rickman-that you forgive him almost anything. As Amanda, Duncan is even more chicly elegant. Stunning in a black robe and black evening gown, she even looks smashing wearing satin pajamas. (Jenny Beavan designed the gorgeous 1930s costumes.) Hilarious when delivering zingers, Duncan also manages to be touching when she says that after the divorce her heart was "jagged with sophistication." And when she flashes her devious smile, Duncan steals laughs without uttering a word. The only thing Duncan and Rickman can't do well is sing, which makes the brief musical interludes less successful than they might be. In their supporting roles, Fielding and Godley are convincingly square. They're certainly no match for Rickman and Duncan, which is a problem in a few scenes but generally works to the play's advantage. In a smaller role as a French maid, Alex Belcourt makes a hilarious entrance and has fun displaying Parisian pique. But besides Rickman and Duncan-who should be assured of Tony nominations-the most striking thing about the revival is Tim Hatley's set design. His seaside hotel is tall and grand, and the Paris apartment he's created is even more glamorous, complete with an illuminated Eiffel Tower in the background. Peter Mumford's lighting is also first-rate. All in all, this Private Lives is one of the best productions of the season and should not be missed.
Melissa
NJ, USA - Monday, April 29, 2002 at 06:25:00 (PDT)

He put down some movies to go back to acting, which he says is "magical" and it is his "first Love"...
myta santiago <maitaray@yahoo.comfoo>
Makati City, Philippines - Monday, April 29, 2002 at 06:10:46 (PDT)

Here is the Variety review in cas that link did not work:

Revivals have become Broadway's bread and butter in recent years, and it sometimes seems that most have all the flavor the metaphor implies. But Howard Davies' "Private Lives" is something else entirely: a heady, heaping spoonful of pure caviar. Celebrated in London --which is saying a lot, since Noel Coward's comedy seems to reappear in the West End every time they change the guards at Buckingham Palace -- the production glitters even more brightly on Broadway, at the tail end of a particularly grueling season. In its mixture of wit and style, smarts and feeling, it is simply without peer on a New York stage.

The director's approach is by no means revisionist: The play runs its merrily mean course on traditional if splendidly stylish sets by Tim Hatley (the seaside hotel of act one is wonderfully rendered as an art nouveau wedding cake), in Jenny Beavan's elegantly cut period costumes. And it respects the perfect tailoring of Coward's words, too.

But Davies and his chief collaborators, the mutually sublime Alan Rickman and Lindsay Duncan, who give performances as savagely funny as they are emotionally fertile, find provocative new colors in its famously flippant dialogue. Playing with delicate shifts in tempo and tone, they allow surges of vivid feeling to bubble up in between bouts of arch repartee. A comedy that is often rattled off like a bedroom farce becomes a richly rewarding exploration of the confounding nature of love and attraction.

This isn't to say the production gives short shrift to Coward's acidic wit. On the contrary, Rickman and Duncan, reunited on Broadway some 15 years after playing another pair of romantic combatants under Davies' direction in "Les Liaisons Dangereuse," reveal perfectly matched comic styles, as subtle as they are assured.

Watching the emerging acerbity of the characters they're playing, the divorced Amanda and Elyot, both honeymooning with their new spouses at that seaside hotel, is the chief delight of the play's delicious opening act.

Languidly petting his new bride, Emma Fielding's pert and prettily played Sibyl, as he deflects the conversation from his romantic past, Rickman's Elyot is clearly a man whose personality has been temporarily tranquilized. Only the flickering of an occasional eyebrow, or a flamboyant slouch indicating irritation, suggest the potential for theatrics underneath the Elyot's tailored surfaces. And as she coos on cue to the gamely earnest Victor of Adam Godley, Amanda, too, seems to be working to keep up a placid mask of composure.

But when the two are left alone on their respective balconies, it doesn't take long for sparks to start flying. Indeed, as we watch Amanda's face register astonishment, then dismay and finally a warmly pleasurable relish when she first catches sight of Elyot, it's as if a well-oiled machine that has been idling begins to warm up.

Soon enough it's at full throttle. Abandoned by their spouses after mutually desperate attempts to escape, Amanda and Elyot begin lacing into each other with playful abandon, and Duncan and Rickman bring such sly and witty inflections to Coward's cutting dialogue -- the amount of scorn Duncan pours into three words, "Very flat, Norfolk," is impossible to convey -- that it's easy to overlook how clearly the actors also convey the submerged feeling that simmers beneath the brittle words.

With their warring instincts suddenly activated, it's not long before Amanda and Elyot's mutually loving ones break out into the open, too. The brisk clip of the dialogue subsides into a torturously slow give and take; silences fall heavily in between the sarcasms. A sad tenderness springs into Duncan's darkly glittering eyes.

It's in this transition that the sorcery of the production most amazes. Mere minutes after whipping the audience into a frenzy of laughter, Rickman and Duncan reduce us to a kind of painful rapture: The aching truth of the feeling between Amanda and Elyot, their sudden, agonized recognition that the love they still share is the purest expression of their proud individuality, strikes us with a terrible poignancy. The flight to Paris becomes something more than a farcical adventure: It's a matter of life and death.

Successful as it is at presenting the play's glossy comic surfaces -- Duncan's honey-dipped politesse as she serves coffee in the last scene is alone worth the price of admission -- the production more crucially reawakens us to the radical ideas that Coward dressed up in funny banter: Here and elsewhere, the playwright questions the nature of love as it has been codified and celebrated through centuries of Western culture. Is it, as Sibyl and Victor and the rest are led to believe, a state of placid comfort, a happily-ever-after heaven on earth? (Tellingly, Coward chooses to make clear that Amanda and Elyot don't buy the standard religious pieties either.) Or is it simply an electric current between two personalities that can express itself in combat just as naturally as cuddling, flippancy as naturally as fond declarations?

Whatever name it is given, the feeling between Amanda and Elyot is a force so powerful it even manages to set a few fires in the temperate hearts of Sibyl and Victor. But even as these two bring the play to its farcical finale, tearing at each other with a violence that silences their amused spouses, Rickman and Duncan rivet the attention with a mere glance, as Elyot looks imploringly at Amanda and reaches gently for her hand. The moment contains a sad irony to rival the comic one in the foreground: It's only when these two wonderfully articulate creatures aren't saying a word that they can really communicate.
Sue
England - Monday, April 29, 2002 at 05:55:25 (PDT)

Oafish? OAFISH???????Pah!
Jules
UK - Monday, April 29, 2002 at 05:27:59 (PDT)

And one from the New York Daily News:

Coward's Classic, Classily Done

Noel Coward's "Private Lives" has weathered seven decades with unusual grace. It has even survived productions with Elizabeth Taylor and Joan Collins.

You're not going to see it more elegantly performed than in the current revival, imported from London, starring Alan Rickman and Lindsay Duncan, who last appeared on Broadway together 15 years ago in "Les Liaisons Dangereuses," then as now directed by Howard Davies.

They play Elyot and Amanda, '20s London Smart Setters, divorced for five years, each now honeymooning with a new spouse in a French hotel, where their terraces adjoin.

Duncan is perfect for Coward. Her lithe body has a natural elegance. Her features are exquisite, and when she smiles, the radiance in her eyes fills the theater.

Lindsay Duncan and Alan Rickman in a revival of 'Private Lives' directed by Howard Davies, who oversaw them in 'Les Liaisons Dangereuses.' One of the high points of the first act comes when they make their discovery of a potentially disastrous coincidence. A band is playing "Someday I'll Find You," which is their song. Elyot, not yet having seen Amanda next door, begins humming. She then starts humming. When he gives her a startled look, she beams him that extraordinary smile. The effect is both hilarious and warm.

Rickman is not a conventional choice for Elyot. His face has a kind of oafish quality, his voice is gruff, his manner a bit crude, not like the refined types who generally play the part. But the counterpoint of his earthy swagger and her ethereal poise gives the play a modern tone. By contrast, their spouses, played by Emma Fielding and Adam Godley, seem very much period types.

For the first act, which has the wit, elegance and polish of a Mozart string quartet, it all blends harmoniously. The second act, when Elyot and Amanda have deserted their new loves and taken refuge in Amanda's flat in Paris, becomes problematic. It is as if Davies instructed his cast to play it seriously, which seems too stark a contrast to the effervescence of what has come before and the rambunctiousness that follows, when everyone is again in great form.

The terraces Tim Hatley has designed are unusually opulent. Jenny Beavan's costumes have great period flair. Her first-act gown for Duncan is the essence of chic.

Coward was an object of derision for Britain's Angry Young Men in the '50s. Yet many of their plays now seem far more dated. When "Private Lives" is performed this well, its charm feels timeless.

I've included a link to the review because the article contains an unseen pic (by me) of LD and AR sprawled on a couch ... click here
Annette
Mansfield, Tx - Monday, April 29, 2002 at 05:21:43 (PDT)

I didn't see this review posted yet from the NY Post, so here it is:

'PRIVATE' FIRST CLASS

By CLIVE BARNES

April 29, 2002

THEY can't live with one another and they can't live without one another. Sounds familiar? Of course, it's Elyot and Amanda again, the battling lovers of Noel Coward's "Private Lives. "These two have probably appeared on Broadway almost as often as Damon Runyon, and they returned last night to the Richard Rodgers Theatre, once more to spread their wayward magic.

But they returned with a fierce edge of difference. This is a surprising, electric "Private Lives," done jungle-style.

This Elyot and Amanda have the heady scent of an entire zoo of predators.

Credit for this extraordinary change of pace must go to the director Howard Davies, who can always see a skull beneath its skin, and two fantastically gifted actors, the dangerously sublime Lindsay Duncan and the sublimely dangerous Alan Rickman.

Coward claims to have written this disarmingly disciplined masterpiece in a few days. Doubtless he did. But a wealth of feeling and experience went into those few days. Like many great plays - for example Strindberg's class- and sex-obsessed "Miss Julie," - the story is so simple it's scarcely worth repeating. A once-married couple meet on adjacent hotel balconies on the French Riviera - with a coincidence breathtaking enough to convert a non-believer into acceptance of destiny - on the first night of their respective honeymoons to other people. After politely tortured small-talk, the seemingly unquenchable embers of their love flame up into hot lust. They grab their still unpacked suitcases and decamp at once to Paris. All too often, this tale, with its modestly predictable outcome, is presented in the clipped tones and bored superiority of a Coward caricature, who bears a teacup in one hand and a veddy, veddy dry martini in the other. We are neither shaken nor stirred.

Now Davies, Rickman and Duncan have peeled back the facade of upper middle class behavior to lay bare a wild madness, hints of almost heroic evil and a cool, selfish sexuality. This Amanda and Elyot don't really give a fig for anyone and they don't even bother to use the spare fig leaves to cover it up. And both can recognize an obsession when they see one. Oh yes, they suffer - like spoiled children denied the one toy they dote on. Duncan, luxuriously sensual, has the grand and distanced air of a model from a 1930s glossy fashion magazine to whom polo, gambling, dancing and adultery were serious pursuits. And everything is either fun . . . or not fun. Rickman, feral and unsatiated, glittering eyes searching for his mirror image, is all shifty charm personified and wrapped up with a nonchalant and appealing seediness. The trickiness with such performances is that they could be too real for the flimsy structure of the play - that the actors might remind us too often of their earlier acclaimed Broadway duet in "Les Liaisons Dangereuses." But here, Davies' tact and Coward's sheer good humor keep that possibility pretty much at bay, although at times these record-bashing combatants are a little, as Coward puts it, "jagged with sophistication." Simpler humors are masterfully conveyed by the pair's naive, blustering and miserably unsympathetic dupes, the always superb Emma Fielding as Elyot's Sibyl (never has a Sibyl quibbled better) and an impeccably starched Adam Godley as Amanda's Victor. Completing the cast is Alex Belcourt's sulky French maid, who manages the best pratfall seen on Broadway since Michael Crawford in "Black Comedy." Take these provocative joys, add settings by Tim Hatley that playfully echo the play's mood, costumes by Jenny Beavan's that unerringly catch the period, and skillful lighting by Peter Mumford that makes time its essence, and you have a blissful night of wicked enchantment.
Annette
Mansfield, Tx - Monday, April 29, 2002 at 05:13:10 (PDT)

The Variety and the AP reviews were amazing (making the NY Time's look tepid!)!!! Congratulations to All! So well deserved! 59 days left for me....and counting! Can hardly wait for The Tony's, The Critics Choice Awards...and what else?
Constance
Cary, NC USA - Monday, April 29, 2002 at 05:01:35 (PDT)

Certainly looks like it's Tony-time again, doesn't it? What other awards are available to them in the States - critics' awards, that sort of thing?
Jules
UK - Monday, April 29, 2002 at 04:41:14 (PDT)

Great review on Variety page plus super pic.I think you will have to sign up but I will try the link
Sue
England - Monday, April 29, 2002 at 04:03:43 (PDT)

And here's Associated Press for you:

Review: `Private Lives': Gloriously dissecting the leasures and pain of love
Sun Apr 28, 9:06 PM ET
By MICHAEL KUCHWARA, AP Drama Critic

NEW YORK - There's new life to be found in "Private Lives," the popular Noel Coward comedy first seen on Broadway more than 70 years ago and which hasn't been offstage since.

The production, which opened Sunday at the Richard Rodgers Theatre, is blissfully funny � sharp and chic, as well as insightful into the destructive things people do to the ones they care about the most.

By now, we all know � or should know � the story. Amanda and Elyot, divorced five years ago, meet accidentally on their Riviera honeymoons with new spouses, Victor and Sibyl. The flame may have flickered between the ex-helpmates but it never entirely went out. The only thing to do is run off together to Paris.

"We're being terribly bad, so terribly bad, we'll suffer for this. I know we shall," says the overly dramatic Amanda. "It can't be helped," counters Elyot � and she readily agrees. The two spend the rest of the play dealing with their impetuous decision.

What makes Davies' production, seen in London earlier this season, so successful is that he has grounded the frivolity of both Amanda and Elyot in the couple's awareness of the high cost of their shenanigans. It reaches its high point in a wistful duet between the two, combining Coward's "Someday I'll Find You" � sung in the original by Coward and Gertrude Lawrence � with his "If Love Were All," interpolated into the show by Davies.

Duncan and Rickman are not singers, but they are accomplished performers, getting the emotional underpinnings to those songs. Both, however, are expert comedians.

Emma Fielding's Sibyl is equally proper and formidable in her own way, as the evening's very physical finale reveals. Alex Belcourt, as a most gymnastic French maid, completes the cast.

Magda
Canada - Monday, April 29, 2002 at 03:52:41 (PDT)

Good morning! When I went to bed at 11pm last night, the last thought in my head was: they have put the paper to bed & the presses are runnning (of coarse all the while aware that AR doesn't care), then I awoke at 4:30am and the first thought in my head was...are the reviews out yet!? And never to be dissapointed by our contributers....there it was! So glad he liked it! Not much gushing... but that's The Times for you....lol :~)
Constance <madaboutron4@yahoo.comfoo>
Cary, NC USA - Monday, April 29, 2002 at 03:18:28 (PDT)

He liked it then...!!
Sue
- Monday, April 29, 2002 at 02:09:55 (PDT)

Thanks for the lovely picture Keyser...
Amy
UK - Monday, April 29, 2002 at 01:33:25 (PDT)

Alan and Lindsey pic in PL
Harlii
- Sunday, April 28, 2002 at 22:48:44 (PDT)

And there's another lovely picture, can someone link it? http://www.nytimes.com/2002/04/29/arts/theater/29PRIV.html
Trisha <patricia.schuman@gte.netfoo>
Bothell, WA United States - Sunday, April 28, 2002 at 22:02:32 (PDT)

I hope this isn't too long-review from NY Times

Take Hate, Add Love and Shake Tenderly By BEN BRANTLEY

It's been more than five years since Amanda and Elyot have been cheek to cheek, and the occasion is honored with a silence that roars like the ocean. Lest you doubt this is serious stuff, check out the expression on her face, seen over his shoulder. It's a look of rapture, resignation and abject terror. As he will say later, none too happily, "We're in love all right."

The play is "Private Lives," and the subject � although you may have forgotten this � is sex. Or as Amanda describes it, "our chemical what d'you call 'ems." Since Amanda is played by the ravishing Lindsay Duncan and she is speaking to the equally ravishing Alan Rickman, no further definition is required. In Howard Davies's scintillating new revival of No�l Coward's best-known work, which opened last night at the Richard Rodgers Theater, the erotic bloom is restored to one of the funniest comedies of the 20th century. Although long dismissed as a stylish arrangement of smart surfaces, the implicit carnality in "Private Lives" stirred shivers among the censors of the Lord Chamberlain's office when it was presented for vetting in 1930

An immoral play" was the verdict of one Lord Cromer, who took especial offense at "the amorous business" of Act II, which he felt went "very far" and required caution in the staging. Mr. Rickman and Ms. Duncan, it should be noted, make you fully appreciate the old boy's alarm. But reviewers, that jaded breed, raised nary an eyebrow when the play first opened in the West End and on Broadway, starring Coward and Gertrude Lawrence.

What critical objections there were centered on the play's perceived superficiality. Coward, wrote Brooks Atkinson in The New York Times, "has nothing to say, and manages to say it with competent agility for three acts." The playwright himself dismissed it as "the lightest of light comedies." And most revivals � often laugh-milking showcases for aging glamour girls (Tallullah Bankhead, Elizabeth Taylor, Joan Collins) � seemed to confirm that opinion. But from the earliest performances of "Private Lives," others sensed a graver, more solid center beneath the froth. No less an admirer than T. E. Lawrence, who as Lawrence of Arabia knew a thing or two about conflicted passions, pronounced it a work with "bones and muscles." Generously add flesh and blood to that description and you have Mr. Davies's recipe for his vibrant interpretation of the play, which has only deepened since I saw it in London several months ago. The production, rest assured, doesn't scant on the expected cosmopolitan pleasures of "Private Lives," which portrays the combustible reunion of the long-divorced Amanda and Elyot when they run into each other on their respective honeymoons with Victor (Adam Godley) and Sybil (Emma Fielding).

Tim Hatley's exquisitely mannered sets, combining Deco geometry and sybaritic luxury, should instantly dispel any worries that this is one of those dreary deconstructions that drain the joy from a familiar frolic. Ditto Jenny Beavan's costumes, which as worn with disarming ease by Ms. Duncan and Mr. Rickman suggest that black tie and slouchy pajamas are interchangeable as evening wear.

Nor do any of the five ensemble members � deftly balanced out by Alex Belcourt as a casually contemptuous French maid � shortchange theatergoers who expect a full ticket's worth of rib tickling. The epigrams crackle or scathe, as called for; the comic pauses are as precise as Greenwich mean time, and when knockabout farce is demanded, the performers deliver it like a team of acrobatic clowns outfitted by Savile Row.

Nonetheless I was entirely sympathetic when at intermission I heard a woman ask her companion, "Is it all right for me to cry at No�l Coward?" Because this production finds the pathos in the idea of a couple who both love and despise each other with such finely matched ferocity. (So do the novels of Thomas Hardy, but they're less fun.) Apart they aren't fully alive; together they create the sort of damage that would make them an insurance underwriter's nightmare.

What makes this "Private Lives" pulse so convincingly is that you never doubt that Amanda and Elyot are, for better and worse, kindred souls. They are first glimpsed apart on adjacent balconies of a hotel in the South of France with their respective younger new spouses. Elyot has just married Sybil, a sweet, stubborn little matron in the making; Amanda is now partnered with the tweedy, gangly and virile Victor.

Despite some cooing and cuddling, the conversation doesn't flow easily for either set of honeymooners. The sardonic playfulness that is the first language of both Amanda and Elyot might as well be Albanian to Victor and Sibyl. Nor can the younger newlyweds begin to appreciate Amanda and Elyot's shared conviction that flippancy is a necessity because life is far too serious to be taken seriously. Never mind that when Amanda and Elyot become aware of each other's presence they aren't at all pleased to see each other. The very rhythms of the evening alter. Here at last are two people on the same wavelength. When Amanda speculates idly, as she had with Victor, on whose yacht that might be in the water, Elyot lazily gives exactly the right answer. As Ms. Duncan and Mr. Rickman present it, however, there's a tension and even a sadness beneath the linguistic game playing. Clever words, like smart clothes, are a counterweight to the urgent demands of the naked self. When Amanda and Elyot bolt from their honeymoons to her Paris apartment, the air is thick with equal parts glee and alarm. Mr. Rickman and Ms. Duncan convey this stinging self-consciousness beautifully. There are tasty hints of feminine vanity in him and masculine belligerence in her that make them seem all the better matched. When they sing snatches of songs to each other, you sense a shared language beyond language. Last seen on Broadway as the vicious aristocratic lovers of "Les Liaisons Dangereuses," also directed by Mr. Davies, they exude a natural two-sided familiarity that chafes even as it stimulates. As a consequence the hair-trigger reversals between adulation and irritation of the second act, as Amanda and Elyot make love and war, never seem forced or arbitrary.

In roles first played on Broadway by Laurence Olivier and Jill Esmond (Olivier's wife at the time), Mr. Godley and Ms. Fielding firmly hold their own comic ground. One wishes they were allowed to be a tad sexier, though. As it is, it's only their drolly drawn bourgeois solidity that justifies their appeal to the wayward Amanda and Elyot. It is said all too frequently that opposites attract. The truly subversive aspect of "Private Lives" is its sly insistence that like is drawn to � and repelled by � like. "I think very few people are completely normal, really, deep down in their private lives," Amanda says famously. Coward, a gay man in a country where homosexuality was legally punishable, knew all about private realms of shared sensuality. Mr. Davies, Mr. Rickman and Ms. Duncan translate that sense of a secret self, searching with hope and fear for its other half, into universal terms. Against this shadowy terrain, the glitter of "Private Lives" shines all the more bewitchingly.
Trisha <patricia.schuman@gte.netfoo>
Bothell, WA United States - Sunday, April 28, 2002 at 22:00:54 (PDT)

Keyser, wow!! great photo-- was it taken with a digital camera? Be so good as to fill in the details .. Did AR have any good comments at the stage door you will share? What were the differences in the fight scenes you alluded to? Thanks.
Juliana <daltrey63@hotmail.comfoo>
- Sunday, April 28, 2002 at 20:05:07 (PDT)

Sorry AGAIN, it's late and I got hom at 4:00 AM this morning so I guess I'm not typing very well. I MEANT to make the link open in a new window. With any luck, it worked this time!

The opening night performance started on Sunday at 6:00 PM.
Keyser <keyserfankf@mindspring.comfoo>
USA - Sunday, April 28, 2002 at 19:53:16 (PDT)

We're back home after seeing "Private Lives" twice this weekend (I also saw "The Crucible" and "The Elephant Man"). "Private Lives" was good both times. As Georgiana has described, it's interesting to notice the differences in each performance, especially in the "fight" scene. It was also interesting that the audience applauded for the SET both times!

As reported earlier, we did wait for Mr. Rickman after the Thursday performance. Click

here to see a photo of Mr. Rickman.
Keyser <keyserfankf@netscape.netfoo>
USA - Sunday, April 28, 2002 at 19:45:07 (PDT)

Was today's PL Premiere at the usual Sunday 3pm matinee or was it an evening performance? Wishing the cast all the best and wishing the New York critics.....all the best...taste!
Constance
Cary, NC USA - Sunday, April 28, 2002 at 18:07:54 (PDT)

Thought I would post this link as it will probably be the closest thing to a website for PL. No new information on it though. Click here
Annette
Mansfield, Tx - Sunday, April 28, 2002 at 17:16:13 (PDT)

This is my first posting, but I have been reading this GB for a little while. I wanted to express, one Kat to another, how lucky Kat was to have such a wonderful experience! I will be in NYC for a whole week and I will have to see how many coffee shops I can go into :), and I don't even drink coffee!! Thanks to evryone for the wonderful descriptions of the play experience. I also like hearing about other plays. We are a little overwhelmed with the choices for our other evenings. Reading the NY Times makes everything seem impossible to miss.
Kat <katholtz@juno.comfoo>
Kent, OH USA - Sunday, April 28, 2002 at 15:54:23 (PDT)

Amy - excellent wallpaper! I really liked the first RHPOT one for the pics on the wall! Nice touch.

Also great to get the first NY Times reports on PL; sure there'll be loads more tomorrow as it's opening night tonight...!
Catherine <catherineharpham@hotmail.co.ukfoo>
Reading, England - Sunday, April 28, 2002 at 14:56:14 (PDT)

Hi, does anyone know what U.S. news channel will be reviewing "Private Lives" tonight and/or what time? Thanks
Amy L.
NY USA - Sunday, April 28, 2002 at 14:42:00 (PDT)

yes, that is Kevin Costner in the prison...long hair and beard since he had been in prison a while
Juliana <daltrey63@hotmail.comfoo>
- Sunday, April 28, 2002 at 14:24:08 (PDT)

This may very well sound slightly stupid and not really to do with Alan Rickman, but in RHPoT, at the very star in the prisons, the man playing Robin-is he Kevin Costner or not?

*ahem.* sorry about that.

Patti-mostly what Harlii said (very tired and can't be bothered to type any more than I have too) but also the fact that not ALL 14 year old girls are giggly, rude, loud and immature. That's pretty unfair too.
At least, I don't THINK I'm giggly, rude loud and immature!
Daisy
Bristol, UK - Sunday, April 28, 2002 at 14:20:11 (PDT)

Christine, I can only indirectly answer your questions. In London, he was out between Saturday performances for the ones I saw, except one Saturday when he had a bad cold and was out and in within 10 minutes of curtain, so many people waiting missed him as they were not out of the theatre soon enough. As to packages, most theaters have coat rooms where they will check your belongings. I checked my suitcase (for $1, pre-paid) at "Fortune's Fool" when I arrived directly from Laguardia. I did not go hunting for the coat room at the Richard Rodgers my one outing there, but I can't imagine they would be lacking.
Georgiana <gellis@drizzle.comfoo>
Seattle - Sunday, April 28, 2002 at 12:23:20 (PDT)

I have a couple of questions that perhaps some experienced PL attendees could answer:
Does Mr. Rickman always come out to sign autographs after the Saturday matinee performance? If I can manage a day-trip to NYC, that would be the only one I could attend... I'm afraid he might pick that day to decide he needs a nap between performances, or is otherwise too ill or busy with interviewers to come out.
Also, does the RR Theater check bags that they decide are too large (or the contents, meaning a camera, are unacceptable). By "check" I mean holding onto the bag, perhaps for a fee, so that the offender can retrieve it after the play? I know some have said they have breezed on through with backpacks, but does anyone know for sure what happens to those who are stopped? I'd hate to be told at the door that "there's a place X number of blocks away where you can rent a locker".
Thanks in advance for any answers.
Christine
USA - Sunday, April 28, 2002 at 11:48:07 (PDT)

Link fixed.

Thanks for posting that wonderful NY Times interview and photo!

Re: Opening Night Gift. Yes, we definitely outdid ourselves this time around. :-) And don't worry, Constance, the flower arrangements will be delivered to their dressing rooms.

And thanks to everyone for all your PL reports! They are all so different and enjoyable to read.

Suzanne <Suz@mail.usa.comfoo>
TX USA - Sunday, April 28, 2002 at 11:41:29 (PDT)

Thanks Georgiana for posting the link... :) I am pretty dull when it comes to web pages. Thank heavens I have a clever husband who does it for me..
Amy
UK - Sunday, April 28, 2002 at 10:47:11 (PDT)

Hey Georgiana....Don't worry....I have the same kind of problem before my morning shot of caffiene! LOL Plus it is quite early in your part of the world for a Sunday!

Also, welcome Denise...I always like to see a familiar name from the ARExp group here!
Claudia <flipper828@aol.comfoo>
GA USA - Sunday, April 28, 2002 at 07:06:58 (PDT)

I think I'll give up now and slink off and make my morning latte...
Georgiana
Seattle - Sunday, April 28, 2002 at 06:57:40 (PDT)

I'll try again, with a 'close' to the link. Please, oh DoC, repair my error!

Here's a link to the NY Times article that Renie posted. It contains a NY rehearsal photo--clearly looks to have been shot in the midst of New York's heat wave a week or so ago. You may have to be registered at their site (no charge) to access this.
Georgiana <gellis@drizzle.comfoo>
Seattle - Sunday, April 28, 2002 at 06:56:22 (PDT)

Here's a link to the wallpapers page Amy referenced.
Georgiana <gellis@drizzle.comfoo>
Seattle - Sunday, April 28, 2002 at 06:49:06 (PDT)

What a glorious interview!! Thank you for posting that!What a way to start a Sunday!

I was wondering about the flowers; are they to be delivered to the theatre by the florist? Or will they be presented award style at the Stage Door? I cannot imagine someone stading outside on the busy B'way street for 1 hour waiting for AR to appear, holding this mammoth flower arragement.I would imagine the flowers would be wilted by the time he appears! Or from being jostled by crazed women!I know...... I am a "worrywart" and sitting here in NC, should trust that smart/sensible Suzanne has got it under control. I mean, if she can manage us, a rowdy lot, I am sure she can manage the flowers. lol
Constance <madaboutron4@yahoo.comfoo>
Cary, NC USA - Sunday, April 28, 2002 at 06:44:37 (PDT)

Glad you liked the WP... I have a Dogma one in the pipeline Sally.... No Matt Damon on it though, sorry. But I agree with you, having seen him in Dogma, would like to see him in more. Amy
Amy
UK - Sunday, April 28, 2002 at 06:20:21 (PDT)

Or "are" even...! Talking of Galaxy Quest, and Enrico Callentoni, the actor who plays the leader of the beleaguered aliens, I am going to see him in Neil LaBute's "The Distance from Here" next week at the Almeida. Last night I went to see "This is Our Youth", principally to see Matt Damon, who's taken over the role from Hayden Christianssen, a production I also saw. This is not to reel off a list of productions I have seen, but only to conclude that this GB is a fine thing. If AR reads this GB( which I very much doubt) as a result of getting the flowers, as someone suggested, then I would be proud, and not ashamed of his reading it, because any disagreements or arguments we may have had are part and parcel of the process of interacting that we as human beings do, are they not? If we did not interact, share information, inform each other, then I doubt whether I would have seen or be seeing the plays I mentioned above. For instance, I have basically learned about Matt Damon through seeing Dogma and then other things, same with Enrico-through GQ- and the Almeida through AR's involvement with it, etc, etc. So there you go!
And what a journey I have had in the last few months, thanks to this GB; the films I have seen, the plays, the people I have come to know, the new skills I have learned, and the new landscapes they have made me master!

But- if anyone's interested.......!!!
Matt was about six million times better than Hayden was. He played the role totally differently. For a start off, he was the complete extravert; Hayden was a sulkier, gloomier presence. He was upbeat, had strong stage presence, was incredibly confident, smiled more and played the role with far more gusto and comedy. (He will go far, already has gone far.) When he had a long speech, at the end, he played it with such sensitivity and understanding that what had hitherto been a long, boring, monotone speech with Hayden, became suddenly alive, something interesting that I listened to, hanging on every word. I finally UNDERSTOOD the play, whereas before, I missed great chunks of meaning. I will watch out for this boy in future. Thank you GB, thank you all.
Sally
London, UK - Sunday, April 28, 2002 at 06:11:51 (PDT)

Amy, -Thanks so much for the lovely wallpapers, lurvvve the ones of George. XX
Branca
UK - Sunday, April 28, 2002 at 05:46:06 (PDT)

Thanks, to you to Amy. Lovely wallpapers! You aar clever. I particularly loved the Galaxy Quest one, as that is a particular favourite of mine.
Sally
London, UK - Sunday, April 28, 2002 at 05:22:57 (PDT)

Renie, Yes, indeed, thank you for that article. I loved reading it..looking for a copy today. In my humble opinion, AR just gets better with age. Yummy picture in the link. Amy, thanks for a GREAT wallpaper site...lovely.
Juliana <daltrey63@hotmail.comfoo>
- Sunday, April 28, 2002 at 05:19:50 (PDT)

Renie: Thank you VERY much indeed for typing up that article. I had, in fact seen it myself earlier thanks to being email-alerted by the NY Times, but having read it myself, I thought, Let someone else type that up, please, dear God! because it would have taken me forever! So thanks, Renie. That was a real labour of love on your part! And how interesting too! (He looks tanned in that photo! He's either been sunning himself or he's been using a sunbed at the Carlyle, or wherever it is he's staying- the lucky so and so!) That Telegiraffe is pretty good too. Remind me where that is, please? I'd forgotten about it.Is it on Fausta's site? Thanks again, Sally
Sally
London, UK - Sunday, April 28, 2002 at 05:14:25 (PDT)

Hi, Don't know if anyone is interested, but I have a website up and running with AR wallpaper. I can't do links, but the address is WWW.ollienet.freeserve.co.uk.
Amy
UK - Sunday, April 28, 2002 at 04:02:04 (PDT)

Pattie, I'd argue that it IS okay to be so wrapped up in Alan Rickman, his work, his talent, his looks, and NOT be one of those you mentioned who knocked your friend to the side. The two are not necessarily one in the same, i.e. that kind of behavior and being absorbed by the man. Also, I'd love to hear from the ladies themselves how THEY viewed what happened or from another bystander. Is it possible that from your vantage point it looked as if your friend was closer to AR than they were? Could it be possible he was equally close/distant to both your friend and the group and to them, was close enough to reach towards him, not realizing they'd knocked into someone who was maybe a tad closer? I hate to see you make such a general negative statement about all of us who are so *wrapped up in him* as you put it, and those who seemingly have no regard, no sense of decorum in the presence of AR and other fans. It's really unfair.
Harlii <lmhpr00@knology.netfoo>
- Sunday, April 28, 2002 at 02:34:38 (PDT)

Forgot to mention, photo here at the DT Rickman main page as well.
R
Fingers included...., - Saturday, April 27, 2002 at 23:27:46 (PDT)

This bit from Duncan about Amanda and Elyot is just so spot on. "Both of them have a vitality and a recklessness, as if they are living that fantasy that we all have about being that reckless...and loving that passionately. It's at the heart of people's fantasies about falling in love. They play silly games and are foolish and yet they seem to be living life just a notch above the level of most of the rest of us." Love that. Here's the whole article (which will appear at the DT on the Private Lives page) from tomorrow's NYTimes.

April 28, 2002
New York Times
Straight to the Heart of No�l Coward's Wit
By MATT WOLF

FIFTEEN years ago, two visiting British actors, Alan Rickman and Lindsay Duncan, raised sexual cunning to a terrifying art on Broadway in "Les Liaisons Dangereuses." As aristocratic partners in Christopher Hampton's stage adaptation of the Choderlos de Laclos novel of 1782, their sex and power games had diabolical consequences. Writing in The New York Times, Frank Rich said the play's malicious wit was "fueled further by a pair of brilliant lead players."

Tonight, directed again by Howard Davies, they open once more together on Broadway, this time as battle-scarred but deeply attuned lovers. At the Richard Rodgers Theater, they are portraying Elyot and Amanda, the on again/off again/on again partners in "Private Lives," No�l Coward's 1930 comedy of manners in which the two chief characters seem quite unable to live together or apart.

Imported from London, following rave reviews last fall and seven Olivier Award nominations in February (the production won three, including one for Ms. Duncan as best actress), the West End cast has remained intact. Besides Mr. Rickman and Ms. Duncan, Adam Godley and Emma Fielding are on hand as Victor and Sibyl, the interim spouses in Amanda and Elyot's quite deliberate inflammatory domestic arrangement, and Alex Belcourt is the maid who briefly adds to the mayhem. (Lest Ms. Belcourt seem an outsider to events, she is in fact married to Mr. Godley.)

Since the two stars last played Broadway, Ms. Duncan, who is 51, has appeared with some regularity in the New York theater, on Broadway in 1996 in "A Midsummer Night's Dream," Off Broadway subsequently in Harold Pinter's "Ashes to Ashes" and, last summer, in a Pinter double bill, "Celebration" and "The Room." Mr. Rickman has starred in such disparate movies as "Die Hard" (1988), "Truly Madly Deeply" and "Robin Hood: Prince of Thieves" (both 1991) and, most recently, "Harry Potter and the Sorcerer's Stone," in which he played Snape, the villain of the piece. Mr. Rickman, who is 56, has just finished shooting the first of many Harry Potter sequels to come.

Early one evening in March near the end of the play's London run, the two performers met in Mr. Rickman's dressing room with Matt Wolf, the London theater critic for Variety, to talk about "Private Lives." Here are excerpts from the conversation.

� MATT WOLF: When you both finished "Les Liaisons," was there any sense of unfinished business? Did you say, "Someday we must do `Private Lives' "?

LINDSAY DUNCAN: (Laughs) Oh, no! We did "Troilus and Cressida" together, but we didn't work together, of course.

RICKMAN: Achilles and Helen don't have too much to say to each other. They're too busy posing.

DUNCAN: And a damn good thing, too! We've hardly ever worked together. After two years of delivering "Les Liaisons," the idea of another project was the last thing on our minds.

RICKMAN: Or even acting ever again.

DUNCAN: It was more like, "Let's go to the nearest bar for rather a long time," yes, but "Let's do something else"? No.

WOLF: What was the impetus for the production?

RICKMAN: I said yes because I knew we would all approach the play from a very direct starting point, knowing that Howard had at first turned it down. Then a smart producer said to him, "Have you actually read it?" He said no and read it and basically fell in love with what to him was a new play. So that was a good start.

WOLF: Presumably, your success with it has to do with playing it for keeps, free of posturing or camp.

RICKMAN: I think we instinctively knew we would basically be saying the lines without any of the usual stuff that comes with No�l Coward. It's at that point that you start to realize how brilliantly constructed the play is.

DUNCAN: As with any play, you think: "Who are these people? What are they saying to each other? How do they go about their relationship with each other and with Victor and Sibyl?" What is revealed is No�l Coward's heart as much as his wit, which you kind of get for nothing; it's all there in the play. I can't think why you wouldn't want to make these people real. It's the writing first; we never discussed any style.

RICKMAN: In rehearsal, I think one of the most � I won't say encouraging, but it was showing us where to go � was this idea of the more serious it was, the more Howard laughed. It wasn't that Howard was trying to be ingratiating; he just genuinely found it funnier and funnier the more we were true.

DUNCAN: What Coward understands is that if someone makes you laugh, it's a direct line to your heart. It is quite sophisticated wit, but it's also ridiculous and childish, and that's the intimate side of it. He is showing something very private about them. WOLF: How well did you know the play?

RICKMAN: I wasn't that familiar with it.

DUNCAN: No, but audiences are.

RICKMAN: I saw it at the National in 1999 with Anton Lesser and Juliet Stevenson. But I thought this was far enough away; in many ways, it was like reading something new.

DUNCAN: People do remember the lines and latch on to the wit that has gone down through the decades. There's no getting away with it: it's the same with Shakespeare. This is an extremely popular play, and also very manageable: it's got five people in the cast. So the task is to get an audience to hear it as if for the first time. (To Rickman) I mean, you've played Hamlet, so you know you've got to find your way around what the audience already thinks they know.

RICKMAN: It is a bit of a hurdle. On the other hand, when I was playing Hamlet, I wasn't thinking of any other Shakespeare plays.

WOLF: I've had people wonder whether this was a deconstruction of "Private Lives."

DUNCAN: People ask us if it's been rewritten. (She laughs). Not very likely. Look, we've set it in the same period, we've done nothing (she breaks the word down into its component syllables) ra-di-cal; I mean, the sets are quite a strong statement but they're not odd in any way. We are doing the play: the first call is the writing, really. You just go to that; you start with that.

WOLF: How do you set about playing the play, in practical terms?

DUNCAN: You need some dexterity. These characters are very quick-witted, and it requires that you think and speak quickly and with precision because the language has to have clarity. Although it sounds very modern, there is nothing sort of casual or 2002 about it. Amanda and Elyot say what they say because the other person says something: these are two people working off each other who know each other very, very well.

WOLF: Does the audience, do you think, regard Amanda and Elyot as being recognizably them or recognizably not them?

DUNCAN: That's the fascination: you don't literally want to watch your lives onstage if you've made an effort to leave the house. But I also think Amanda and Elyot are recognizable. And so much of the humor as well as the more moving moments comes from that fact.

RICKMAN: Yes, and in the middle of their beautifully phrased exchanges, they're incredibly capable of saying, "Shut up," or "Be quiet," or smacking each other; it's very non-P.C.

DUNCAN: They just lose control.

RICKMAN: And at the same time, the gauntlets are flung down throughout the evening as to whether you choose to recognize yourself or not. Although it's not as if Amanda and Elyot think they're in any way like us or even know what normal is. As Amanda says, "What is normal?"

DUNCAN: Both of them have a vitality and a recklessness, as if they are living that fantasy that we all have about being that reckless��

RICKMAN: Childish��

DUNCAN: And loving that passionately. It's at the heart of people's fantasies about falling in love. They play silly games and are foolish and yet they seem to be living life just a notch above the level of most of the rest of us. That element of just moving on is what I so love: get that suitcase and go. It's fabulous: they are ruthless, absolutely ruthless.

WOLF: What happens, then, after the curtain falls? Can you imagine a "Private Lives, Part 2?"

RICKMAN: (Smiles wryly) Well, I'm always sure that they're fighting before they get to the street��

DUNCAN: (Laughing) Screaming at each other. All relations are flawed, but Amanda and Elyot's is hugely flawed. They'd be lucky to make it to the pavement." ��

Renie <reniept@hotmail.com foo>
CA, - Saturday, April 27, 2002 at 22:54:08 (PDT)

I've watched this forum on and off for the last few years, having difficulty believing how wrapped up most of the contributors are in Alan Rickman. I saw Private Lives this afternoon with some friends. As we were leaving the theatre, I noticed a gaggle of women at the stage door. I asked my friend, who has also watched and contributed to this forum in the past, if the group standing there might be some of the people from this board. Apparently there have been photo links posted here in the past, and she recognized some of the faces. We were going to keep walking, but a second friend wanted his signature. These women proceeded to push in front of my friend, who was less than a foot away from Alan Rickman. She was far too polite to say anything to them. He was gracious, and signed her Playbill which, by the way, is given free at every theatre for every show in NYC. Fortunately, she wasn't trampled, and the rest of the group did not have to run interference for her. I find it appalling for grown women to behave like 14 year old girls. I also have difficulty understanding the fixation most of this boards contributors have with the man. Granted, he's a talented, gifted actor, but he is a man, not a deity. Is it necessary for adult women to behave like lovsick schoolgirls in his presence? Something tells me he wouldn't find it attractive.
Pattie
New York, NY - Saturday, April 27, 2002 at 21:50:13 (PDT)

I hope you ladies will be kind and over look my typos on the last guestbook entry. I also have pretty severe nerve damage and I cannot always tell if I am actually hitting the keyboard's keys or not. I actually have to watch my typing in order to be sure I have hit the keys due to mostly numb and/or tingling fingers! Another fun gift bestowed by diabetes. But I'll take this chance to say again: Wow Kat! I really wish I was as lucky as you! Love Always, Denise Radcliffe
Denise Radcliffe <dradcliffe@ndak.netfoo>
Minot AFB, ND United States - Saturday, April 27, 2002 at 21:26:03 (PDT)

Kat...wow! You are a very lucky girl! I sure wish I was you! Some of the names on this guestbook I recognize from the many e-mail lists I belong to...you all are very lucky ANY of you who have met or been able to see the play Private Lives! I would give my right arm to be any of you! Due to our recent military move and the lack of staff in my husband's postion...I am stuck here. I have had diabetes for 36 of my 37 years of life and after the move it has been harder to keep in control. Daniel can't get leave so I can't go as I'm not in good enough control to drive there myself. Plane tickets ontop of hotel & ticket expense is out of the question. I can affor the play tickets & hotel but not with a plane ticket added...so ***SOB*** I will not be seeing Private Lives. But I do enjoy hearing all about it and I hope you all keep writing about your meetings with the man! But Kat...I wish I were you! :o) Love Always, Denise Radcliffe
Denise Radcliffe <dradcliffe@ndak.netfoo>
Minot AFB, ND United States - Saturday, April 27, 2002 at 21:13:21 (PDT)

Thanks Toby for the stage door info! I cant even imagine what it must have been like to be that close to him during the play, could you even breathe? Did you get to meet him at the stage door? What was that like?
linda
nj usa - Saturday, April 27, 2002 at 19:22:30 (PDT)

The opening night presentation gifts are exquisite. I am so tempted to make the trip to the City just for the stage door scene. I've got to convince myself that it won't be a serious career incident to be up to 2:00 AM on a work night and that semi-consciousness at an 8:00 AM meeting will be overlooked. So I'm counting on y'all to give a complete account in minute detail of all that happens!
Toby
Newtown, CT US - Saturday, April 27, 2002 at 19:19:35 (PDT)

Hi, Linda. I've been on both sides of the stage door and you have the advantage being on the side that looks into the opening door (that would be the side farthest from the main theatre entrance). Not only do you see him while he is still inside but he apparently tends to start his "fan smoozing" with the first folks he sees.

I saw PL for the second time last night, 26 Apr. The Ticketmaster gods will extract their due for this -- I had a front row left-of-center seat. I could have stood up and touched him for most of the first act. You could see every nuance of expression. A once-in-a-lifetime experience. I also have to say that I've had so much fun because of this website and Fausta's website. Two Rickmanistas were sitting behind me last night and I met 4 more at the stage door. We had such a good time.

Toby
Newtown, CT US - Saturday, April 27, 2002 at 19:13:16 (PDT)

Would like to know from those fortunate enough to meet AR recently at the stage door, is there a particular place to stand in order to get a better chance at an autograph? I noticed some barricades going up after leaving the theater last Sunday (my party wouldnt let me stay), how are they set up? Going again May 5, could someone let me know soon! Thanks
linda
nj usa - Saturday, April 27, 2002 at 17:04:21 (PDT)

Well, I think everyone knows me well enough by now to realize how honest a statement that is. I don't look at my thoughts or comments as *hoochie mama-ish* but others do, so...But I plan to behave in NY, trust me. Don't want to get the eyebrow and then maybe a bonk on the head by his *man-purse*.
Harlii
- Saturday, April 27, 2002 at 16:47:55 (PDT)

Harlii- oh my God....."Hoochie Mama question"....... I am laughing so hard , I may fall off of this chair. or have another physical problem if you know what I mean ...lol, lol, lol, lol, good question- I would like to know as well.
Juliana <daltrey63@hotmail.comfoo>
- Saturday, April 27, 2002 at 16:36:59 (PDT)

For those who have seen PL in NY, I read someone's review that left me with the impression that the playbills were free ... that they were handed out by the ushers. Is this true? And, is there some sort of book for sale at the theater that has other PL photos in them? I've seen other plays/musicals that have "the making of ..." type of books for sale in the theater lobby and was wondering if one had been published for the U.S. run of PL. Are there ANY PL souvenirs in the lobby?
Annette
Mansfield, Tx - Saturday, April 27, 2002 at 16:08:07 (PDT)

My negative influence has finally rubbed off on Georgiana. Heh. Here's a question for those of you who have already met AR...Did you get to ask him a sensible question or just have him sign your things? I'm just curious how far one can go chatting him up without getting the eyebrow...I've tried to think of a very intelligent, on-topic, non-hoochie mama type question that he might answer, without taking up a lot of time. Let me hear your thoughts. Thanks! (I know it will depend on how he's feeling, I just wanted to know if anyone else did chat him up besides just saying, "Loved the play.")
Harlii
- Saturday, April 27, 2002 at 16:07:21 (PDT)

*Ahem* that would be...Smelling him? Sorry!
Daisy
Bristol, UK - Saturday, April 27, 2002 at 16:04:24 (PDT)

Ackity ack! Would you belive I managed to leave for Scouts last night WITHOUT setting up the video for Alistair McGowan?! *Kicks self* Ah well, will have to scrounge tape off a friend...again!
Kat-You lucky person! But er...what does one do when one does not take sugar in coffee? him? That sounds like the kind of weird thing (no offence!) that I would do...! lol.
Daisy-recovering from watching American Pie 2, but dreading athletics even tomorrow! It never ends!
Bristol, UK - Saturday, April 27, 2002 at 16:02:22 (PDT)

Oh No.....Georgiana! Not you too!!!!! lol
Constance
USA - Saturday, April 27, 2002 at 14:57:34 (PDT)

I finally caught the last part of "The Whistle-Blower" on BBC America and there was one full scene with Texas' "In Demand" playing in the background. I found my mind wandering to mental images not on the screen...
Georgiana <gellis@drizzle.comfoo>
Seattle - Saturday, April 27, 2002 at 14:39:49 (PDT)

Harlii - you have mail! Ta for getting in touch.

Kat - Wow! you are one lucky lady! How on earth did you manage to remain so calm, especially when he recognised you?!

I only saw one section of McGowan's "Snape" last night, and unfortunately it was the bit where he as describing AR's voice in a less-than-complimentary manner! I am sure if I had seen the whole lot I would have enjoyed it as much as the rest of the UK viewers, but instead I am afraid I was muttering darkly about McGowan as I switched channels!!

Re - the Maureen Paton bio. I have read it and found it to contain only three main topics; AR's working class roots, the Riverside studios, and (in some cases inaccurate!) film synopses. No wonder Mr. Rickman doesn't approve.

Off now to re-watch Dogma!
Catherine <catherineharpham@hotmail.co.ukfoo>
Reading, England - Saturday, April 27, 2002 at 13:34:57 (PDT)

Sue: No..... that's only in TEXAS!lol
Constance ( right, Suz...)
USA - Saturday, April 27, 2002 at 13:00:45 (PDT)

Constance - I thought "EVERYTHING" was bigger in the States!!LOL
Sue
I recorded A McGowan as I too was laughing so much I missed half of it, England - Saturday, April 27, 2002 at 10:44:38 (PDT)

Thanks to the flower/gift arrangers. Having the website address on the card worries me just a little; even if Alan is not tempted to surf on in for a look-see, perhaps someone else in the cast or crew or just a friend might check us out to see what kind of place this is. So please, let's all be on our best behavior. Sorry if that sounds condescending -- just meant to be a friendly reminder.

Kat -- wow! Were you actually going to drink that "coffee" or were you just going to keep adding sugar until he either noticed you or left? ;) Good for you!
Christine
USA - Saturday, April 27, 2002 at 10:42:17 (PDT)

Just a quick note - we're going to see "Private Lives" this afternoon before leaving. I also see "The Elephant Man"tonight.

We saw "The Crucible" with Liam Neeson and Laura Linney last night. It was wonderful. Catch it when you're here if you can.
Keyser <keyserfankf@netscape.netfoo>
New York City, Times Square Visitors Center (for now), USA - Saturday, April 27, 2002 at 09:49:50 (PDT)

Suzanne! Thank you for the report on the flowers and gifts!!!! What a buzz to feel connected to something as lovely as that gesture! Is this bigger than the London gift?
Constance
Cary, NC USA - Saturday, April 27, 2002 at 09:22:39 (PDT)

McGowan was hilarious. Is he going to make Snape a regular character? Hope so. Did anyone record it or note what they said? I was laughing too much to concentrate but just thought it would be nice if someone could post a transcript so our overseas friends can share the fun. (Some of you are getting a bit too much fun it seems- Kat, you're so lucky!)
Jane
UK - Saturday, April 27, 2002 at 08:10:00 (PDT)

Thank you Magda and GML for the explanations.

GML, I've seen LLD from Roger Vadim a long time ago. I remember I was very deceived. After the brillant movie from Stephen Frear (Sorry for Alan, but il was brillant even without him), and even Forman's one, the french film seemed to me incredibly frozen. This story is all about sex and I didn't feel it at all in it. And if Jeanne Moreau is superb, Gerard Philippe is not a great Valmont. I adore him in other films (La Beaut� du Diable" with Michel Simon is one of my favourites ). I think that Roger Vadim wasn't a great director. Undress Brigitte Bardot has been his main talent and he built his celebrity on it ! And I'm sure that Gerard Philippe could have been far better than he is ! I don't even tell you about "Madame de Tourvel" she's simply non-existent ! But I try to see it again some day... Now that I'm older... Maybe I realize that I'm unfair... But tell us : what do you think about it ? Just one word again : I have seen "Sex Intentions" recently, with the young Buffy... It was... hollywoodian... but better than the Vadim 's !

Kat, I could kill to live a moment like this one !
Marialis
France - Saturday, April 27, 2002 at 03:45:04 (PDT)

Thanks, Suzanne: The flowers sound lovely!
Sally
London, UK - Saturday, April 27, 2002 at 03:44:56 (PDT)

Hello, Flaming! Where have you been? The moon?
Sally
London, UK - Saturday, April 27, 2002 at 03:42:46 (PDT)

I LOVE ALAN RICKMAN!!!!!!!!!!!!!!!!!!!!!!
simona horvathova <horvs@seznam.czfoo>
senec, slovakia SK - Saturday, April 27, 2002 at 03:38:38 (PDT)

Sally - hey me to, i thought McGowans reach for the glass was just very very Mr R! But the voice was falling into Nick Cotton a little which was a little worrying, I think even I can do a better Snapeish impression than him *give me a prime time show, PUT ME ON EARLIER DAMMIT* Have to admit his JOnathan Ross is superb :)

Whats next? Louis Potter and Chamber of Horrors?
flamingkitties <louise@bubbles16.freeserve.co.ukfoo>
- Saturday, April 27, 2002 at 01:16:59 (PDT)

PL Opening Night Flowers/Gift Report

I am delighted to report that we have collected a phenomenal $435.00. I've been working out all the details with a florist in New York that Anne (Manhattan) recommended (thank you!) and here's the breakdown:
Mrs. Duncan will receive a large, beautiful 24 inch bouquet for $85.
Mr. Rickman will receive a huge, gorgeous 40 inch bouquet for $200.
And included in his card will be a $150 gift certificate to Joe Allen restaurant.
The cards on both bouquets will say:

"Our very best wishes for another smashing success!
From all your friends who visit the Alan Rickman web-site (http://www.alan-rickman.com)"

Special thanks to Anne (Manhattan) for picking up the gift certificate and delivering it to the florist! Anne has also kindly offered to take a picture of the bouquets (because the florist couldn't) which will eventually be posted here for all to see. Thanks again, Anne!

And thanks a million to everyone for pitching in and making all of this possible! Give yourselves a round of applause. Opening Night is going to be spectacular!

Suzanne <Suz@mail.usa.comfoo>
TX USA - Friday, April 26, 2002 at 20:26:25 (PDT)

OHHHHHHHH! Kat!!!! God Almighty! Ack! Eeek! To read your post and have my heart race as it did makes me wonder of what sturdier stuff you are made of to live to tell us your story! If I were you, I would quit my present job ( what do you need $130,000 for anyway?) and get a position in that coffee shop, wiping tables, whatever! You must keep your priorities in order, dear! lol :~D
Constance <madaboutron4@yahoo.comfoo>
Cary, NC 27513 - Friday, April 26, 2002 at 18:51:34 (PDT)

Anne/Manhattan--please check your email- Juliana
Juliana <daltrey63@hotmail.comfoo>
- Friday, April 26, 2002 at 17:55:40 (PDT)

I think I agree with you on this one, Magda. Yes, I noticed the hand movement and thought, he's got that to a tee, and yes, the nose was a BIT bigger than AR's but only by a trifle!

God, that account of meeting AR is just so typical of him-and leaves you feeling kind of aaagh! It's just uncanny how out of the millions of faces he must see all the time, how he recognises people, and it's a bit unnerving when it's you! I reckon it's the artist in him-he's observant- and it's also this that helps him to be a good actor. Exciting all the same-you met him!WOW!!!!!
Sally
London, UK - Friday, April 26, 2002 at 17:27:00 (PDT)

Kat, good for you. I am envious. You must take the opportunity as it comes- it may not happen again. I'll bet he appreciated being recognized....What a MAN!!!
Juliana <daltrey63@hotmail.comfoo>
- Friday, April 26, 2002 at 17:13:37 (PDT)

Yeah - Sue,He got the look right even though the nose was a trifle larger than AR,s.The voice wasnt very good but did you notice the movement he made with his hand? That was a very good imitation of the man.
Magda
Aberdeen, - Friday, April 26, 2002 at 15:51:34 (PDT)

ACK!!! Kat! You had my heart racing. I'm sure I couldn't have gone to get any more sugar and would have just fainted outright! Lucky, lucky girl!
Harlii
- Friday, April 26, 2002 at 15:34:06 (PDT)

Thank you Melissa for the photo and Suzanne for posting it. But did anyone else notice that ARs name on the line underneath the pic was spelled 'Alan Ryckman'? The editor should have his heart cut out with a spoon! And thank you Kat for that close encounter ... how exciting for you!
Annette
Mansfield, Tx - Friday, April 26, 2002 at 15:05:58 (PDT)

Hi. I wasn't sure if I should post this or not, because of all the recent controversy here. But I thought you all might be interested in a Rickman sighting.

My friend is the Assistant Manager at a place in the city that serves coffee and tea (which shall remain nameless--I will say that it's NOT in the neighborhood of the RR), and when I dropped in to visit her on Tuesday, she told me that a very tall, very handsome and distinguished Brit bearing an uncanny resemblance to Alan Rickman had been coming into the establishment at uneven intervals for the past two weeks, ordering a hot drink (coffee or tea at random), stopping to look down at the little stand of newspapers by the register, and grabbing one at the last minute. He would pay for his purchases, and always said, "Have a lovely day." Then he would leave. She was terrified to ask if indeed he really was who she thought he was, especially since he seemed like he might be easily spooked by such a question and might run out, never to return again. He kept looking about him. So, intrepid girl that I am, I offered to check it out, since I've met him once already at the stage door for PL and would know if it was really him or not.

So I've gone there every day for the rest of the week, and today it paid off. I waited at the table closest to the door, sipping a coffee and keeping an eye out for the man. He walked in, 11:15 on the nose, ordered a small regular coffee with milk, no sugar (at which point I KNEW it was AR--you can't mistake The Voice), fumbled in his bag a moment for some cash, stopped, and grabbed a NYTimes.

Here is the part I am slightly ashamed of (I would never have gone up and started talking to him or anything, but I did want a closer look and maybe a sniff of his aftershave.) I decided that my coffee needed a little more sweetener, which, of course, was sitting about a foot and a half from Mr. Rickman's elbow. My friend was getting his coffee, and I was slowly stirring mine adding packet after packet of sugar, not looking at him, but kind of . . . smelling him. Please don't think I'm crazy! (He smelled delicious.) All of a sudden, he turned to take a napkin, saw me, RECOGNIZED me, and said, "Oh . . . hello. You again." He watched as I dumped three packets of sugar into my cup, and said, "I like a little coffee with my sugar." Or maybe he said, "I like SOME coffee . . . " I'm not totally sure, because he followed his statement with THE MOST BEAUTIFUL smile I have ever seen. He didn't look spooked or wary or anything, but then I didn't say anything or attempt to chase after him or grab him, either. He then took his coffee, tucked his paper under his arm, said, "Enjoy," and walked out to a waiting car, sitting about half a block up from the establishment.

I'm not sure if I will go back--I don't want him to think I am a stalker . . . and I don't think my heart could stand another experience like that one.

Kat
Kat <faerieslip@yahoo.comfoo>
NY USA - Friday, April 26, 2002 at 14:52:44 (PDT)

Here's the link to today's NY Post PL photo. from Melissa (Thank you!).

Suzanne <Suz@mail.usa.comfoo>
TX USA - Friday, April 26, 2002 at 14:34:52 (PDT)

UK viewers - Anybody else chuckling after Alastair McGowans "Louis Potter and the Philospher's Scone"? (He got the look if not the voice)
Sue
- Friday, April 26, 2002 at 14:18:49 (PDT)

SuzieQ, I took that phrase to mean he'd been looking for the mother, the woman who had the child...then he said, "I might find him." referring to the child him/herself.
Harlii
- Friday, April 26, 2002 at 13:27:13 (PDT)

Catherine, I tried to e-mail you at the address listed, minus the *foo* and it came back undeliverable. I was trying to answer your question about the emoticons. You can email me at the address listed below. Thx.
Harlii <lmhpr00@knology.netfoo>
- Friday, April 26, 2002 at 13:26:00 (PDT)

AABA spoiler ahead!

"Delurk", egad! I like the sound of that, Tammy. So much so that I guess I'll have to delurk myself! The question of how P.L. came to believe his child was a son - I've been going through my copy of the book (bought at Amazon.com zshops for $ .75, if anyone's interested in picking up a copy inexpensively).

In the movie, he's talking to Rose and she says "you won't find her", not now". And then P.L. replies, "I might. Or I might find him". (Quoting from the movie to get the dialog right) This scene is NOT in the book. Maybe when the screenplay was written they wanted to keep people from guessing too quickly that Stella was P.L.'s daughter?

BTW, this is my first attempt at HTML, so if I make a mess of it, please excuse.
SuzieQ
NY - Friday, April 26, 2002 at 13:25:09 (PDT)

Claire-- Thank you for the answer about the red bills! --Lee
Lee
US - Friday, April 26, 2002 at 13:23:20 (PDT)

Mortiana and Jane....... thank you for your in-put and it is funny that as I typed in the word...smart, to describe P.L., right away I wondered..."well, how do I know that?" I just presumed he was an intelligent person because of AR but in reality , perhaps the character is as thick as a plank! lol Doesn't matter...... great flick, either way!lol....and Jane, if you could ask the author about this; that would be great! Please let us know what happens!

Okay........ Who's up for PL duty tonight?
Constance <madaboutron4@yahoo.comfoo>
Cary, NC USA - Friday, April 26, 2002 at 13:14:48 (PDT)

Oooh, thanks, Melissa! I shall run right out and get it!
Ann
NJ USA - Friday, April 26, 2002 at 13:09:35 (PDT)

AABA SPOILER I got the distinct impression that PL O'Hara had received or seen a picture of the baby-the one with mum holding "it" without a girly bonnet or any other identifier-it did look like a boy-don't know when he would have seen it without someone mentioning the sex, but when PL visioned the baby underwater, it was the same picture, but only wearing a little girl's bonnet.He had done some exploring, so maybe someone mentioned the child to him, assuming it was a boy. Of course, it could have been the immature wishful thinking of assuming that any child that he had would naturally be a carbon copy of himself.I saw the whole picture as a study in "cluelessness". I read that Beryl Bainbridge based it on her theatre experiences as a young girl.PS for those Baby Bob watchers, the infant in that sitcom is twin girls.
a concerned citizen
- Friday, April 26, 2002 at 12:59:17 (PDT)

A heads-up to everyone in the New York area, in today's issue of the New York Post, the Weekend Calander section (page 60 to be precise) contains a very nice photo of AR and LD from PL. I scanned the picture and asked Suzanne to post it because I don't have some of the special symbols required to post it as a link, and unfortunately the Post doesn't have the photo on it's website. So, if you can pick up a copy of the paper by all means do.
Melissa
NJ, USA - Friday, April 26, 2002 at 12:49:31 (PDT)

Joan, USA: What did you think of that Paton unauthorised biography of AR? I take it you read it? I found a copy of it in the NT Bookskop, and guiltily bought it, knowing Alan doesn't approve of this book. There's nothing wrong with it, I feel, except that one get's the feeling that the woman doesn't know him, so you still feel none the wiser about what he's like as you read it! She keeps quoting from people who do know him,who are either unwilling to say much to protect their collective privacy, or people who don't know him that well, so haven't much to say about him beyond "awfully nice" or "top man" and that type of unhelpful comment. One or two though contribute some interesting snippets like Beatie Edney for instance, who says that she was in love with him for one entire play production, then told him she HAD been, at a later date, to which he replied "Oh, shut up, Beatie!" (She then she went on to say, interestingly, that in all the plays she did with him, there was always someone in love with him...)
Anyway, I still haven't finished the book and I keep thinking, why haven't I? There's a wealth of information in it; I like the bloke; so why don't I want to read it more avidly? The reason? It's so boring! I'm sure it could have been made to be nore interesting, or perhaps it lacks the vital spark because he did not contribute to it himself.
Sally
London, UK - Friday, April 26, 2002 at 12:43:40 (PDT)

At the Albery the autograph dealers all seem to cluster together, most presented one item he signed without personalising and off they went, then he turned to the fans. It seemed a ritual. The dealers seem to rotate round the London theatre stage doors from what they were saying. After several trips even I recognised them ! Sounds like the US variety overstepped the mark in being greedy.

Claire
- Friday, April 26, 2002 at 11:37:54 (PDT)

Keyser: I've seldom been so gobsmacked as I was just now to read that Alan called someone a "creep"! Good heavens! Also, knowing about eBay? Ten out of ten to our computer un-literate friend! Stone the crows! I am really surprised!

Con and Jane: I read the AABA book recently-no further clue in that, either, but I agree about the masculine arrogance, presuming that his offspring would be a boy! But would it occur to someone necessarily that the young girl they fancied could be their child? One's imagining about what one's child would be like and one's experience of being in love are a kind of different mind set aren't they?Especially if they always thought in terms of having a boy, anyway? Just a thought! lolxxx
Sally
London, UK - Friday, April 26, 2002 at 11:30:32 (PDT)

Ha Ha! I just love that story about the e-Bay guy! Nice one AR for making him look foolish!

AR doesn't suffer fools gladly, it seems, which probably means he appreciates his real, true, fans all the more. This story also underlines the extrordinary and underhand ways that people will sometimes go to to get merchandise for auction; I remember reading here that some of you have been stung in this way.

On a lighter note, it's nice to see the first press tidbit about Private Lives appearing! :-)
Catherine <catherineharpham@hotmail.co.ukfoo>
Reading, England - Friday, April 26, 2002 at 11:16:29 (PDT)

Attention Brits - Tonight at 8.30, BBC 1, Alistair McGowen's Big Impression - He is doing an impression of Mr. Rickman, which should be sooo funny because he is really good. Hope you all have a fab Friday night and a good weekend. Don't miss that program. Of course it won't all be him, but it is worth watching anyway.........LOL Kirstie xxx
Kirstie
London, England - Friday, April 26, 2002 at 10:36:48 (PDT)

Well, not enough time to post (I wanted to go into the French movie(s) of Les Liaisons Dangereuses in answer to somebody's post but never mind, it will wait). However, since I have 5 minutes I thought I'd enlighten my compatriot Marialis (and anybody else) who is wondering about ebay. Ebay is an internet auction place (there is a French branch on www.ebay.fr). You can buy absolutely anything there, for as much or as little as you prepared to go. I have used it mostly to get hold of various videos otherwise impossible to find, and you can get common videos for cheaper than the shop prices. Very useful. People also sell authographed photos and programmes from their own collections etc, which I think is OK, but lately more and more people have been presenting programmes or photos to celebrities they don't know or care about for them to sign, purely to cash them later on Ebay and so pretty well making a business of it ... and that is a bit sick, I find, coldly exploiting somebody else's passions, as well as making a nuisance of themselves at stage doors no doubt, but there you are: market economy ;)

PS: Anybody into Futurama? (OK, it's OT and I'm not really asking ;) but a Tennessee-based friend of mine told me the other day that in the latest episode she watched, one of the characters (forget which) had suddenly become a celebrity and was signing autographs and asked the person what name she/he should personalize it for, and being told 'Ebay' remarked that this was becoming a very popular name... :))
GML
UK - Friday, April 26, 2002 at 10:01:46 (PDT)

I have to delurk for a moment to say this: Regarding Return of the Native, there is a film starring Catherine Zeta-Jones as Eustacia. It helped me to watch the film first, then listen to the tapes, to better understand the storyline without having to rewind. That way you can sit back and enjoy Alan's voice without having to concentrate too hard. In any case, it is extremely difficult to pay attention to the story with Alan's silky voice in your ear ;-)
Tammi <chapman.1@nd.edufoo>
Notre Dame, IN USA - Friday, April 26, 2002 at 09:51:11 (PDT)

re: AABA the characters don't seem very real at all, perhaps it's all some kind of comment on theatricality, like they are all puppets on a stage, be it tragedy or dark comedy- nice one Mortianna, I couldn't see it as comic, what with being so emotionally involved with the actor, but if we can stand back and disentangle the story from our love for AR certainly there is comedy possible. I meant classical tragedy because it is very artificial and full of symbol. If you take the story seriously as it stands it is a bit ludicrous but note all the time imagery and how it is all ticking towards the terrible denouement and we could read it as something about how tragedy is constructed in the theatre. Sounding very pretentious, lol Jane.
Jane
UK - Friday, April 26, 2002 at 09:47:02 (PDT)

yeah, constance.
spoilers aaba

i watched aaba only yesterday,as it is a favourite of mine. add to those points the name. i mean the girl's name is stella and he herself tells her that he had a girl friend who gave herself the name stella maris.
but as i love the movie,i put that and the minor cringing moments (with the BIG cringing moment of him running, crying stella, and doing a rickman, aka dying) under this notion of dark comedy. i seem to recall that someone here read the book and found it even more clueless, so to speak.
plus - as much as i hate the thought - perhaps pl is not meant to be especially bright. yes, he is a wonderful actor and attractive as hell, and dances nicely etc, but i can't find his telling potter to keep off of this brat whatever his name without even the slightest notion of his sitting in the glasshouse especially bright.perhaps we bring the notion to it and want him to be everything as we suppose the actor playing him is*cough*
mortianna
- Friday, April 26, 2002 at 09:10:06 (PDT)

Constance, I wonder about that too but settled on interpreting it as a classical tragedy with that silly masculine arrogance as his fatal flaw. Is the story by Beryl Bainbridge? I might be able to see her at a reading soon- perhaps we can ask?!
Jane
UK - Friday, April 26, 2002 at 08:59:11 (PDT)

*** AABA SPOILERS*** Good morning! I watched AABA again last week as it is becoming one of my favorites for sure, but one thing does bother me: How could a smart and sensitive man like P.L. be so fixated with the notion that he has a son somewhere out there? Did it never occure to him that he might have a daughter instead? Could he not do the math, figuring Stella's age, the feeling of familiarity he felt right away with her? Where these not clues enough for him? Perhaps more is revealed in the book. I am sure it is.... Any ideas?
Constance
Cary, NC USA - Friday, April 26, 2002 at 08:41:45 (PDT)

Bravo to AR for standing up to the "eBay Creep". My admiration for him just grew ten fold!
Claudia <flipper828@aol.comfoo>
GA USA - Friday, April 26, 2002 at 08:40:23 (PDT)

Marialis: eBay is an Internet site where people can sell things. Mr. Rickman does not like people who only want his signature on programs so they can sell them. Comprenez-vous? Bienvenue a la GB. (Not sure if GB is feminine or masculine but we'll go with the majority.)
Magda
Canada - Friday, April 26, 2002 at 08:19:51 (PDT)

I am bogged down in coursework, hence my non-appearance for a while. Someone asked about them going in for PL rehearsals at noon and then doing an evening performance. As the play is in previews this is correct, they will use the time to make changes and fine tune. When the play offically opens such rehearsals will end and there will just be the performance. This was the same for the London run.

Also thought you would like to know that after a row and attacks from Judi Dench and Michael Gambon, Adrian Noble - Artistic Director of the RSC- has quit the post as of next March. He directed AR in "As You Like It" in the late 1980's.

Stephen Poliakoff (writer/director CME) was awarded the Dennis Potter Writer's Award at the TV BAFTA's, Gambon achieved a hat trick winning best actor for "Perfect Strangers", Lindsay Duncan missed out and the award went to Julie Walters. As all these people have worked and are working with AR I do not consider this to be OT.
Elizabeth
UK - Friday, April 26, 2002 at 08:06:26 (PDT)

Hello ! Please can you explain to me what means "eBay". I haven't found it in my dictionnary but I have found "creep".
Marialis
France - Friday, April 26, 2002 at 07:52:20 (PDT)

Hi Keyser, Welcome to the GB. Glad you enjoyed the play and met AR at the stage door. The anecdote about the guy with all the programs who AR called a creep and the 'I smell eBay' comment are a riot. Good for AR to speak his mind about the sleazoids out there just out to make a buck off his name.
Melissa
NJ, USA - Friday, April 26, 2002 at 07:37:38 (PDT)

Here I am in the Times Square Visitors Center posting a short report.

We saw "Private Lives" last night. The play was wonderful (we all loved the sets) and Rickman and Duncan were very good. Mr. Rickman was charming, as always, at the stage door.

However, there was one male "fan" who did annoy him. The guy had lots of programs and went to each side of the barricades to get them signed. Rickman said, "I smell eBay," and the guy promptly departed. Rickman called out to him quietly but emphatically, "Creep."
Keyser <keyserfankf@netscape.netfoo>
- Friday, April 26, 2002 at 07:00:07 (PDT)

Well, I am quite enjoying listening to TROTN in my car, although I have to admit if I had picked it up just as a book the first pages (and pages and pages) dedicated to describing the heath might have been too daunting for me to continue. It might also help that I have really grown to throughly detest Eustacia, so am very involved in the story though I have a foreboding of how it is going to end.

As for AABA, I had the tape in only a few minutes before I gave up and turned the closed captioning on, a trick I have used ever since I rented "The Full Monty" and couldn't understand half of what they were saying!
Trisha <patricia.schuman@gte.netfoo>
Bothell, WA United States - Friday, April 26, 2002 at 06:54:20 (PDT)

"Rewind is me"!And with AABA, I still have some problems understanding but as long as AR is in the scene...I joyfully rewind! I am hopeful that it will come out on DVD one day. Not only is sound so much better but reversing is so much easier and not as detrimental to the media.

I absolutely love British ANYTHING. And I have a British friend that happily explains things when I ask...so I am learning.
Claudia <flipper828@aol.comfoo>
GA USA - Friday, April 26, 2002 at 06:37:12 (PDT)

Reading your comment, Claudia, about problems with British expressions in TROTN, reminded me to ask, how on earth do you manage in other parts of the world to figure out Stella's scouse accent in AABA? I'm just a few miles from Liverpool and still have to use the rewind button not only for viewing Alan Rickman over again but to understand what she is saying half the time.
Jane
UK - Friday, April 26, 2002 at 06:00:00 (PDT)

LOL Jane, I thought I was the only one to fall asleep with ROTN! For me, add the fact that I am not familiar with a lot of the British phrases and you have a total sleep aid!

I have the paperback which I follow along with....but it is still difficult.

I beleive there is a film starring Madeline Stowe for which I am trying to find. At the risk of sounding like a total airhead, I use film to help me understand Shakespeare as well.

But still, ROTN is still one of my prized AR possesions.
Claudia <flipper828@aol.comfoo>
GA USA - Friday, April 26, 2002 at 05:35:12 (PDT)

I've been listening to The Return of the Native regularly these past weeks and have a confession to make- it just sends me straight off to sleep! This is one AR purchase that will last a long, long time. I wouldn't even consider listening while driving , that could prove lethal. Anyone out there with insomnia, just try the combination of dreary old Hardy with that delicious velvet voice and you'll be off to the land of nod without even the time for a fantasy on the way.....
Jane
UK - Friday, April 26, 2002 at 04:29:48 (PDT)

If anyone here has ever bought a tabliod newspaper, an entertainment magazine, watched the television, you are all guilty of intruding into other people's private lives, it is something that today's society holds close to its heart, celebrity.
secret squirrel
- Friday, April 26, 2002 at 03:11:56 (PDT)

From the NY Daily News, 4/24/02: "The revival of 'Private Lives' ... will open Sunday night with a very healthy $1.8 million advance. Reviews are expected to be strong (the Times' Ben Brantley has already raved about this London import), and the show will surely be the odds-on favorite to win Best Revival of a Play."
Anne/Manhattan <agilhuly@gibsondunn.comfoo>
NYC, - Friday, April 26, 2002 at 00:13:57 (PDT)

Curiosity killed the cat they say, but I need to ask something else PL related. Fausta mentioned several posts ago that the doorman said the cast was coming in at noon to rehearse and remaining through the end of the play, thus be polite or considerate or something. My question is this, do they rehearse like this for the duration of the play or is that right now? And to anyone's knowledge, did this go on at the Albery? I'm curious because I don't remember getting so many *he looks so tired and only a few folks got autographs/pictures* posts from the Albery folks...I could have missed them, but so far, the reports seem glum-ish, if you know what I mean, not about the play so much, but about the Stage Door and him being draggled looking and whisking off in a trice to that car...So, if anyone can lend some clarification, I'd appreciate it. Just hoping I get a lovely Albery-esque experience like many of you did...
Harlii <lmhpr00@knology.netfoo>
- Thursday, April 25, 2002 at 23:52:26 (PDT)

Negative comments to several people have been deleted. As I said before, personal and rude comments to (or about) others are totally uncalled for and unwelcome here. I will not run an uncivilized GB, so please be polite and courteous to others. And think twice before clicking the submit button.
And if anyone has a problem with a post(s) that has (or hasn't) been deleted/edited, please E-MAIL ME. Inquiries/complaints about other posts or posters do NOT belong on the GB. Thank you for your cooperation.

Suzanne <Suz@mail.usa.comfoo>
TX USB - Thursday, April 25, 2002 at 19:35:02 (PDT)

It's been interesting to hear the PL reviews, as well as the reviews of the reviews... Now, I am all for censorship, but not when it takes a flagrantly propagandistic turn; for example, all the negative comments about Georgiana have been erased, and the positive ones remain (although neither category has much to do with the topic).

On a slightly different note, I was wondering how many stage-door scruffs (Apple Scruffs--Great song. Good old George.) are actually Rickmaniacs. I know there are a lot of lurkers out there, but I cannot believe that 25 people every night are all denizens of the GB. Perhaps we should make our own name tags: "Hello, My name is...and I am a Rickmaniac." On second thought, that would be too Alcoholics Anonymous. Perhaps just a giant AR sticker would do. Or a green carnation on one's left lapel... Or a red clown nose...Hee Hee.
Julia (exactly ONE month left!!!) <j_petrov@hotmail.comfoo>
Calgary, Canada - Thursday, April 25, 2002 at 17:36:10 (PDT)

There's been an embrace in Act I in every performance of "Private Lives" I've seen. However, as I recall the play, it specifies a kiss where there is an embrace instead. Is that what you were thinking, Toby?
Georgiana <gellis@drizzle.comfoo>
Seattle - Thursday, April 25, 2002 at 17:35:23 (PDT)

Hey, Molly! Let me tack on a hearty welcome to the string of those you�ve already received! I really appreciated what you posted!

It seems to me that there are three types of posts that tend to raise objections on this GB: The Off Topic (or OT) Post, The Hot-for-Rickman-Steamy-Sexy-Fantasy (or HRSSF) Post, and the ever-increasing Idle Speculative Post (or IS), which--if I may be so bold--can be broken into two categories: Harmless and Hurtful.

Why, yes, I DO hold a Ph.D. in Guestbook Linguistics! :)

Lots of folks post OT items here on occasion, and Suzanne hasn't thrown any buckets or furniture at people who've done so, although I think we often under-appreciate her generosity in providing this space. I think it�s the excessively long or frequent OT posts that are upsetting/bothersome. The HRSSF-type posts are personal in nature, and I would say fit into the OT category. I�m not making a judgment about those kinds of posts, BTW, so don�t start hollering about morality police or anything. There are certainly many other places on the Web that welcome these posts, and they�re not difficult to find. Go on, and enjoy yourself in a community of like-minded folk. In the final category (IS posts), type A (things like Catherine mentioned about whether or not AR likes cats, or drinks herbal tea, or likes to play piano with his hands behind his back, etc.) are harmless. I don�t see how such discussion could hurt AR or anyone close to him (friends, family). But the things that Molly has listed (sexual orientation, speculation as to his character regarding honesty and fidelity, and the like) certainly CAN hurt him, and the people who are a part of his life. They are intensely private, emotionally charged issues, and some people do not like to discuss them even with their closest friends.

Gilda mentioned the need for each of us to put ourselves in the shoes of the person opposite us, and I shall. I�m a HUGE �fan� of AR, as much as anyone here. I�d consider selling my Great Auntie Lil into slavery on the Black Market for a chance with him, but it seems too many folk are trying to unload their old aunties at the moment . . . I watch his films, etc. because I think he's the most talented actor I've ever seen, and YES I do drool and dream and share these thoughts with like-minded friends where and when they are welcome. There's nothing wroing with that.

Someone said that it's all right to speculate about anything and everything. Be careful of making such sweeping generalizations. If--and I hope this NEVER happens to you, because I KNOW what it feels like--you should be so unfortunate as to be the victim--or worse yet, the friend or relative of a victim--of an "anything goes" type of speculation, you might not be so quick to condone it.

Molly, I would LOVE to hear your comments/reviews of the plays you have seen AR in (I haven't even seen PL yet!), since people like yourself are the only viable resource for info about his unrecorded work. I�m especially interested in Tango. I hope that you�ll consider returning; I�m sure we would all be interested in your experiences.

Now back to your regularly-scheduled programming . . .
Cate <cate8476@yahoo.comfoo>
In Philly til Saturday, US of A - Thursday, April 25, 2002 at 17:31:32 (PDT)

Toby- I saw PL on Sunday, April 21, and there was definately a hug in ACT 1. He, facing the audience, slides his arm around her waist and pulls her to him and I would say it was a lingering hug. If anyone else was there, was I imagining that?
Linda
usa - Thursday, April 25, 2002 at 16:45:02 (PDT)

Hello all, I've been absent for awhile, but have continued to lurk from time to time. I enjoyed reading the descriptions of the PL London production and am looking forward to hearing about this play now that it has transferred to the U.S.

I have just put the Paton unauthorized bio up for sale at ebay. Here is the URL: http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=1533241908

I'm posting it here because someone requested that reliable sources post when AR related items come up for bid. Enjoy!
Joan
USA - Thursday, April 25, 2002 at 16:34:06 (PDT)

Hello! I have really enjoyed this site...:) Do you have any suggestions where I should address my mail to AR... Does he read his fan mail? I have understood that he is currently in US so should I write to his US agent? Sorry if this message is badly written, it�s night here and I�ve been sitting in front of my computer too long...:) I�ve been listening AR`s voice (when love speaks)... so you`ll understand why I�m a little bit "out of this world", so to speak. Well, have to get some coffee...:)
AR fan
Finland - Thursday, April 25, 2002 at 15:23:50 (PDT)

Sally: I completely take your point about freedom of speech, and I would never mean to imply that anyone has any malicious intent with any of their speculations.

With hindsight I perhaps should not have made my statement so specific; speculations about the cats are fairly innocuous after all, I guess! I have to admit that I am as curious as the next Rickmaniac about AR's life!

However, I stand by what I said about Mr. Rickman's seeming desire to keep his private life private; in the majority of the interviews of his that I have read that does seem to be a strongly applied rule.

I think perhaps I have to refine my opinions about what is definitely private and what might be legitimately considered to be "fair game". What I think I am trying to say is that we should maybe take the cue from the rules that Mr. Rickman himself seems to use. Apologies for causing annoyance.
Catherine <catherineharpham@hotmail.co.ukfoo>
Reading, England - Thursday, April 25, 2002 at 15:22:26 (PDT)

OT-I find lemon tea very helpful to wash down the allegra, claritin, diphenhydramine and sudafed.
a concerned citizen-achooo
- Thursday, April 25, 2002 at 15:07:02 (PDT)

I'm glad to see that the "purple thoughts" brigade is up to their usual antics! LOL! For that subject, I agree with Sally: I prefer a hint to a statement.:)

Ahem, moving on the the matter at hand: Arena Magazine (UK), May 02 edition with Hayden Christensen. How much does it usually cost in the UK? I just bought it on ebay -- after being outbid on a pair of AR photos! Grrr.

**** I have put my email below, since it is OT.

Does alan drink herbal teas, does anyone know? This is the season for a daily lemon tea, to ease the allergies.
Ann W <wagner@cybertrails.comfoo>
Az USA - Thursday, April 25, 2002 at 12:43:56 (PDT)

Thanks Chris. It was the explosion that I was concerned about. Sorry--I left it for you to read my mind. LOL
Claudia <flipper828@aol.comfoo>
GA USA - Thursday, April 25, 2002 at 12:22:05 (PDT)

Claudia, If you are concerned about the explosion it was on W. 19th street and the RR Theatre is on W. 46th street quite a distance away. Since the explosion (without fire) was confined to a single building on 19th street there is no need for concern. If you need further info (like if the problem isn't the explosion) let me know.
Chris from NJ formerly from NY <ckwible@worldnet.att.netfoo>
NJ - Thursday, April 25, 2002 at 12:02:07 (PDT)

Catherine: I disagree. I think anyone has the right to speculate about anything. Depends on the way it's put, whether people will like you for it or not, I suppose!.
Sally
London, UK - Thursday, April 25, 2002 at 11:40:40 (PDT)

Some of you New Yorkers, please? How close is Chelsea to the RR theatre?
Claudia <Flipper828@aol.comfoo>
GA USA - Thursday, April 25, 2002 at 10:46:44 (PDT)

D'OH!!

OK - I've just seen a MAJOR mistake in my previous post - it was Gilda who mentioned toe-sucking!

Forgive me for the wrong credit? :-)
Catherine <catherineharpham@hotmail.co.ukfoo>
Reading, England - Thursday, April 25, 2002 at 09:41:07 (PDT)

Molly - excellent line about sucking AR's toes! Perhaps there should be a guestbook survey about who would like to do that! (Perhaps not...!)

Your post was great at making the point that what is said here about AR outside of his film work would most likely be frowned upon by Mr. Rickman; he seems consistently to try and keep his private life private, and rightly so. His work is in the public domain, but of course that gives no-one the right of speculation about his personal life.

Oops, "work" nearly ended up as "wok", just then; anyone know if he's into cookery?! JOKE!! P.S. - Harlii, I have to ask, where are you getting those cool emoticons from???
Catherine <catherineharpham@hotmail.co.ukfoo>
Reading, England - Thursday, April 25, 2002 at 09:36:07 (PDT)

I'm not from LA but I do believe that Fast Film's reference was not political but rather critical in that she felt the production was unusual and creative, coming from an unexpected direction "out of left field".
Magda
Canada - Thursday, April 25, 2002 at 09:25:15 (PDT)

Fastfilm: What do our political leanings have to do with our appreciation of Shakespeare? I have always loved that play...despite my Right Wing leanings...lol( please take no offence, all in good fun... okay?) :~D
Constance ( AR's only Republican fan....) ...)
Cary, NC USA - Thursday, April 25, 2002 at 08:26:39 (PDT)

Gilda in CT, I was (and remain) a fellow rock 'n' roll slug who nontheless caught Peter Brook's "Midsummer Night's Dream" in its initial run because it appealed to the same left field sensibility.
FastFilm
- Thursday, April 25, 2002 at 07:52:31 (PDT)

Constance, yes, I will. I never meant to let it fall by the wayside. LLD is one of my favorites to do research on--good-girl-bad-boy type of thing. There was a big brouhaha about the original cast for the film and the director opting for an American cast instead (dummy). It hurt AR immensely, from what I read; he'd done over 500 performances and put his whole life into that role...not to mention LD as well. Check out a copy of Milos Forman's Valmont to compare with Dangerous Liaisons; I have yet to see the French version of LLD with Jean Moreau, but I do have the book. If anyone's seen it, I'd love to know your impressions, either here or privately.
Gilda
- Thursday, April 25, 2002 at 07:00:39 (PDT)

Welcome Molly! Thank you for your message, I couldn't agree more.
Melissa
NJ, USA - Thursday, April 25, 2002 at 06:23:12 (PDT)

Welcome Molly! I really enjoyed reading what you had to say and agree 100%. To all AUSTRALIANS: Judas Kiss is on the Pay tomorrow night(Friday 26th) Showtime at 10.20pm (EST)& Monday 29th at 12 midnight.. Truly Madly Deeply is on Sunday 28th, Movie Extra at 10.20am. It has been really great to read all your reviews and comments about Private Lives!!
Barbara the Aussie <hermione(underscore )3@hotmail.comfoo>
Gold Coast , Qld Australia - Thursday, April 25, 2002 at 05:51:20 (PDT)

Oh....nearly forgot! Gilda, I am looking forward to reading your friend's impressions on LLD.So, does this mean that you will revive the Rickman in the Round site? I have been so interested in this play and having seen John Malkovich (sp?) on screen...makes me really want to see AR in the role. Ofcourse, that is impossible but to read more on it will help. Can you imagine, if AR had gotten that part rather than Malkovich? What were those Hollywood people thinking!?I know, I know.....$$$$$$$$$$$$$$$ lol (idjuts!):~)
Constance
USA - Thursday, April 25, 2002 at 05:02:51 (PDT)

Gilda! Thank you for that. It was very interesting and pretty good on only 4 hours of sleep! lol I must agree that we the afflicted Rickmaniacs do feel, especially after more than a year of raging fever.... very relaxed and at-home here, so yes, sometimes we do forget where we are and it does feel like we are gatherd around a nice cozy fire drinking cheap wine and chatting the night away! So shoot me! As long as we remain respectful to one another and to Alan Rickman, especially...how can we go wrong?
Constance <mdaboutron4@yahoo.comfoo>
Cary, NC USA - Thursday, April 25, 2002 at 04:55:03 (PDT)

Nathalie, Bonjour! "If Love Were All" is from "Bitter-Sweet," 1929.
Anne/Manhattan <agilhuly@gibsondunn.comfoo>
NY, NY USA - Thursday, April 25, 2002 at 02:45:25 (PDT)

Harlii, poppet - I Will Survive! As for the Ar - did you not know he's been practising his West Country accent, and is known to his friends as Ar, Alan...
Jules
UK - Thursday, April 25, 2002 at 02:39:37 (PDT)

Oh and Gorgianna, I hope'll find out in which play did NC have put this song first. It's very interesting to know that. Maybe *I don't know* this's one of his Leit Motiv. And thank you for this information.
Nathalie
Paris, - Thursday, April 25, 2002 at 02:29:18 (PDT)

It's true they're looking at the sea but from my own experience of the stage you can look at the "sea" or whatsoever and see the audience as well...Or just take this opportunity to have a glance at the audience and feel the "air" of the night. I think every actor are doing this during the stage or even in the backstage. You always need to know how will be your audience when you play. And i believe this's a mark of a very good actor to be able to have a look at the audience on the stage and not being disturb in his acting. Well, that's my conviction and don't you dare taking me it away *'only joking*.
nathalie
Paris, - Thursday, April 25, 2002 at 02:19:20 (PDT)

I'd like to participate in the nit-picking factionism by pointing out nicely, Jules darling, that you neglected to capitalize the *r* in *AR* in your last post. I'll meet you outside in the alley if you want to AHAHAHAHAHAH!!!
Harlii
- Thursday, April 25, 2002 at 02:09:44 (PDT)

Lee - TMD red bills that is the colour UK utilities tend to send when you are overdue with the payment.

Claire
- Thursday, April 25, 2002 at 01:30:57 (PDT)

Georgiana -THANK YOU for making, far more politely than I would have done, the point that most of these warring, nit-picking factions seem to have overlooked: Ar and LD are gazing over THE SEA, not THE AUDIENCE!!!!!
Jules
UK - Thursday, April 25, 2002 at 01:02:22 (PDT)

"Someday I�ll find you" was written by Coward specifically to be included in "Private Lives." "If love were all" is an import from another Coward play, but I no longer recall which it was.
Georgiana <gellis@drizzle.comfoo>
Seattle - Wednesday, April 24, 2002 at 22:02:14 (PDT)

I forgot to put in html breaks to break up my paragraphs! I'm terribly sorry for that big blob of text! zzzz
Gilda
CT - Wednesday, April 24, 2002 at 21:33:28 (PDT)

Before I collapse into bed after a long day and only 4 hours' sleep, I just had to add my 2 cents (which is just about what I have left for this week): I respect and mostly agree with those who have taken the time to remind us of the respect we must have for our favorite actors. However, I also hope that this won't become a police-state GB either. To everyone: Remember that what you write anywhere can be interpreted (misinterpreted) differently by every reader. Make sure that if you're making an offhand comment meant to get a chuckle, be clear about it. In turn, those of you who have yanked us back into reality, remember to see it from a different angle; gaze at the background of this screen and take a look at the "clouuuuds" (as Nina said in TMD). This is a peaceful guestbook, always meant for musings and giggles, and all things AR. Last night, when he was doing his signature sashay (I'm too tired to look it up if it's spelled wrong) across the stage, I was wondering if he does that inadvertently in real life, in his flat, going from one side of the kitchen to the other to get to the whistling teapot in the morning. And I laughed inside at the thought of that thought, and thought you all might get a giggle out of it as well! Obviously, I don't care whether he does, but the point is, I think many people who have posted comments like this lately are merely gossiping out of the fun of it, as if we were all gathered around a room and spouting off what comes into our heads without thinking what it might mean to someone else; and that's the bad part of the written word because you can read it over and over and get different meanings from it. If our GB comments were spoken over, say, dinner or during an AR flick at someone's house, we'd all be giving each other "Get a life" looks and asking someone else to pass the popcorn. If AR reads this, which I really don't think he does (anymore), so what? I'm sure he's read worse in his fan mail; I mean "worse" as in gushing or anything minutely overbearing. When I used to work with KISS, I'd have to scan the fan mail, and let me tell you, our banter is like a tea party from the 18th century in comparison! So, can we try to relax and have fun like we used to, and fly by the posts that don't necessary appeal to us...as in "If you don't like what you're lookin' at, change the channel"? Suzanne, Claire and Claudia are our guardians of what's good and bad, so let's allow them to do that job. And if some of you need to have a back-and-forth about sucking his toes, why not go into a chat room just for that? We used to do that on the AOL board after our official, weekly chats, and if you read some of *those* transcripts, you'd have locked us away and thrown away the key! LOL On a MUCH BETTER note, because I can't hold this in: The friend who accompanied me last night told me she had seen LLD at the Music Box Theatre, in 1987, and I made her promise me she'd do a write-up for my Web site of her recollections (I can't wait!). Here's one tidbit: She can't remember why she'd chosen to see LLD, but she'd not had any expectations when she walked in. When the play was over, she was bowled over by AR's performance because he took Valmont's character and formed it into such a bad boy that it really worked. She said it was like looking at a punk in an aristocratic suit, and he pulled it off extremely well. It was as if he were to act like an upperclassman, but he was raw and dirty underneath. (Did you know that before his performances, AR would go outside an dig his nails into the ground to get dirt under his fingernails to get that "dirty" effect?) If you've seen the different LLD films, you'll note how different each Valmont is portrayed. She went away feeling his initial dastardliness and then the torment he felt at the end. She also remarked that she didn't like LD's Mertuil; she was too cold and couldn't understand her hold on the men around her. Maybe it was an off-day for Lindsay, who knows. I remembered, from my research, that the unofficial slogan for the play in London was, "Not a dry seat in the house," and as she continued, *I* was feeling a little humid myself! [ahem--sorry 'bout that] What a tragedy that I was working only a block over from the theater at that time and could have gone to see LLD--could have even bumped into him on my lunch hour--yet I was just a rock 'n' roll slug in those days, not appreciating all the theater around me. That's the only downside of theater: Unless you're there, you missed it; no benefit of video, especially in this case. Anyway, thanks for letting me say my piece, and I also hope I haven't ruffled any more feathers; it was not my intent. ("I'm not bad; I'm just drawn that way...") Good night for now...
Gilda
CT - Wednesday, April 24, 2002 at 21:31:59 (PDT)

Toby, both the songs were written by the playright, Noel Coward.
Anne <ahard73977@aol.comfoo>
USA, VA - Wednesday, April 24, 2002 at 20:43:31 (PDT)

Hi, Molly. I loved your post. Welcome. The script does not specify the "silly little romantic tune" or the music that AR sings in the 2nd act. Some of you who have done the research -- what are the songs and who wrote them? If it was classical music, I'd be more on top of it, but 1930s love songs are beyond my scope. I'm still a little perturbed that LD and AR didn't embrance in the first act as specified in the script (Saturday night, 20 April). Did other performances include the embrace or am I just "out to lunch"? I guess I'll see for myself. I couldn't stand it. I'm going to PL again on 26 Apr and 3 May. What if AR never comes back to this side of the pond for live theatre again? I certainly won't sit at home on a Friday night when I could be at the theatre! Carpe diem! Is anyone aware if he has another stage gig on his schedule that could make it to NY?
Toby
Newtown, CT US - Wednesday, April 24, 2002 at 20:17:25 (PDT)

Bravo Molly - You have summed it up nicely. I agree with everything you said.
Linda
nj usa - Wednesday, April 24, 2002 at 20:01:56 (PDT)

Just wanted to say "Welcome!" to Molly. You seem to be intelligent, thoughtful and respectful, with a sense of humor to boot. ("Big ol' fakeypants"?!? LOL!) Just the sort of addition we need. I totally agree that everyone's privacy should be respected. Rumors and gossip can be very hurtful and destructive... the "devil's radio" (George Harrison, another lovely Pisces).
Christine
USA - Wednesday, April 24, 2002 at 18:49:49 (PDT)

Gwenn: You certainly put things in perspective for me. Imagine leaving work and having a bunch of admirers waiting for me? When I leave work all I can think about is getting home as fast as I can and totally forgeting about work. Boy,am I glad I don't have a bunch of admirers waiting for me! :)

Anne: I thought the conversation you overheard with the 20-somthing guys was funny. Where I live hardly anyone has even heard of Alan Rickman, or at least the women here have never heard of him. I was really surprized to find out a couple of my guy friends do know who he is and didn't think I was crazy for liking him unlike most of my female friends. Go figure.
Michaele <1324@comcast.comfoo>
Chattanooga, TN - Wednesday, April 24, 2002 at 17:39:28 (PDT)

You know..... I must speak now for I am the fool who in a moment of utter boredom decided to think outload here, wondering if the actors could see the audience as they gaze out, beyond the stage, etc, etc. Now I wish I had kept my silly musings to myself! What Georgiana says is valid; they are looking out towards the sea, ocean, whatever...and it is just charming for audience and all that Noel Coward staged it that way.
Constance
Cary, NC USA - Wednesday, April 24, 2002 at 17:37:22 (PDT)

Maybe...he looks at the audience at the beginning but not during the play-now everyone is right :). Georgiana and Valerie (and others), you lucky ladies, going to PL so many times. That can't be good for a person, they'd go mad with happiness too many times during their lifetime.**Does anyone know if Mr.Rickman will be taping any more Harry Potter scenes, or if he's done with that time commitment?*** Once again-please continue with the wonderful PL reports and thank you for the ones already posted. I'll get off the soap box now...
christine (My eyes are like a dying sun) <myeyesarelikeadyingsun@yahoo.comfoo>
United We Stand, Divided We Fall - Wednesday, April 24, 2002 at 17:17:21 (PDT)

Hey! Harlii! You won't need that, judging by what you say you are going to be wearing! All crimson satin and lace, like a good Southern belle, aint it? and a HAT?
Sally
London, UK - Wednesday, April 24, 2002 at 17:09:03 (PDT)

Act I of "Private Lives" is on neighboring balconies overlooking the sea. The characters all in turn stare out over the waves. Rather a nice conceit, I thought, on the part of Coward, as it gives them a reason to gaze out into the audience. However, I'll say again--Adam Godley, who plays Victor, told us they can't see anyone past the first couple of rows for the lights and, if you'll notice, they all appear to be looking about mid-orchestra. And not seeing a soul, I am sure.
Georgiana <gellis@drizzle.comfoo>
Seattle - Wednesday, April 24, 2002 at 17:06:09 (PDT)

He WILL look at you sweet pea, I'm sure of it! luv 'n peace, jane
ladyjane
- Wednesday, April 24, 2002 at 16:51:38 (PDT)

Well, I've been told that he WILL look at me...won't be able to miss the huge posterboard I'm carrying that says, "ALAN! I YOU! MARRY ME!!!"

Harlii
- Wednesday, April 24, 2002 at 16:28:14 (PDT)

To see, or not to see...That is the question...??? No need to answer...just trying to be funny in an effort to move on to the next argument, oops...I mean entry. attempting peace, jane
ladyjane <anglophile63foo>
- Wednesday, April 24, 2002 at 16:21:01 (PDT)

Suzanne-- Thank you so much for re-posting the links to the View! Do any of you know what the significance is of the "red bills" in TMD? I just watched it again the other night. Are they final notices: "Pay by the 30th or we'll cut off your phone/gas"? I wish AR, LD, and the others could take PL on the road in the US. If they got as far as Atlanta I might be able to see them. --Lee
Lee
USA - Wednesday, April 24, 2002 at 15:42:22 (PDT)

Hola everybody! I just want to ask you, the PRIVATE LIVES goers, which song/s HE sings besides "Someday I�ll find you" and "If love were all"...because I�m not quite sure if there�s another piece: "plays" the piano while singing something like "...what a fool I�ve been...". So, all you Noel Coward and/or Alan Rickman experts: please help! And to all of you who are going to see the play: Enjoy it - I know you will :-) Yay! Cheers!
Julischka <julisch-ka@gmx.netfoo>
Alemanha - Wednesday, April 24, 2002 at 15:37:29 (PDT)

I've never written anything here, but I finally have something I'd like to say: It seems like ever since Harry Potter and Mr. Rickman's sudden boost into superstardom that there is SO much more "talk" (gossip, really, isn't it?) about his sexual orientation/his partner/his possible infidelities/whether he's genuinely kind to others or just a big ol' fakeypants/blah-blah-blah-blah-blah and whatever.

I've noticed a TON of this on this guestbook in recent months, and with its increase has come a river of abrasive, sarcastic, spiteful little jabs and comments directed at PEOPLE, which have caused many to be hurt and some to leave here altogether.

Mr. Rickman is an intelligent man; I'm sure that he knew that doing Harry Potter was going to make him a bigger "star" than he'd previously been, but he decided to do it anyway. Perhaps he thought he could still maintain as much control over the amount of publicity he got (interviews, guest appearances, etc.), as he's done in the past. I don't know what he thought, since, as far as I know, he hasn't yet spoken on the matter. But I KNOW (c'mon, we ALL know, don't we?) that it would not make him happy--that he would regard it at the very least as egregiously unkind--to know that people are dissecting his PRIVATE life, and publishing unsubstantiated, irrelevant, and even MALICIOUS statements in a public forum which is archived for anyone to see, merely to serve their own purposes (fantasy, ego, whatever). I don't think I need him to hand-write, sign, and notarize a form to say that this is the case.

It's not just Mr. Rickman; it makes me angry when people do it to ANYONE, even someone for whom I have the least respect. Each of us--celebrity, politician, street-sweeper, what have you--owns the sole and exclusive rights to our PRIVATE LIVES.

. . . which leads into the second thing I'd like to say: I have really enjoyed all of the reviews and information that people have been writing regarding Private Lives, especially the differences between the London and New York performances. I have seen Tango at the End of Winter once, Hamlet twice, Antony & Cleopatra three times, and Private Lives twice (in London), and this is by far his greatest performance yet. Everyone should try to see it if they can, and do make sure to go to the Stage Door afterwards, even if it's just to say "Hello." I have gone once for each play I have seen him in, and he has always stayed to sign autographs and been totally charming, even when almost falling-down exhausted (after Hamlet). He even remembered me when I met him after Antony and Cleopatra and again after Private Lives (he remembered my NAME that evening!!!)--and I am not excessively strange-looking. A little strange-looking, but not excessively.

I find this an interesting group of very intelligent people who all share an admiration for a remarkable actor. I am critical of some BEHAVIOR here, not of any individual PERSON. I apologise if this has seemed unkind--it wasn't meant to be. I hope I won't be a pariah after my first attempt to write here.
Molly <keatsian7@eudoramail.comfoo>
NY US - Wednesday, April 24, 2002 at 15:07:57 (PDT)

Hi everyone. To add to the debate, I was thinking about what happened the day I've gone to see PL. Mr R. have gone in front of balcony at the very first moment he had made his entrance into the play. And he had starred at the audience. First, I've thought that he wanted to feel his audience of the night and I thought that he was a little bit disapointed by us because there were very few applaused so was I seeing the lake of "being demonstrative" from the british audicience. And now that I rethinking aboout that particular moment of the play, I remember that he as well as LD were looking at the audience, starring at a few people and at that very moment I was feeling ( I know that's very childish) jealous about the people downstair he could see and not me. So, that was all to say that he did looking at some people and it wasn't an illusion. I also rebember that he did making the effort of looking at me and giving me a beautiful smile while giving his autograph. That's what makes him such an admirable person; I think he must conscious about the impact and the good he can make to the person to whom he makes a simple smile (this smile is simply like William Blake verses and I'd rather say "to see a world in Rickman's voice and a heaven in his smile...").I hope he'll do the same effect to you.
nathalie <ng_ttt@club-internet.frfoo>
Paris, - Wednesday, April 24, 2002 at 14:29:54 (PDT)

Yes, thanks Fausta for the info. I also wonder how long they'll continue to rehearse prior to performances--I can't imagine they'd need to keep that up for the length of the run!

To all who are going to see him, er, I mean the play: my advice would be that if you would like an autograph, then by all means go for it. But don't take it personally if for some reason that night he does not get to sign yours, or if he seems to be in an off-mood, or it seems like forever before he emerges from the stage door, or he has spinach stuck between his teeth, or whatever!

Just try to imagine what it would be like if every day, when you leave your office after a long day of work, there was a crowd of admirers there waiting to get your autograph! I think that most of us would appreciate the fact that people admired our work, and would be gracious and try to accommodate as many people as we could. But some days you just wouldn't be able to give as much as other days. Just remember that he's a person--a hard working person--and that acting on that stage is his job and his craft. Well, that's my advice for what it's worth. Enjoy...and keep sharing your experiences!
Gwenn <moregato@hotmail.comfoo>
US - Wednesday, April 24, 2002 at 14:26:29 (PDT)

Question for the list mind:

One of AR's "inspirations" is Fred Astaire.
Does anyone know who LD's "inspirations" are?

Puttering in Photoshop,
Barbara the Wallpaperer
- Wednesday, April 24, 2002 at 13:55:59 (PDT)

Fausta: thank you for your informative post!But I am wondering...do they have to rehearse daily or is this just temporary while they become one with the RR stage? I imagine that by now, they all know the play inside and out! That is a very long day! If I am allowed to have any personal wishes for Mr. Rickman, it would be that he get more rest! He almost killed himself in London!

Chis and Gilda (M7): how nice to see you gals around. Believe it or not, I come often to that site(Rickman in the Round) just to read your funny transcript!I grew up just three blocks from that Border's Bookstore!... the old neighborhood (of coarse, back then it was not a Borders but a restaurant called Le Pavillion, if memory serves me... Anyway! Cheers! I wish I could meet you but I see from the attendance list that we will not collide after all....oh well :~)
Constance <madaboutron4@yahoo.comfoo>
Cary, NC USA - Wednesday, April 24, 2002 at 12:54:30 (PDT)

Hi! Sorry for interrupting the bi... uh... the debate ;), I just happened to come across Mr R's name in an article on the Bush theatre this afternoon, I've just found it online and copied the last paragraph to share coz I thought it nicely written.

Michael Billington
Guardian

It has just 10 staff and 90 seats but the Bush Theatre has had a massive impact on British drama - and international showbiz. Michael Billington celebrates its 30th birthday

(...) But, in the end, the paradoxical thing about the Bush is its influence not just on the theatre but on the entertainment industry at large. In his pugnacious book on British playwrights The Full Room, Dominic Dromgoole compares the Bush to a delicatessen. "What was once an elitist or exclusive flavour," he says, "becomes over time disseminated into popular culture." He cites Lucy Gannon, who moved on from the Bush to write such TV series as Branwell, Peak Practice and Hope and Glory. When you look at the eclectic roster of talent that's worked at the Bush - Tina Brown, Jonathan Harvey, Tony Kushner, Alan Rickman, Tim Roth, Kate Beckinsale - you can say with confidence that a once scruffy pub-theatre has left its unmistakeable beer-stained imprint on the world of international showbiz.

GML
UK - Wednesday, April 24, 2002 at 09:33:21 (PDT)

sorry 'savage' I must have been absent the day they taught the Brecht Master Class. (for the record, I'm familiar with that technique...shall I forward you my CV/resume?) Let's just all agree to disagree. It's so tedious to argue about this. Surely we can agree AR is an incredible actor, with unbelievable skill...no matter what label you wish to put on his particular technique. hmmmm. I seem to recall he doesn't like 'labels.' Oh well, I love his work and I'd be humbled, open and honored to take any form of instruction from him as an actor or director. peace, for God's sake. jane...starting to not feel so lady-like.
ladyjane <anglophile63foo>
B'ham, AL USA - Wednesday, April 24, 2002 at 07:20:13 (PDT)

Attendance list posted, http://www.rickmanistareview.com/plbway/attendance.html

Re: Security, our bags were not checked, but other theaters are checking them.

Re: Stage door, do bear in mind that
a. according to the doorman, the actors are coming in at NOON for rehearsal, and leaving after the evening show, a heck of a long day.
b. please, be polite.

And When Love Speaks is very nice Even if Mr. Rickman had not been in it (which he is), the CD would be worth getting anyway.
Fausta <faustaw@yahoo.comfoo>
- Wednesday, April 24, 2002 at 07:17:52 (PDT)

I'm still a bit bleary-eyed and haven't had my coffee yet, but I'll try to give my impressions asap on last night's performance. I just glanced at the last post and wanted to say that I flew right in with my backpack and no one said a peep to me. We were running in at about 8, which may be the reason no one noticed. My companion also had a large tote and no one stopped her either.
Gilda
- Wednesday, April 24, 2002 at 07:06:34 (PDT)

Maggie, The Rodgers theatre staff won't let you take a backpack into the building. I've gone to several plays this year, and all the theatres prohibited backbacks and oversize bags. You should be fine with an oversize tote bag if you have one, as long as it's not luggage size.
Melissa
NJ, USA - Wednesday, April 24, 2002 at 07:02:23 (PDT)

Stupid question regarding security & the theatre: Have people with packbacks been allowed inside the theatre? Are people and bags being checked out? I usually cram all my belongings into my purple backpack (change of shoes, umbrella, extra Playbills snached when the usher isn't looking, extra Sharpie pens). Should I bring my backpack or is it better to bring an oversized purse?

Also, is there one color Sharpie pen that looks better on the Playbill than others? I tend to lean towards blue since most Playbills seem to be black & white. Suggestions?
Maggie
- Wednesday, April 24, 2002 at 06:09:38 (PDT)

Audience & eye-contact debate: Jane-you seemed to be unaware of the theatre practitioners Brecht and Stanislavski. AR condemns the Stanislavski technique in several interviews. Stanislavski is 'realist'-actors NEVER look at the audience and maintain a natural setting.AR disagrees with this and is more Brechtian in his communication to the audience. Besides, a vast majority of experienced actors make eye contact with the audience, to maintain the command.
savage
- Wednesday, April 24, 2002 at 05:33:36 (PDT)

Juliana - Thanks. My local Hallmark store doesn't have the Snape cards but I'll try one of the big stores in Midtown. Am taking a friend to PL on her birthday in August and would love to get AR to sign a card for her.

Overheard while waiting outside the theater last night: Twenty-Something Male (walking past huge poster and pointing): "Look, that's Alan Rickman." Second TSM: "I just love his voice." First TSM: "He rocks, man." Oh, yes! But I wouldn't have expected a couple of guys that age to realize it. Shows you what I know about guys that age, I guess.

Not much I can say about the show that hasn't been said by those who posted earlier. I don't remember anyone mentioning the way he dropped down onto that big pillow on the floor in the second act - just fell forward and landed with a graceful sort of belly-flop - a small moment but beautifully executed and rather surprising from a man in his mid-50s (though he looked 10 years younger from where I sat).

Was expecting chemistry and terrific performances from the two leads but, having seen the movie version (Robert Montgomery, as horribly miscast as John Malkovich in "Liaisons," and a surprisingly fun pre-Code Norma Shearer), I didn't think the play itself was going to be my cup of tea exactly. People like that don't seem real to me - all this money they obviously have, traveling all over the world and whatnot, and none of them ever seems to have a job. For another, men and women hitting each other doesn't seem as funny as it apparently used to. But they didn't overdo that aspect in this production. And the two of them are just SO good together. And when AR played the piano and they took turns singing "If Love Were All," I thought, Damn, if I could find one like that I could probably live with a man again.

If you're going more than once, I'd recommend seeing it from different parts of the theater. I wasn't happy at first to be so far back (Row P) but ended up really enjoying the view from above, especially in the second act when AR and LD were running all over the stage, on the sofa, off the sofa, up and down the steps, and barefoot the whole time. The floor rises sharply so it's almost stadium seating up there - no need to worry about that tall guy sitting in front of you. The only drawback was that I couldn't see the actors' faces clearly from that distance - a fairly major drawback! - since my little binoculars went missing just in time for the show. Looking forward to being closer next time - AR was obviously doing a lot with that fabulously mobile face, reacting wordlessly to other actors' lines and getting a lot of laughs.

(Off-topic but funny, speaking of binoculars: In the early '60s, in the RSC's "Marat/Sade," Ian Richardson became the first actor to bare his butt in a mainstream (sort of) Broadway production. He had to step out of his bathtub and walk to the back of the stage, and every night when he got to that bit he'd hear a mysterious clicking sound. Eventually someone explained to him that people in the audience were whipping out their opera glasses because they couldn't believe they were seeing what they thought they were seeing.)

Anyway, about ten hardy souls stuck it out at the stage door till sometime after 11. The actors all left together and the other four smiled as they passed but didn't even slow down - they knew who we were waiting for! - though if Ms. Duncan had stopped for a second I'd have asked her to sign my Telecharge flyer where she's wearing the red suit. AR looked delicious - wearing what, I didn't notice - but he seemed tired and not anxious to linger (there had been some problem with his car and he didn't come out till another was ready and waiting). Still, there were smiles for everyone (I don't care what anybody says, his teeth are adorable!) and he signed everything that was put in front of him. Not a lot of eye contact or chat on my side of the barricades but he seemed to warm up to the job as he made his way to the curb and he posed for photos with a group on the other side. Next time I'll stand further back.

I was first in line for autographs and thought I was ready - black Sharpie uncapped, the flyer and a Hans Gruber close-up neatly arranged on a clipboard - but of course I bobbled the handoff because He Looked At Me and I couldn't take my eyes off His Face. (Weirdly, he signed in the top margin rather than the big white space in the photo - can't think how to frame it so it will look good.) I was too shy to say anything except, "You were terrific/Thank you." The man next to me hadn't brought a pen so AR took mine back and thanked me as he returned it and He Smiled Again. Sigh.

About that car: They're called "black cars" and they're owned by individual drivers who belong to a kind of co-op or partnership. Yellow cabs work the streets and are supposed to pick up anyone who hails them. But at certain times and in certain places they're in short supply. And you can't phone them and say, "Please come and get me now" or "Be here at such-and-such o'clock." That's what black cars are for. Black-car companies serve businesses and individuals who have accounts with them. AR's transportation might have been arranged by himself personally or by the theater or by his concierge if he's staying in a hotel. Most of these cars aren't stretch limos but comfortable four-door sedans like the one I saw him get into last night. Price of a ride within Manhattan is about twice what you'd pay in a yellow and a lot less than a limo would cost. I've probably told you more about black cars than you ever wanted to know, but some people seem disturbed by the idea that AR is using some kind of self-indulgent luxury transportation and that simply isn't true. My own firm pays for a black car for any worker who has to travel between 9:00 p.m. and 6:00 a.m., and that's from the managing partner on down to the minimum-wage mail clerk and including yours truly.

Scooped up a dozen or so Playbills tonight - if anybody wants, please email me. They're not signed. And not as nice as the British ones - flimsier paper, same head shots (smaller, I think) but no other photos, similar bios, a few short articles about other productions, loads of ads. I've also accumulated a few of the black and white Times ads.

I gave you all an incorrect address for one of the NYC papers that will be reviewing the show: it's www.nydailynews.com. (without the "ny" you'll get an LA paper). Sorry. So far I haven't seen anything except for the Times ads.
Anne/Manhattan <agilhuly@gibsondunn.comfoo>
NY, NY USA - Wednesday, April 24, 2002 at 05:17:07 (PDT)

Just FYI...I bought When Love Speaks last night at Barnes and Nobles here in VA. cost $20.99
Val <valerie.watson@langley.af.milfoo>
- Wednesday, April 24, 2002 at 04:55:51 (PDT)

Michele PA - I shouldn't take too much notice of everything that is said on this page (including me!). At the end of the day you are paying your money and going to see a marvellous play with a wonderful actor in it. Anything else is just a bonus. The man is just a guy who happens to have an extra-ordinary talent. Like all of us he is entitled to feel tired, grumpy or whatever but, speaking personally, having met him once privately and once at the stage-door I found him to be slightly reserved, but totally charming and genuinely interested in what people had to say. Just go see the play and enjoy yourself.
Sue
England - Wednesday, April 24, 2002 at 04:33:22 (PDT)

I must contribute my pennies worth, its driving me insane...
Alan could see off the stage and into the audience at the Albery. think about it, its a very small theatre and the lighting wasn't exactly blinding!
I attended 10 perfomances, and at every single one both Alan and Lindsay and the others all made eye contact with at least one audience member.
come on guys... whats all this talk about 'fourth walls(?)', disrespect and unprofessionalism??? is it REALLY necessary? I think not, as do many others I hope.
And to anyone who speaks of Alan as though they 'know' him, you dont. stop putting words into his mouth and feelings into his head. (not to dash anyone hopes, but...) ie:"Don't worry, he will be very happy to sign your autograph." (a concerned citizen)
how on earth do you know he will be 'happy' at that particular moment on that particular day??? you dont, and I doubt he does either.
also id like to point out that is it not the purpose of infidelity to be discreet? there is no reason for any person on here to doubt his faithfulness, nor to stand up for any straying either.
I just dont believe that all of this unfounded speculation is at all anyones business, aside from the man himself and the people who share his life. fair enough, peruse the thought, but dont make it into aChannel 5 drama series. (like we need another!)

there, I've had my say (I couldn't keep it in secret friend: btw you have mail) and im going to slink off back to my pedestal in the corner of the room to admire all you decent peep's out there. and to laugh at the other ones.
'Mwah Mwah Mwah'
missbluey <ar_admin@btopenworld.comfoo>
london, uk - Wednesday, April 24, 2002 at 04:28:52 (PDT)

For those of you in the UK - Alistair McGowan the impersonator will be Alan Rickman as Snape this friday on BBC 1 at 830pm
flamingkitties <louise@bubbles16.freeserve.co.ukfoo>
southend, uk - Wednesday, April 24, 2002 at 01:40:41 (PDT)

I think I will stand out as the only patron wearing a flowery sundress and straw hat, a la Marianne Dashwood. You can take the girl out of the country, but not the country out of the girl.

Seriously though, I'm glad to hear there isn't some strict dress code at the theater anymore, because I'm a southerner and will stand out as such...I just don't do black, as in clothes, and I'm way too friendly, so that's a dead give away that I'm not from the north ;~}. Here's to hoping my corset doesn't squeeze too tightly and cause a fainting spell just as AR is reaching over to sign my program. That would be just too
Harlii <lmhpr00@knology.netfoo>
Huntsville, AL - Tuesday, April 23, 2002 at 22:51:19 (PDT)

Harlii: I think you see all kinds at NYC theaters (well, all over the city, really). If you want to dress up for the show then by all means do it. I think it's charming. Sure, you will see people in jogging suits, very likely, but who cares? There was a time when everyone dressed for the theater! Just think about the ghost of Noel Coward, smiling down at your appropriately swank approach to his work. And have fun!
Gwenn <moregato@hotmail.comfoo>
US - Tuesday, April 23, 2002 at 22:14:53 (PDT)

I have met Mr. Rickman several times, and he has always been courteous. As someone else mentioned, if one is courteous and respectful he will be too. If there is an undercurrent of hostility, then he will probably react to that. Don't worry, he will be very happy to sign your autograph.
a concerned citizen
- Tuesday, April 23, 2002 at 21:08:56 (PDT)

I still maintain that Alan Rickman is a kind, decent man who tries to be courteous and in faithful to his lovely partner. However, he doesn't suffer fools gladly. a concerned citizen - Sunday, April 21, 2002 at 20:54:25 (PDT)

As a current ticket holder for PL - I am now more than concerned, perhaps even intimidated by the tone of this message.

I would like to ask for Mr. Rickman's autograph on my NYC program for PL and perhaps an additional program for a friend who resides abroad if he has the time to linger at the stage door post-performance. Besides requesting such in a polite manner (especially requesting the signature for my friend) how am I to ask? Obviously I admire the man, for if I did not, I would not take the time to travel to see the show and wait in hopes of catching his attention after the show for a period of 1-2 minutes.

However, who is to say what might occur? What if he does not have the time for every person waiting for his attention at that time? If one is overlooked, does this put one in the catagory of "fool"?

The criteria of these catagorical statements make me wonder if even the attempt of asking will label a person - if so, why attempt the request? And if one does attempt and is either lucky in the outcome or not so very lucky on that day - why share the encounter here so that you may be so labelled?
Michele
Pa USA - Tuesday, April 23, 2002 at 20:57:27 (PDT)

I was just wondering if the Valerie/Fausta "Who's Going to PL" schedule is up yet... My "Type A"-ness is kicking in, even though I have a month until I see it!
Julia <j_petrov@hotmail.comfoo>
Calgary, Canada - Tuesday, April 23, 2002 at 20:11:04 (PDT)

For those interested, When Love Speaks is now available in the U.S. via the U.S. version of Amazon (don't know about bookstores or record stores though) for a little under $20. I think it was Fausta, in her PL review (I apologize if I'm incorrect), who mentioned she got a smile when she presented it to AR for an autograph. So ... something else to bring to the stage door. :)
Annette
Mansfield, Tx - Tuesday, April 23, 2002 at 19:24:52 (PDT)

Yes, Constance, some of the survivors of the M7 are still around. We weren't so gobsmacked as to not be able to pick ourselves and (sort of) get on with our lives. I'll be traveling in to PL sometime within the next months but don't think I'll do the stage door thingie. Feet won't tolerate it...or perhaps the exposure to AR is too much for this old lady. :)
Chris from NJ--one of the 7 <ckwible@worldnet.att.netfoo>
NJ - Tuesday, April 23, 2002 at 18:40:33 (PDT)

Sally, old girl...tell you what...next time you see AR, why don't you ask him if he enjoys seeing the audience and if he often breaks the fourth wall for a 'looksee.' I daresay you'd get a raised eye brow because you would have insulted him as an actor. I've stood on many stages as an actor myself, albeit they do not include RR or the Albery...I'm not quite that good. But I've taken enough acting classes to know that you don't look directly into the audience during a show...bored or not. (which I doubt he is...that is your opinion, not mine) It's completely unprofessional, which AR certainly is not. If it makes someone feel better to think he has seen them, or made direct eye contact with them from the stage, then what harm is that? We can all have our fantasies. I certainly have mine. But I draw the line when a fantasy insults the integrity of a world class actor. just peace, jane.
ladyjane <anglophile63@att.netfoo>
B'ham, AL USA - Tuesday, April 23, 2002 at 18:34:23 (PDT)

Laura- I have written to him and sent it to the RR theater. I mailed it about two weeks before the first preview night and which was about 3 weeks ago. I have not received it back as not deliverable nor have I got a response. I did though enclose a self addressed stamped envelope with a nice note asking him nicely to just sign the paper and drop it in the mail. I am going back on May 5, and hopefully will get his autograph then. Ann of NJ - I am about one hour from NYC. I live close to the Delaware River in West/Central NJ
linda
nj usa - Tuesday, April 23, 2002 at 18:17:54 (PDT)

Sunny - in regards to writing to Mr. Rickman's agent requesting an autographed picture, I wouldn't suggest it at this time. According to some of the members of one of the Yahoo AR clubs that I subscribe to, autograph requests have been returned with a letter from Mr. Rickman's secretary stating that since he is out of the country, he won't be able to fulfill autograph requests as he had previously done. I know that he accepted mail at the Albery Theatre in London, but I'm not sure if he will be doing the same at the RR theatre in New York - has anybody here tried it yet?
Laura <trulymadlydeeply79@yahoo.comfoo>
Ontario, Canada - Tuesday, April 23, 2002 at 16:56:37 (PDT)

Ladyjane: I'm sorry the "little town blues" are back- in boring Al!- but I'm going to have to disagree with you and annoy the hell out of you, to the tune of that same "New York , New York" song: "Oh yes he can! Oh yes he can! But it doesn't matter a JOT! Oh yes he can".( Tune over now). Or rather, he could, at the Albery-see off the stage. Sorry, old girl, but he could! Think about it. He knows the play so well he can recite it in his sleep. He might as well have a peek off the stage now and again for something ELSE to do. He could see off that stage so far, there was nowhere for an audience to hide!!
Sally
London, UK - Tuesday, April 23, 2002 at 16:25:32 (PDT)

It is so exciting reading about everyone's experiences at Private Lives and their meeting Alan Rickman. By the time I go in May I'll feel like I've already been there twenty times! Linda of NJ, yes, I am about twelve miles from the GW Bridge. How 'bout you?
Ann
NJ USA - Tuesday, April 23, 2002 at 14:18:27 (PDT)

Hi everyone! I didn�t have the time to read the GB the last few days and had to scoll down... as it seems endlessly... just a few remarks:
well, every more or less concerned person should leave this nice guy and his private life alone, will you? It�s so unfair to talk like that... i am pretty sure non of us knows him really so lets stop speculating... I like him the way he is, with RH at his side - don�t you believe most people have a steady partner? NOW that�s enough on this subject!

I have a very different question:
Does anybody know if it�s worth a try to write to his agent and ask for a signed picture (as I have no chance to go to NY and have no idea when he�ll be on stage in London again)? Did anyone try that? And if this works, how long did it take to get that picture? Thanks a lot!
Sunny
Germany - Tuesday, April 23, 2002 at 13:55:07 (PDT)

No photography allowed--flash nor otherwise--at the Rodgers. There is an announcement before curtain-up saying that explicitly. The Albery did not appear to mind photos at curtain call. Most of the others up at ebay were press photos taken during the preview performances in London. All of the photos, for example, with Ms. Duncan in the red suit are in that category as it was replaced with gray by around the time the play officially opened in London.
Georgiana <gellis@drizzle.comfoo>
Seattle - Tuesday, April 23, 2002 at 13:34:05 (PDT)

I was really curious about what everyone wears, because here in town I'm always overdressed. Even if it's a pantsuit, everyone else is in jeans and plaid shirts. Maybe it has something to do with getting few to no shows and not being accustomed to it. Or it could be that Alabama sucks. I'll go with that. ;~}

I have another question. Are cameras allowed? I know they usually say no flash photography, but someone is getting tons of pics at the play, as they're up all over eBay.
Harlii <lmhpr00@knology.netfoo>
- Tuesday, April 23, 2002 at 13:24:37 (PDT)

Cheers Georgiana and Joyce for the info regarding the previews/opening/press reviews and the NY Times tips. Very useful - thankyou!!

I am just keen to get as much AR info as possible - sure you know what it's like! :)
Catherine <catherineharpham@hotmail.co.ukfoo>
Reading, England - Tuesday, April 23, 2002 at 13:10:54 (PDT)

Thanks Georgiana--I find your tips invaluable!
Claudia <Flipper828@aol.comfoo>
GA USA - Tuesday, April 23, 2002 at 12:47:10 (PDT)

Some practical points for those New York bound:

I've received several requests for 'dress code' for New York theaters. It is pretty loose. Most people are comfortable in what would pass as 'business attire.' There are lots of suits on both men and women. The days of 'black tie' at the theater have significantly waned, although there are occasional couples all decked out, many appearing somehow awfully young, but others staying in the pricey Times Square hotels to make a real holiday out of things. Many theater-goers are (1) traveling and therefore there with limited wardrobes, (2) coming after work, or (3) hoofing it around the city in attire selected more for comfort than style. All in all, business attire strikes the most common middle ground. There are certainly people present in jeans, more commonly at matinees than evening performances.

Also, note that 46th Street, where the Rodgers is located, is "Restaurant Row," with lots of fancy dining establishments between Broadway and 9th Avenue.
Georgiana <gellis@drizzle.comfoo>
Seattle - Tuesday, April 23, 2002 at 12:27:50 (PDT)

Hi Catherine,

I'm no pro on NY newspapers or magazines, but am a 'member' of the NYTimes and I think there are no real benefits when you subscribed, although I receive an email alert if Private Lives gets mentioned on their site � the search-facility is quite good, the most recent articles you can read online, older ones you have to pay for.
Joyce
The Netherlands - Tuesday, April 23, 2002 at 11:41:49 (PDT)

"Private Lives" at the Rodgers is in previews. The official opening is April 28, and newspaper reviews will not appear until then.
Georgiana <gellis@drizzle.comfoo>
Seattle - Tuesday, April 23, 2002 at 11:27:18 (PDT)

Hi there!

I love all the reviews on this GB, but am still dying to know what all the "official" theatre reviewers thought of eveyone's favourite PL. I have tried the New York Times site and not got very far; do I need to be a member??

Also, have there been any publicity aritcles and the like? I'm sure I would've read about them here if there are any, but I just wanted to check!
Catherine <catherineharpham@hotmail.co.ukfoo>
Reading, England - Tuesday, April 23, 2002 at 10:32:29 (PDT)

Ladyjane - Thanks for the info, I want to get it all together before I go back and hopefully meet him. Did it seem as if he was in a rush to get to the CAR or did he take his time? I did see people waiting when left the theater on Sunday. I wish I could have stayed.
linda
- Tuesday, April 23, 2002 at 10:09:30 (PDT)

Linda, I was just curious about the location of the seats. I've been a bit concerned about the rear mez seats already and have turned them down for left and center orch seats although I'm not too happy about those either. Unlike the Albery, it's hard to gauge the better seats at the RR. For those who have already attended, do you have any suggestions? BTW, Linda, binoculars are ok for theater, but just not in the first 6 rows.
Jacqueline
Chicago, IL USA - Tuesday, April 23, 2002 at 09:11:44 (PDT)

Yes, I like this site.
Bernie Unwin <vlad_dracula52@hotmail.comfoo>
Grantham, L England - Tuesday, April 23, 2002 at 08:40:57 (PDT)

Mr. Rickman seemed perfectly fine Sunday at the stage door, not unhappy, he signed anything and everything and posed for photos. He was also pleased to see my When Love Speaks, in case you have one.
Fausta <faustaw@yahoo.comfoo>
- Tuesday, April 23, 2002 at 08:14:27 (PDT)

Alan was great in Harry Potter!!!!!!!!!!!!!!!!!!!!!
Samantha Slytherin Snape <Snape@harrypotterrules.zzn.comfoo>
Albany, OR USA - Tuesday, April 23, 2002 at 08:11:52 (PDT)

Sorry to be so late posting my 2 cents from Fri's PL performance, but I thought Val did an excellent play-by-play for you. I have just a few comments to add (humble opinion & all that) Yes - Melissa, NJ - I do have photos from the stage door. email me & send me your home adds.I'll send you copies... As far as AR scanning the audience during the play...PLEASE TAKE NO OFFENSE to anyone who really thinks that he is looking directly at them...(It's a nice thought afterall)...but sweeties the unfortunate reality is he can't see a bloody thing past the stage, and even if he could, he WOULDN'T focus, as it could cause him to break character. An actor has a wall between him and the stage. To make direct eye-contact with a member of the audience, would break that wall. He may appear to give the illusion that he's looking at someone, or something out there...but it is that...an illusion. Say it with me..."illusion"...Acting is just that, an illusion. Since we all agree, he's very good at what he does, let's not assume he would do something as so amateurish as 'scan the audience.' The limo issue is something else I'd like to clarify...again my opinion...when someone says limo...I imagine "the stretch" kind, that seats a lot of people, booze in the back, etc. This was not what our beloved AR was picked up in Friday night. Rather, it was a car service, which is very large, 4 door car...sort of an upgrade from a taxi cab. It may have been privately owned, I don't know, but it had 4 doors, not six and it was black. Sorry I didn't get the make and model...I was too busy recovering from my hug. Also...someone said he was only at the stage door for 5 min. I didn't have a stop watch ticking away, so I can't confirm or deny that. I will say that everyone who muscled up the courage to approach him, got a photo, or something signed, and a smile. (and 2 of us got hugs) Those who stood back and did nothing, got nothing but a missed opportunity. Suffice to say, it was clear he was making a path to the waiting car (notice...I said car), but I didn't feel he left people wanting. If so, perhaps they should have been politely more aggressive. That's my 2 cents. Don't pelt me with pillows, as I'm already quite depressed it's all over. Run, don't walk to this play. back in boring bama...ladyjane. I definately need some BRANDY! luv 'n peace, jane
ladyjane <anglophile63@att.netfoo>
B'ham, AL USA - Tuesday, April 23, 2002 at 07:17:59 (PDT)

Those of you with birthdays coming up will be interested to know that your local bakery might be able to provide you with an official "Harry and Friends in Potions Class" birthday cake. I was in the bakery section of a grocery store (one of a national chain of stores), providing personal support to a friend planning her daughter's first-ever b-party and flipping through a large binder they offer customers with various themes. There were a number of HP-themed cakes. Apparently you select one, the bakery makes it with little props supplied by an American supplier and you can munch out on Harry and pals with sugar cauldrons and licorice wands and such like. If they have it "up here", they must have it "down there".
Magda
Canada - Tuesday, April 23, 2002 at 06:22:05 (PDT)

i would just like to mention that Uk tv entertainment presenter Christopher Price has died, and he rocked, so :( is my mood, Liquid News will not be the same without him.
flamingkitties <louise@bubbles16.freeserve.co.ukfoo>
england - Tuesday, April 23, 2002 at 06:03:16 (PDT)

Anne, I have bought Snape greeting cards at Hallmark Card stores. They first came out last year, so they may be a bit harder to find now.
Juliana <daltrey63@hotmail.comfoo>
- Tuesday, April 23, 2002 at 04:15:03 (PDT)

A while ago there was a discussion about Snape greeting cards but I haven't managed to locate it (or the cards). Can anyone tell me where to find them? Thanks.

I'm going to see him tonight!!!!!
Anne/Manhattan <agilhuly@gibsondunn.comfoo>
NY, NY USA - Tuesday, April 23, 2002 at 04:09:22 (PDT)

Italics fixed and the missing week restored. What do you mean you never even noticed there was a week gone !!

Claire
- Tuesday, April 23, 2002 at 00:23:36 (PDT)

Constance, thank you so much for visiting my site and reading about our adventure. Yep, I'm still around and trying to get back in the saddle of Rickman-dom (some personal problems have been keeping me away the last year). It was a great day that Sunday, and I am in touch with a few of the seven. I'll be going to PL 4/23 and again in June (and whenever else I can get tickets), so if you're planning to be there, give me a holler!
Gilda <ab234@iconn.netfoo>
- Monday, April 22, 2002 at 20:46:36 (PDT)

Constance- Sorry, I dont remember where I saw it, I am very new to writing in guestbooks and have yet to join a chat or discussion group. I was asking if he was unhappy because I want to make sure I dont sound like a fool when I try to meet him in May. The last thing I need is to say something ridiculous when he is tired. From most of the reports I have read, he is very gracious to his fans, I guess I am hoping that he is the that way when I see him. Now one more question, (sorry to be a pain) What is the best thing to bring for him to sign paper? pictures? playbill? and what kind of pen should I have, a Sharpie or what? Sorry to sound so childish, I want to get it right
Linda
nj - Monday, April 22, 2002 at 20:04:01 (PDT)

Ah, Me again... I was just looking into the Rickman in The Round site and revisited the great adventure of "The Magnificent 7"! 7 very lucky women who met AR at a WG book signing in Manhattan's Border's Book store(many moons ago..) and lived to tell about it! Well, I was just wondering are there any survivors? Jean? Kel? Gilda? Chris? Michele? Linda? Or Andrea? I wonder if I know any of you........Curious, Aren't YOU? Besides.......we must do something while we await the latest PL report!lol :~)
Constance
USA - Monday, April 22, 2002 at 19:51:00 (PDT)

Linda: Where did you hear or read that on Sunday's performance he was unhappy? I know it is lazy of me but if you could just point me in the right direction.... Was it any of the Yahoo groups?
Constance <madaboutron4@yahoo.comfoo>
Cary, NC USA - Monday, April 22, 2002 at 19:20:42 (PDT)

Melissa - No, I wasnt able to stay after the performance to meet him and take any pictures, my party had to leave. Annette and Jacqueline - The seats I had were rear mezzanine, first row. Maybe lousy was a strong word. I thought before I got there that I had better seats than I did, so I was a bit disappointed but in no way did it hinder my feelings for the play. It was just an opinion of my seats. Was I wrong to bring binoculars? I have never been to a Broadway show before so I not sure what is expected. Basically, the only reason that I wanted to go to the play was just to see him, be in the same room with him. But after the play was over, I truly enjoyed the whole experience. I am so crazy about the man that the 6th row would have been disappointing. Please dont think that I thought being in the balcony was lousy, I just wanted to be closer. I am going again on May 5. I have orch. seats this time row Q left of stage. Has anyone sat near there? This time I am planning to stay and hopefully get an autograph. If anyone attend the April 21 performance and stayed after, what was he like? Some reports of him a signing autographs are saying that he didnt look happy. Thanks for you responses. Ann From NJ Are you close to NYC? Linda
linda
nj usa - Monday, April 22, 2002 at 18:54:27 (PDT)

Mr. Godley told us last October that, at the Albery, the actors couldn't see the audience past the first couple of rows. That's as far as the stage lights shone.
Georgiana <gellis@drizzle.comfoo>
Seattle - Monday, April 22, 2002 at 18:10:13 (PDT)

Sally (UK) - I hate to contradict you, but I did fly to Europe, and then onto London to see AR in Private Lives - twice - last October. So, I do know what the Aubery theatre stage looked like etc in London. Anyway, I was passing comment on what it is like to be on stage looking out to the audience in general, not what it looked like as AR peered over the footlights from the balcony.

Interesting insights, Georgiana. Doesn't sound like it will be as easy to chat to AR or the rest of the cast as it was in London after the show. And from all you said, I am glad I flew to London to see the show there! But, am glad many of our American friends now get the chance to go! I would fly to NY if it wasn't for (a) I have just returned from 10 weeks overseas, and (b) I have to go to NY in november for a wedding... Timing...! But I am glad I got to see PL in London anyway!
Sally
Sydney, Australia - Monday, April 22, 2002 at 17:59:08 (PDT)

Georgiana, Thanks. Well done. Very enjoyable.
valerie
ny - Monday, April 22, 2002 at 17:27:49 (PDT)

No, no microphones at the Albery--a smaller theater. I have heard that it was sometimes difficult to hear the lines from the balconies, though. With the larger Rodgers, I would imagine it would be worse. And, no, no grin after applause on his entrance in Act I, more the usual soft grimace, although a couple of the New Yorkers around me thought he had 'cleverly' gone out and come on again by way of response! The cast did appear to be getting used to the interruptions. I would also add that the discussion in the orchestra seats I heard was all quite favorable: delight at the play, at the performances, at the privilege of hosting these actors.
Georgiana <gellis@drizzle.comfoo>
Seattle - Monday, April 22, 2002 at 17:17:25 (PDT)

Harlii: just saw your post. He grinned from ear to ear apparently after his round of applause at the start of Act I!
Sally
London, UK - Monday, April 22, 2002 at 14:52:15 (PDT)

Great review, Georgiana. I'm confused about something, however. Were the actors not mic'd at the Albery? I just got the impression this was something new at RR. Also, was there quite a crowd at the SD and could any of you tell if the actors were visibly surprised/pleased with all of the clapping at the beginning and the standing ovation at the end? Just curious. I can't wait for June 28th!
Harlii
- Monday, April 22, 2002 at 14:39:05 (PDT)

Georgiana: Thank you for the interesting description of the differences in the play. And I am glad he and Lindsay recognised you and said "Hello". That must have been gratifying. Good for you to have made it there again.
Sally
London, UK - Monday, April 22, 2002 at 13:53:08 (PDT)

FROM THE RICHARD RODGERS, ROW O Spoilers abound:
I managed to see "Private Lives" on Sunday from row O, and it was marvelous. For those familiar with the London performance, here are the differences.

The stage is wider and less deep. This means a few changes in the 'staging,' all of which appear to represent compromise. The only noticeable difference I saw in Act I was that you can see a sort of 'flange' on each side of that wonderful balcony set. They are just sort of decorative edges to the facade. A lovely change is that Sibyl is out of her pink 'frock' in Act I and into a peach-colored exquisitely slinky lanky creation that does justice to Emma's athleticism. One is no longer tempted to wonder what Elyot saw in her!

But Acts II and III are slightly more problematic. Same sets, same props--with a few exceptions I shall mention. They seemed to have left the sofa throws in London and have new ones; the pillows, rugs, and even couches appear identical. They have added the Eiffel Tower to the view from the window in Act I--framed perfectly, lit at night, decorative ironwork in the daytime. I have not had a chance to pull the play to see whether this violates the Paris geography. Now where is the Hotel Atterly?... But the stage is not deep enough to retain the piano bench. Rickman, when he 'plays,' therefore, sits on the edge of the raised flooring in back. This means that when Amanda, singing, crosses over to sit next to him, she climbs up the stairs, stage right, and down stage left. This is slightly distracting. She then sits on a 'stack' of books, which term I use loosely, since it is clearly a set of 'stage' books meant to be upright on a bookshelf--the 'bottom' edges are all aligned. There is one other time where she crosses via the 'up and down' route. I doubt this would matter on a one-time viewing. The trade-off is that there is no overhang above the piano to capture the sound. Both performers sit a bit higher, and Mr. Rickman's singing voice positively soared in song out over the audience.

The other change, in the third act, is the 'tennis match' scene, which is less funny with more distance between Amanda and Elyot. The 'graphic' up on Fausta's page IS the graphic for this performance, accompanied by that lovely shot of the two of them from the London previews, looking away from each other, Amanda in the red suit. Because of the change in stage configuration, that particular posture does not occur in this play--with the added width to the stage, Elyot perched atop his suitcase is several feet away from Amanda on the end of the sofa. He has to reach to catch her hand upflung in protest over the escalating argument between the younger pair. And some of the coffee passing (if the cup weren't so underfilled) looked nearly hazardous.

I was pleased to be recognized by both Ms. Duncan and Mr. Rickman at the stage door. It is just to the right of the main entrance to the theater and an entirely unceremonious setting where they set up steel baricades to keep the fans away from the path to the waiting limo. I said to Mr. Rickman that the stage seemed quite different and he replied that it was, "Very different." But all these are rather minor points. The play is as crisp and polished as it was in London. The audience was incredibly warm. Both main actors were applauded at entry (we are so pleased for talent!); as was the conclusion of their fine balcony scene, and a standing ovation ended the afternoon--and I suspect will end virtually every performance.

I did mind the microphones on the actors--not because of the fact that they were wearing them, but because they cracked and popped in annoying fashion. There was some interaction between the mikes and the actors' touching the handrailings on the balcony, and there were times where clearly both actors' microphones were picking up one actor's voice, which became distractingly loud. I trust these are all 'technical'--and therefore solvable--issues, to be remedied (along with the upright books!) before the official opening.

There was A/V equipment spread over four rows, about six seats wide, mid-orchestra starting at row M. Or right beside us. We asked the technical folk--hopefully--whether this was for Broadway Archive. Alas, no. But they were recording for the equivalent of the A/V 'pressbook'--for snippets to accompany interviews and TV press items. So keep those VCRs at the ready. A word about the theater. In the orchestra, rows L through P are delightful. The rake is steep and they climb over the more gently sloped rows before. This fully frames the stage from those seats and it feels both intimate and expansive. I had never before (from rows 1-5 at the Albery) appreciated how much Mr. Rickman acts with his feet! They pose, posture and propel him through the action; convey attitude; anchor and power the fall. That they are as generously sized as are hands and head gives them an animus of their own--this must be one of the world's most 'physical' actors. So please do not lament the fact that your seats may be toward the back. (It did, however, look to me that, behind row P, you are getting caught beneath the balcony overhang.)

Happy theater!

Georgiana (lovely finally meeting Fausta! And Jennifer a treat, too.) <gellis@drizzle.comfoo>
Seattle - Monday, April 22, 2002 at 12:37:21 (PDT)

Hi again!

Ann - Belated (my 'phone line's been down ALL WEEKEND - AARRGGHH!) thanks for your info about the Galaxy Quest DVD; I shall certainly be looking out for that next time pay day comes around. I take it everyone here's aware of the extra takes of AR that can be spliced together on the "Die Hard" DVD? Well worth a look!

Anyway, that is very much off the current topic, which is of course PL opening! Excellent to read your reviews so far - am of course very glad that it seems to have got off to a great start. Looking forward to reading the newspaper reviews, too; although I am sure they won't be able to find fault with much. I saw the play here in London near the end of it's run, and it was perfect, so I guess it can't have lost anything in the short time it's taken to get it across the "pond". Sure this must seem like an obvious question, but are the sets the same?? Also, is it a bigger stage? If so, that might explain why AR seemed to be checking the marker points on the stage. Just a suggesion.

Looking forward to hearing more of your meeting AR/stage door stories, all you lucky people!!
Catherine <catherineharpham@hotmail.co.ukfoo>
Reading, England - Monday, April 22, 2002 at 12:33:24 (PDT)

Regarding whether or not the actors are miked.... Three weeks ago, I was in the NYC during my spring break from high school. My brother and I decided to go near the Richard Rodgers Theater to see if the marquee was up, and it was, with that great picture of Alan and Lindsay. My brother and I saw a man outside the theater wearing a New York Stage crew jacket, drinking coffee and smoking a cigarette. We asked him if he was working with "Private Lives" and it turns out that he is the sound guy! After he finsihed his cigarette, he let my brother and I come inside the lobby, which was filled with mumerous trunks labled "Private Lives" and speakers. He let us see them working on the set briefly which was very cool! I just thought "Alan will be walking here soon!" I can't wait to see what it looks like now that its completed. The sound director said that the actors would not have individual mics, but there would be mics hidden within the set.
Amy L.
NY USA - Monday, April 22, 2002 at 12:10:45 (PDT)

Why has this turned into a discussion about his fidelity? It was only a suggestion on my part-semi joke- that he was looking for other women! Perhaps I should have put "Looking AT other women"-(a normal enough male preoccupation)-thank god! But the main argument seems to be whether he looks off the stage or not. I, along with Constance, find this notion upsetting (though I have got more used to the idea now, though I like him less for it) because, like her, I want to believe that he is a serious actor keeping his attention to the play, and not having to believe that he is only half-heartedly going at it, with half his mind on scanning the audience!
Sally
London, UK - Monday, April 22, 2002 at 12:02:46 (PDT)

Ah, I see some more folks are talking about mic-ing. Great--I'm glad some of you asked, "why the objection?"

The reason I object has nothing to do with the appearance of the mics themselves. Rather, I object because theater is supposed to be all about the live experience, and the craft required to make that experience happen. When a play is mic'd, you are hearing the actor's voices through speakers, and depending on where you are sitting in relation to the speakers, it can be quite disorienting. It detracts from the live feeling. (It's always been particularly bad in musicals--it sounds like you are listening to the show on a radio).

Now, lighting is required, or you couldn't see the stage, and is often used artistically to convey extra meaning as per the director's vision. And sound is sometimes also used in an expressionistic manner, as a creative tool. However, properly trained actors ought to be able to use their voice as a tool to communicate the words of the play to the last row, even when soft tones are required, without mics. And I have no doubt that this cast is up to the task, but broadway producers too often pander to the audience. Sometimes, they are actually trying to make it seem more like tv or film, with which the audience is presumably more comfortable. It is insulting to the audience, to the actors, and, as I said, it detracts from the live theater expereince.

I suppose you could argue that it OUGHT to be able to be done well, so that it unobtrusively enhances the sound of the play without detracting or distracting from the sense of immediacy or the energy of a live performance. But in my experience, it has been handled poorly, even in the top broadway theaters.

So, can anyone who's seen it in NY provide any info on whether or not they are used? Not that there is any hope of me getting tickets now, but I'm just curious. Also, does anyone know around what time the actors show up at the theater?
Gwenn <moregato@hotmail.comfoo>
US - Monday, April 22, 2002 at 11:57:36 (PDT)

Constance, don't worry, it is only act 1 that he is mostly on one side of stage. He is all over the place for the rest. Melissa I took pics of him signing autographs with different people. I was clicking away. He didn't pose for any on opening night. If any come out good I will share.
Valerie <brookdoc913@cs.comfoo>
NY - Monday, April 22, 2002 at 09:49:33 (PDT)

Valerie, Linda, Toby & Ladyjane, Did any of you take photos of AR at the stage door?
Melissa
NJ, USA - Monday, April 22, 2002 at 09:29:42 (PDT)

Oh Help!!!!!!! Suz.... I did it again! I have single handedly italicized the Guest Book! Such power! Who knew?
Constance (sorrysorrysorrysorry)
USA - Monday, April 22, 2002 at 09:00:33 (PDT)

Toby! Thank you for your report, but I am SAD!!!!!! I have good frontish seats but on the even numbered right side!!!!Please tell me there yet is some hope!!!!! I cannot imagine that a grand theatre like the RR would have more than half the audience staring at.....furniture? Quick! Give me a reason to live! lol :~)
Constance <madaboutron4@yahoo.comfoo>
Cary, NC USA - Monday, April 22, 2002 at 08:58:13 (PDT)

I would have to agree with FastFilm about the mic-ing of a play. I would appreciate the softness in the spoken words that amplification would allow. And with today's techonology--mics are so small and undetectablethat the audience might never see the equipment.
Claudia <flipper828@aol.comfoo>
GA USA - Monday, April 22, 2002 at 08:41:35 (PDT)

Linda, where were your seats?
Jacqueline
Chicago, IL USA - Monday, April 22, 2002 at 08:28:45 (PDT)

.....sometimes you can see the first row, but not very clearly!
Saskia <sasje@xs4all.nlfoo>
The Netherlands - Monday, April 22, 2002 at 08:11:43 (PDT)

Sally wrote: "As to peering directly at people in the audience - I have given talks to audiences on numerous occasions, and with the lights blazing onto the stage, I am as blind as a bat, even if I am giving all the appearances of gazing ernestly at someone or some people in the audience... If the lights aren't shining on the stage, then I seem to have an unerring talent for only seeing the people nodding off... You are too busy remembering what you are saying to really focus on the audience - beyond acknowledging them by looking at them." >>>>>>>>> I totally agree with Sally. I work at a theatre (as an actress and as a technician) and it's true that you can't see the public when you are on stage. In every play you have front light and that makes you not see the public. Yo� got 'blinded'.
Saskia <sasje@xs4all.nlfoo>
The Netherlands - Monday, April 22, 2002 at 08:07:34 (PDT)

I'm curious why some here object to mic-ing the actors onstage. Any competent sound engineer should be able to balance loud and soft voice modulation with unmuffled clarity for any shape theatre. The mics look no more obtrusive, really, than hearing aids. I would also love for someone here who knows Coward's work to comment upon this adaptation in terms of its author's intent. It would help me understand its lead actors' artistry!
FastFilm
Los Angeles, - Monday, April 22, 2002 at 07:26:47 (PDT)

Sorry, I didn't mean to start a big contoversy. I just thought of something though. Myself and the lady next to me were using binoculars from time to time. (I really didn't need them ,just trying to optimize everything - being greedy I guess) May be he was just looking at us trying to figure out who the two nuts with the binoculars were.
Valerie
Definatel y back inGreat Neck, - Monday, April 22, 2002 at 07:07:36 (PDT)

Another question for those who've attended the NY performances, are the actors wearing microphones? I have a relative who frequents Broadway shows, and I have seen the touring companies of Broadway shows that have come through my neck of the woods, and it seems that mic'ing the actors is a more and more frequent occurrence.
Annette (again)
Mansfield, Tx - Monday, April 22, 2002 at 05:56:47 (PDT)

Linda, where were your seats that were so lousy and required you to use binoculars?
Annette
Mansfield, Tx USA - Monday, April 22, 2002 at 05:23:38 (PDT)

Hello...this is my first go at this so pls bear with me...If any of Mr. Rickman's fans out there are military or dependents of such or retired...etc there is a fantastic deal for you (lodging wise) right in the middle of Manhatten. The cost is $30 a night and the hotel is located on 37th and Lexington here is the link http://afrc.com/sol-airm.htm there is a parking garage right across the street. Just some FYI in case you are going to PL and need a cheap place to stay. My husband and I are going on May 25th and that's where we are staying. Thanks for all the good work on this GB. Val2
Val <valerie.watson@langley.af.milfoo>
va usa - Monday, April 22, 2002 at 04:12:08 (PDT)

"It's Christmas Theo, it's that time of miracles, so be of GOOD CHEER!" Please no more unhappy entries here... AR is in NY and we should all be happy that he and LD are doing so well with this good play. Some of us will never get to see AR, so what? It's not important = AR's work speaks for itself and that is all that matters - His WORK not his PRIVATE LIFE. Smile everyone and be happy that he is doing so well!
Barbara the Australian <hermione(underscore )3@hotmail.comfoo>
Gold Coast, Qld Australia - Monday, April 22, 2002 at 00:06:33 (PDT)

Sally,(Oz), thanks for your kind comment,but, believe me, he can see off that stage! You haven't been there-you dont know! BUT I HAVE! Do you think I would write this stuff if I wasn't convinced?

I wasn't making any particular comment about what interaction happened to me with the man, either, because I haven't had one, I thought I'd made that abundantly clear over the months-I don't go to the stage door; but I see things nevertheless and I'm reporting what I have seen! But make your own mind up, paricularly when you've seen him for yourself. Believe what you like , ofcourse, but life is against you!
Sally
London, UK - Sunday, April 21, 2002 at 23:48:37 (PDT)

Just saw PL today, it was wonderful, some of the faces he made were hilarious. For those going to PL in the future watch his face when he see Amanda for the first time. The hug he gave her in Act One was very sensuous, she seemed to respond. They certainly have a unique chemistry. Didnt get to meet him at the stage door but I am seeing the play again and will try then. My party wanted to leave right after, it was raining. The sets were beautiful and those clothes were gorgeous. I thought his voice sounded dreamy. He was very, very funny. There was a part in the play where A and L started to laugh and I dont think it was in the script, he had just taken a bite out of a roll and he started laughing and then he looked at her and she was laughing, she had to cover her mouth. It was fun to watch. Had a great experience, although my lousy seats forced me to watch through binoculars, (small ones) I am not sure if that is Broadway ettiqute, but it worked. He was so charming and charismatic. Thanks, Linda
Linda
NJ USA - Sunday, April 21, 2002 at 22:35:36 (PDT)

Constance: I myself have been in big playhouse theaters for some productions, and though the lighting sometimes does shadow the audience, you can still see them. I often as well like to look at the audience (when I am not staring at another actor, hehe) and I believe that is a normal gesture... least, in my opinion...
Diane <crescentmoonluna@aol.comfoo>
The Country, Utah USA - Sunday, April 21, 2002 at 21:12:47 (PDT)

Hi, all. Reporting in, here. Saw PL Saturday night 20Apr. The whole experience was better than Christmas! First, some logistics not already covered -- AR spends all of the first act on the left side of the stage (from the audience). If you want to be in front of him, you need the odd-numbered seats. SPOILERS follow! Alan and Lindsay both got applause when they entered, which means NY audiences are not as jaded as their reputation. In the first act, the script calls for them to be lost in embrace. Lindsay didn't do it! Whereas all of us would have been melting in his arms even if the script didn't specify it, Lindsay just stood there with her hand on his chest, looking away into space over the audience. He was sufficiently amorous, thank goodness (swoon!). Maybe he had onions and garlic for dinner! The whole play was absolutely wonderful. AR brings such humor and whimsy to the role which I never picked up from reading the script. I just wish I had sat closer! His expressions are so important -- I recognized several that are also used in movie roles. And they are so endearing. Re stage door -- yes it took about an hour for he and Lindsay to appear. He looked very tired -- they did a matinee Saturday afternoon. But he hung out for what seemed like forever but not nearly long enough -- much more than 5 minutes. He signed everybody's (!) playbills. He posed graciously with several mothers and daughters and waited patiently when cameras weren't working. Somehow I managed to be front row against the barricade and he stood touching shoulders with me while he signed several playbills. He exudes sensuality. I'm in love! And I'll be back with the last available ticket for 26Apr. There's got to be a way for us Rickmanics to recognize each other. It would have been nice talking AR stuff while waiting -- not that all the folks around me weren't pleasant and interesting. But I would rather indulge this growing AR habit with other afficiandos than talking about Philadelpia.
Toby <tobytamblyn@cs.comfoo>
Newtown, CT US - Sunday, April 21, 2002 at 21:11:21 (PDT)

Ann W - to see the Conan O'Brian interview Suzanne has on this site, its pretty clear AR learnt to drive in LA... No other way to get around in the states! Certainly, I can vouch for LA being a public transport unfriendly place - I had to meet two friends who were staying at the Four Season Hollywood and I was in Orange Country near Disneyland. All the hotel people suggested they catch taxi's - to the tune of $100 each way, and it was about another few hours before one of them discovered LA actually had a train system. There was still the taxi's from our respective hotel's to that one trainline. I'd hate to think how they'd have done it with buses...

As to peering directly at people in the audience - I have given talks to audiences on numerous occasions, and with the lights blazing onto the stage, I am as blind as a bat, even if I am giving all the appearances of gazing ernestly at someone or some people in the audience... If the lights aren't shining on the stage, then I seem to have an unerring talent for only seeing the people nodding off... You are too busy remembering what you are saying to really focus on the audience - beyond acknowledging them by looking at them. So, I wouldn't delude myself one iota when someone on stage looks at me - they probably wouldn't recognise me from a bar of soap afterwards...
Sally
Sydney, Australia - Sunday, April 21, 2002 at 21:05:28 (PDT)

In a community where secrets are hard to keep and behavior is hard to hide, Mr. Rickman has never had any gossip about infidelity. Only innuendo, unfounded in fact, experience, kindness or truth. There is much more evidence that he is faithful. I still maintain that Alan Rickman is a kind, decent man who tries to be courteous and in faithful to his lovely partner. However, he doesn't suffer fools gladly.
a concerned citizen
- Sunday, April 21, 2002 at 20:54:25 (PDT)

As far as I remember, Alan has been picked up by limo or private car many a time after performances. I remember reading stage-door accounts from Antony and Cleopatra, and him getting into a chauffered car... Also, he had a silver Mercedes-Benz waiting for him after the Masterclass (apparently driven by a mature student going back to law school!). Now, I know it may make him *seem* like a big bourgeois and not the left-winger we know and love, but it might just be a safety issue: crazed fans would certainly follow him home if he took public transport!

OT--Just watched "The Dresser", 1983 with Albert Finney. Ooh boy, I am ever so glad I am not involved with the theatre. Maybe I'm just watching the wrong movies, but this one was even more depressing that AABA, and more telling than "Bullets over Broadway"! I mean, these are all good movies, but whenever I watch them, I have an almost irresistible urge to go drink hard liquor. Sigh...
Julia <j_petrov@hotmail.comfoo>
Calgary, Canada - Sunday, April 21, 2002 at 20:00:33 (PDT)

Make that "too" slowly.
C (off to bed now)
USA - Sunday, April 21, 2002 at 19:38:34 (PDT)

Actually, he said he drove topo slowly through a green light the first time. "Apparently, unless you drive recklessly enough, you're not allowed to pass." Thank God he is not some macho show-off behind the wheel (at least I hope not). We do want our boy to stay safe.
Christine
USA - Sunday, April 21, 2002 at 19:36:26 (PDT)

Just to make my meaning clear -- Alan never learned to drive while living in London becasue the traffic in that city is thick. Driving in London is a matter of spending hours looking for a place to park, according to Alan. He spent his apprenticeship as ana ctor in theatres in and near London. (Right?)
Ann W
AZ USA - Sunday, April 21, 2002 at 19:20:46 (PDT)

Sunny, he learned to drive a car in is early forties because he has his residence in London. He never bothered to learn to drive because, as he said, he would spend much more time (hours) looking for a place to park the car than driving. :)

I do not know if you read the interview or not, but he apparently behaved like the "typical" Englishman during his first driver's licence test: he drove "too slowly" through a red light, and had to take the exam again!

Ann W: You drove *through* an intersection when the light was red, Alan? You're lucky to be alive!;)
Ann W
AZ USA - Sunday, April 21, 2002 at 19:14:06 (PDT)

That he is enigmatic, complex, private, even moody... these just add to the appeal of the man, for me at least. As much as I would like to know more about him, I realize that I have no more right to know everything about him as he or anyone else has to know everything about me.
Christine
USA - Sunday, April 21, 2002 at 17:24:32 (PDT)

Thanks Harlii.

To whoever wrote that charming little post below Harlii's: How true! How true!
Sally
London, UK - Sunday, April 21, 2002 at 17:10:20 (PDT)

Sally, I've read 3 different accounts of that night's performance and stage door experience and each was unique. It depends on the person describing the incident and how they received it. Just because Val or anyone else described his behavior as so and so, doesn't mean everyone standing in the vicinity interpreted it the same way. I'm sure AR will be just as polite as he was in London, while recognizing that Americans are a bit different and he will respond accordingly, but yet remain his same enigmatic self.
Harlii
- Sunday, April 21, 2002 at 16:25:57 (PDT)

"Heaven has no rage like love to hatred turned, Nor hell a fury like a woman scorned."
William Congreve
- Sunday, April 21, 2002 at 16:15:05 (PDT)

Sorry! Me again! I was just thinking of Valerie's comment: "This thing he does at the stage door"???? "Intense eye-contact for a few seconds and a brilliant in your face smile"????"..so you feel like you know him"???? Is this the same man? Did we hear much about this in London? No. Quite the opposite! It was more often how scary he could be, how cold at times, what a miseryguts, etc! It must have been our dismal weather, or his constant colds, or his fatigue at rushing between HP filming and PL! Glad to hear it, Val, but if he doesn't keep this up, it's going to make every other reader of this GB who doesn't get treated to one of these "things that he does at the stage door" like a total failure.
Sally
London, UK - Sunday, April 21, 2002 at 15:46:33 (PDT)

I am very interested in this eye-contact from the stage question, because, like you, Constance, I always thought that actors couldn't see off-stage, but the PL cast definitely can,and you can see him looking. I never brought this up before on the GB because I once mentioned it to someone I knew, and they obviously thought I was kidding myself that he could see people from the stage, and then I felt so stupid...Anyway, it's true the set is very brightly lit , and casts a lot of light on the audience. Even in row L, I once noticed that if you sat forward a bit,the light from the stage would light you. And he seems to have X-ray vision anyway-can see right back! (More superhuman powers being attributed to our hero!) Anyway, moving on from this, so OK he can see some of us from the stage, he can now do the play standing on his head, why not look into the audience? Curiosity? To see who's out there? Is that a more palateable suggestion than my earlier ones? My earlier suggestions were partly an attempt at humour, partly a questing after truth, not meant to hurt anyone. But I do want to build a true and accurate picture of this man I have spent so much time and energy on in the last few months. And so, purleeze, Concerned Citizen, do not take it so amiss. How do I know why he's looking into the audience? Those were my ideas, Valerie has given hers, someone else (sorry I forget their name), gave their ideas. Let's all come up with other ideas. Its not very important is it, or is it?
Sally
London, UK - Sunday, April 21, 2002 at 15:23:37 (PDT)

Me again...just wondering for those who have been to see "Private Lives" in NY, are you allowed to take pictures at the final curtain call? Anyother time? Thanx!! Steph
Stephanie <SLK6891@aol.comfoo>
Plantsville, CT USA - Sunday, April 21, 2002 at 13:37:32 (PDT)

Well,that limo-thing... or even driving his own car... as far as I know he doesn�t like driving in crowded ciities like London, but he like driving in LA �cos there�s a lot more "space"... remember? He made his driving-Licence in his mid-fourties, maybe he drives not that safely? I�ve been in LA a few years ago and I can tell you driving there is a relaxing thing to do (if you don�t go to Downtown)... such big streets - wonderful.
I�m glad he�s well looked after in NY.

Can anybody tell us poor souls who don�t live in th US if there are any articles in some magazines over there? Maybe we�re able to get them somewhere at home too?!
Thanks a lot! Can�t wait to hear about the next reports...
Sunny
Germany - Sunday, April 21, 2002 at 13:28:49 (PDT)

I would like to send a message to LD/AR, i.e. a good luck message or similar(first night obviously over though lol). Who do I contact (e-mail wise)? From London but did not discover this great page until after PL book of GB fan messages sent. Please help!
Kirsten
London, - Sunday, April 21, 2002 at 11:41:27 (PDT)

Valerie: First of all, thanks for the report at PL! Second, about his voice: I think it sounds just as good in real life compared with in movies and stuff. if not better!
Nisha <billyelliot82uk@yahoo.co.ukfoo>
London, UK - Sunday, April 21, 2002 at 11:40:11 (PDT)

Hi all, first of all: thanks so much Suzanne for creating such a nice place to meet fellow AR-addicts

As to the limo-thing: very glad he�s being so good looked after, but isn�t he the man that would rather hail a cab? I read somewhere, Harlii, that he doesn�t drive a car in London but in LA he drives one.

Constance, I do believe you�re right on this in PL, although I think it depends on the lightning of a specific production. I sat front row a few weeks ago (nooo .. unfortunately, not visiting PL) and boy, I was lit in the same bright light as the actors were.
Joyce
The Netherlands - Sunday, April 21, 2002 at 09:47:49 (PDT)

Hi everyone! I just recently found this GB and I think it's great!!! Keep the PL reports coming please!
Constance, I may have an answer to your question why AR was "scanning" the audience. Some actors enjoy interacting with the audience, so maybe he was just doing that; addressing the audience and keeping them involved in the play. In many Shakespeare plays there are characters who actually speak to the audience, so maybe that's where AR got it from. This is just my humble opinion, though :-)
Sabine <SCgreatdane@wmconnect.comfoo>
GA USA - Sunday, April 21, 2002 at 09:35:38 (PDT)

Constance: I'm almost positive he made eye contact with various people. It was only from time to time. He didn't do it throughout the whole play. There was a time he looked into the first couple of rows for a good few minutes. It seemed he was looking at several people. Somebody else that saw the play in London said the same thing about the first few rows. Maybe he has a routine he follows. That's a good point about the lights. Never having been on stage I don't know.

It didn't even occur to me he was doing it to flirt or look for another woman. I think he knows his fans are out there and he was just trying to be nice, to look at them. He's just trying to connect to the audience. It's the same thing he does at the stage door. It's one reason why he appears so gracious and charming. He makes intense eye contact for a few seconds and with that brilliant in your face smile you feel like you know him.

Eileen yes there was a standing ovation.

Stephanie don't worry you can't miss the Stage door.

Christine I barely noticed his arms. I was too busy looking at his hands.

I'm hoping the limo and the 5 min signing were related to the first night. Can anyone tell us about last night?

I don't think the voice was as impressive as it is in the movies we warch or the audiotapes. What do the rest of who have seen him think about that?
Valerie
Back on Earth, - Sunday, April 21, 2002 at 09:34:34 (PDT)

Valerie, I have a question -- he had on a black T-shirt... no jacket or shirt over it? I know it was hot; I suffered through it myself last week. It's just... the thought of being close to his bare arms when he's signing autographs... another reason to head to NYC during the hot and humid summer, if anyone needs more persuading. He does have nice arms, from what I've seen in pics. Sorry if this sounds shallow to anyone, but it seemed important at 3 AM when I first thought of it (fighting insomnia)... ;)
Christine
USA - Sunday, April 21, 2002 at 08:50:12 (PDT)

Thank you Valerie for the marvelous report. Only five minutes outside? I remember somebody saying he stayed out of the Albery Theatre for over thirty minutes. Well, I guess New York does make everybody run through life. **He really DOES look like Dustin Hoffman-wow- I never noticed that.***Good luck to any of the fortunate people going to Private Lives. I'm truly green with envy. Please post your experiences! Back to my day dreaming now...
Christine (My eyes are like a dying sun) <myeyesarelikeadyingsun@yahoo.comfoo>
Disneyland was great-as usual, United States, United People - Sunday, April 21, 2002 at 08:34:37 (PDT)

Stephanie, The stage door is very close to the theatre entrance. If you are leaving the theatre, turn left and the stage door is about 50 feet down the street on the right. It's clearly marked 'Stage Door'.
Melissa
NJ, USA - Sunday, April 21, 2002 at 07:59:59 (PDT)

I really enjoyed your account Valerie, still breathless from it. I didn't notice if he received a standing ovation or not. I know someone said they didn't do that in London. Also, can anyone tell me if there is still time to contribute for flowers? Were they to be for last night or the 28th? Thanks! :-)
Eileen
Fl - Sunday, April 21, 2002 at 07:23:22 (PDT)

Hey!! I was just wondering if anyone could please answer this question for me... Where is the stage door? Since I've never been to a Broadway show before, do you just stand there or what? Either post your answer here, or email me at SLK6891@aol.com, or you could IM me...my screen name is obviously SLK6891 Thanks!! Can't wait to go on May 4!!
Stephanie <SLK6891@aol.comfoo>
Plantsvill, CT USA - Sunday, April 21, 2002 at 06:29:10 (PDT)

Forgive my ignorance... but I was under the impression that when an actor was on stage (especially a huge one like RR....) and the house lights were down, that he would be virtually blind to the audience. Maybe just barely able to make out shadowy forms... and, most baffleing to me is... why would he, a serious actor be scanning the audience instead of keeping his attention on the play?I do not mean to judge the bearer of this info., I am simply asking....... anyone?
Constance
NC USA - Sunday, April 21, 2002 at 06:01:04 (PDT)

Juliana--The last I read The Search For John Gissing will be released in the US 12/12/2002. The article did not say released to what--theater, video, or what. So I suppose we will have to just wait. I haven't read anything about a UK release.

A friend of mine saw it in a film festival in LA and loved it--I am soooo envious of her! She said it was hilarious!

I am ready for some new AR stuff!!! Patience is a virtue we AR fans must learn rather quickly I am afraid! LOL
Claudia <Flipper828@aol.comfoo>
GA USA - Sunday, April 21, 2002 at 03:54:56 (PDT)

One other idea. He lived in London or the surrounding area, correct? So, it was easy for him to hop in a car and whizz off to wherever. In NY, as Juliana said, it wouldn't be that easy. The NYorkers I know, don't even drive their own cars anywhere. I agree he'd be much safer and get around faster in the limo, whether he *likes* it or not...
Harlii
- Sunday, April 21, 2002 at 03:30:25 (PDT)

I would not worry about the limo. We should all be grateful there is safe transportation provided for him. Driving in NY can be a nightmare if one is not familiar with the surroundings. Advice in NY's own tourist booklets is NOT to drive. People start honking horns before the traffic lights even turn green, and the traffic is bumper to bumper [at least in my experience]. NY is a big, crowded city and I would not want anything to happen to AR. I am glad he is being looked after in this way.
Juliana <daltrey63@hotmail.comfoo>
- Sunday, April 21, 2002 at 02:44:35 (PDT)

Valerie: Oh, oh, oh! Wonderful postings, wonderful! (though, it DID make me cry, I can just imagine how magical it must have been...) It was nice of him to get that bouquet, I am sure he appreciated it a lot. And as for the VOICE....*swoon*.... I cannot possibly exploit more on how much I envy everyone who is getting this golden oppurtunity to see PL. (I myself am suck here in Utah... anyone care to send me a plane ticket? Please? :) (FOF joke coming up) Anyone bring a fan with them? But anyhow, I am glad he did a splendid performance (who would doubt him??) and am even happier that he seemed to enjoy himself. Well, everyone did I believe, especially you ladies. But until he got into the limo... if I was ever to meet him one day, I need to ask him about that one...hmmm...*in thought*

OK, I have a serious Q for all of those still going to be able to see PL. Could someone possibly mention my name to him for me? You know, just hurridly spit it out (hmmm, extra autograph would be nice too...but I know that is most likely not possible, lol, I'll have to wait on that one) and say something like, " Ashley Diane of Utah wishes you well and says you are the best actor..." or something crazy like that. Please? LOL, that would mean so much to me! I'd would be eternally grateful if one of you nice ppl out there could do that! *nods fievently* Thank you for this consideration! *is kinda embarrassed now, but oh well, silly grin*

Sincerely,

Diane *the too-far-out-there-Rickmaniac*
Diane <crescentmoonluna@aol.comfoo>
Northern Area In The Country, Utah USA - Saturday, April 20, 2002 at 20:30:39 (PDT)

Would someone please tell me about "The Search for John Gissing?" Has it already been released in theaters in Europe and/or America, or is it still waiting to be relesased? Any information is greatly appreciated. Thank you. Juliana
Juliana <daltrey63@hotmail.comfoo>
- Saturday, April 20, 2002 at 20:29:56 (PDT)

Valerie: So he spent much time looking into the audience, did he? That was the first thing I noticed when I went to PL for the very first time, too! (And ever after). He must have been looking for friends, or(new women?) or- Georgiana, he must have thought you'd be at your post, taking notes! (A joke). Still he has that to come,- and from me also! (Though only the one visit from me this time, as far as I know.)
I suppose he was looking at his feet to find the markings on the floor, or whatever it is they do-to see how many steps to take to do whatever they have to do! A lovely account, Valerie; how marvellous to be treated to the smile afterwards!

On a tangent from this- I found this account in The Times Arts and entertainment guide today:
"My cultural life: Juliet Stevenson. The actress loves film matinees, Sydney and The Archers , but has no time for over-inflated egos in the film world." Then she gives a brief resumee of her Film, Books, Radio, Art, City and Theatre loves. For Theatre she says this: "I love to see new writing and keep up with what is being written now. As much as I love the play, I don't think I want to see Hamlet ever, ever again. The last play I saw was Private Lives with Alan Rickman and Lindsay Duncan, because they are great friends of mine and I had to see them. I did enjoy it but the choices about what I see are often dictated by things that friends are in because they are mates and it is a supporting thing. I should be going to everything at the Royal Court and I can't; I don't have the time."
Well, hardly world -shattering stuff, but thought you might as well hear this, too. "Pet Hate: I hate the narcissism of what is happening in the arts; this thing about "Me! Me! Me!" (Juliet was interviewed by Pauline McLeod. She stars in Bend It Like Beckham which is on general release.
Sally
London, UK - Saturday, April 20, 2002 at 17:54:23 (PDT)

No! Oopsie!Meant Julia, not Ann! I must have been somewhere else.( probably New York)
What a gappy post!
Daisy
Bristol, UK - Saturday, April 20, 2002 at 15:20:37 (PDT)

Valerie, that was a gerat report, well done! Good to know everything went alright.

Keep him safe, thou who art across the water!

I can't imagine he would like limos. Just doesn't seem very er...um...him (?) . Not that I would know of course.

Ann, I'm a mac user and I don't get that message. Sorry, can't help you there!
Daisy
Bristol, UK - Saturday, April 20, 2002 at 15:18:08 (PDT)

Oh, Valerie, very well done!! I feel so happy and excited just reading about your experience! I am so glad that the NY audience made him feel so welcome. We know he will have to go back to the UK eventually, but for now we are relishing him being here with us, and I'm glad he knows it!

Like Melissa I,too, would like to know how that voice sounded up close. I think I would have melted on the spot!

Did anyone give him anything (flowers, gifts, etc.) at the stage door? That was so nice of Ladyjane to bring him flowers, and to sign both your names.
Ann
NJ USA - Saturday, April 20, 2002 at 14:54:22 (PDT)

I wanted to say "the tiniest SMILE from him"... how could I forget that word? Well, it�s late here in Europe... sorry.
Sunny
Germany - Saturday, April 20, 2002 at 13:47:03 (PDT)

THAT was a nice report! Thanks Valerie! It�s good to hear everything went well on this first night in NY... I can imagine that PL must be really great (though I didn�t see it myself).

I read somewhere that AR does not really like those Limos because he feels dragged away from the audience (which seemed to have happened more or less, because in London he spent more time backstage, didn�t he?). Well, even the tiniest would have made me happy...

i hope there�ll be a lot more reports during the next wekks, so that the poor souls like me can suck in as much news as possible from AR in NY.
Sunny
Germany - Saturday, April 20, 2002 at 13:45:19 (PDT)

Problem: whenever I try to go to www.rickmaniacs.com, Nescape unexpectedly quits and tells me an error of Type 2 has occured. I'm a Mac user, both at home and at work; is anyone else having this problem?
Julia <j_petrov@hotmail.comfoo>
Calgary, Canada - Saturday, April 20, 2002 at 13:17:15 (PDT)

Mmmh... Mr R moves to LA, an earthquake strikes LA. Mr R moves to NY, an earthquake strikes NY... Is he good at making the earth move, or what? *cough* *cough* :) - Anyway, I'm not accusing anybody of anything or seeing any causality in all this of course, ah, but maybe you-yankees-over-there should ship him back to the UK soon, in your national interest. Don't worry, we're pretty earthquake-proof here...

Well, t'was worth a try...:D) - thanks for the reports, keep'em coming!

GML
UK - Saturday, April 20, 2002 at 12:06:53 (PDT)

Hi all, I was looking for some mention of the Private Lives opening and I found this amusing item- You can purchase these "Private Lives Martini Glasses"- "props in the Broadway revival of Private Lives" on this web site. No mention of AR, and I am not sure why you would buy these particular martini glasses rather than some other ones... http://www.newyorkfirst.com/gifts/m017.html# I love to read the guestbook! Very fun! Thanks for your stories.
martissima
chicago, IL usa - Saturday, April 20, 2002 at 10:09:45 (PDT)

Sally-OZ: You're welcome. I use Google. "Excessive" Bandwidth? When it's reserved for AR photos?;)

I'm stuck at home writing the term paper and other junk. Please keep the "Close Encounters with AR" reports coming. Yes, I know about the power in those eyes! He was a "wizard", even before he met Harry Potter. As many women here can attest.
Ann W
AZ USA - Saturday, April 20, 2002 at 10:07:33 (PDT)

Valerie, from me also; thanks for the in-depth report! Glad you enjoyed the show and ahhh! so happy for you to meet him in person! I wonder though � driving away in a limo, is that a thing that he would enjoy?
Joyce
The Netherlands - Saturday, April 20, 2002 at 10:01:25 (PDT)

Know what is really a kick - I just received a signed picture that I had done up (artwork) from him, and yesterday I wrote a thank you note and mentioned that his being on the east coast, he doesn't have to worry about being in another earthquake. How ironic. Now he'll read that and say um....but I was....
Marian <mbriones@spacerock.comfoo>
Fremont, CA USA - Saturday, April 20, 2002 at 09:06:56 (PDT)

I heard there was an earthquake in NY? Poor Alan! I'm glad to hear that PL was a succes! Wish I could go there... I would love to see some pics from the stagedoor in NY. Is there anyone who is going to put them on the internet?
Saskia <sasje@xs4all.nlfoo>
The Netherlands - Saturday, April 20, 2002 at 08:26:05 (PDT)

Jayne, Oxford - have posted my email address in case it wasn't right; let me know if it still isn't working. Look forward to hearing from you.

Well done on the first PL NY reports - wonderful to be back in the swing of reading what other people think of it; so glad to hear that all went really well, and hope it continues like that for the entire run. We miss it over here, so reading about it makes up for that in some small way! Enjoy every show.
Sue <suethompson90@hotmail.comfoo>
Lincoln, UK - Saturday, April 20, 2002 at 07:55:49 (PDT)

Valerie, thank you for your postings- how wonderful!! Are you going to take pictures next time after the show? If so, maybe you could post them for us to see. We need more AR. Anything in the NY papers?
Juliana <daltrey63@hotmail.comfoo>
- Saturday, April 20, 2002 at 07:49:49 (PDT)

Valerie, Thanks for your wonderful report. I'm so glad you enjoyed the play and had a great time meeting him. And that the audience gave him such a enthusiastic reception. One thing I've got to know is how did The Voice sound up close? Melissa
Melissa
NJ, USA - Saturday, April 20, 2002 at 07:47:39 (PDT)

Hey! I'm 15...yes I said 15. I'm going to go see "Private Lives" on May 4! I am so scared!! I don't know why... I love Alan Rickman, ahaha!! I really want to meet him but I am like petrified, speechless!! What do I do?!?!? E-mail me!! HeLp!!!!
Stephanie (Steph) <SLK6891@aol.comfoo>
Plantsville, CT USA - Saturday, April 20, 2002 at 07:23:03 (PDT)

Part 3: Sally he was just grinnning form ear to ear during applause. Theatre is air conditioned. Another thing I noticed is that when he had bare feet he seemed to be glancing down grom time to time to see where he was going. He also seemed a bit nervous in act 1 which quickly disappeared. He did make alot of eye contact with different people in the audience during various parts.. i got some during act 1, or maybe I was imagining it.

The people that were invited inat the stage door eventually came out, a little at a time. He finally came out, about 1 hour later. He was dressed in black T shirt, Black jeans, and black sneakers, looked very thin. His hair was oh so blond. He was only outside about 5 min. He was making his way to a waiting limo with door open at curb. As he went he signed autographs. He looked tired but had a huge grin on his face. LD had come out before and gotten in limo. He signed my playbill. I said something about the play being wonderful and he gave me those beautiful eyes and smile, and said thank you . He is certainly charming . Now I know what everyone is talking about by meeting him in person.

Someone asked him for a hug and he did, again with a smile. There was no sneering or raised eyebrows last night. Like I said he was only out for 5 min. I went back a 2nd time with my Col. Brandon photo and asked if he could also sign that. He did and again I got that fabulous smile. I thought he was going to keep my pen as he tokk a good look at it. Of course I wanted it back as he touched it. I took lots of pics of him signing but he didn't pose with anyone.

One other thing about the play,his suit looked gray in the last act. I thought it was brown. And that's it. Questions anyone?
Valerie
Haven't come down from heaven yet, - Saturday, April 20, 2002 at 07:13:53 (PDT)

Oh boy! No paragraphs (previous posting). Terrific. Must be first night nerves!
Sally
London, UK - Saturday, April 20, 2002 at 06:48:39 (PDT)

Valerie (NY): The clapping when he came on stage and the standing ovation is what I always wanted to happen when he came on stage in London! How marvellous! I'm so glad-(but they should have clapped Lindsay as well). Is it a custom in the theatre to clap the biggest star in the States? Or do they all read the GB?!! (And was there air conditioning in the theatre?) And how did Alan react to the first applause? Kate: You have mail. Can you let me know whether you got it or not? Thanks. Sybil: If you're really Emma Fielding, then Good Luck, dear! You must be so nervous-as your "Elli, Elli" line is the first to kick the whole thing off!
Sally
London, UK - Saturday, April 20, 2002 at 06:37:53 (PDT)

I don't normally read our local paper, but my hubbie does, and he,s just phoned me to say that A.R. was in Oxford last week.Mad dash to newspaper revealed that "Robbie Coltrane, Alan Rickman and Richard Harris were among the stars filming at Christ Church College from Monday to Wednesday last week, for flashback scenes which are due to appear in the new film, Harry Potter and the Chamber of Secrets.In the first film, Christ Church was the setting for Hogwarts School, and in scenes for the second, Professor Snape and Harry travel back in time to Christ Church". No other news about A.R. unfortunately, but it does say that huge umbrellas were put up in an attempt to stop the public from watching the filming, (how ungenerous can you get!) but despite this, people still noticed that a snow machine was used for some scenes on Wednesday, when Robbie Coltrane was on set.So, where was I (obviously an A.R. fan) when all this was going on? Going about my daily business, completely unaware, that's what!!!!!Frustration , frustration, frustration!!!!! I'll just have to go and order another A.R. movie from Amazon to make up for the loss!!
By the way, thanks for the guestbook, and most recently to the wonderful person who posted fab piccie of Him from Town and Country.What was He wearing under the jacket?It looked like a hooded sweatshirt to me. Anyway, whatever, He looked Amazing!
Sue, Lincoln, having problems with sending email, otherwise I would have been in touch.
In case anyone is interested, and this is not to brag, but I read, in same paper ,that Graham Norton had been here too, to cut the turf on a new hospice for young adults, and Nelson Mandela was here last Saturday to talk about the importance of education, at Said Business School. Did I see either of them? No, sorry once again, I was completely unaware, but guess which normally tediously boring newspaper I shall be reading in future?
Jayne
Oxford, U.K. - Saturday, April 20, 2002 at 06:28:06 (PDT)

Part 2:

He sings divinely, much better than anything I heard him in before.

At the end of the play he got a standing ovation. Audience was going wild. I met Ladyjane at the Stage Door. My husband stood far away, didn't want to be associated with us. The door opened and about 25 people were invited in by name. That left about 25 of us waiting. There was a limo at the curb. There was 1 policeman who spoke to us once telling us to make a space for people to pass. It was very orderly. To be continued.
Valerie
Still in Heaven, - Saturday, April 20, 2002 at 05:53:46 (PDT)

Hi Branca, thanks for the tip on the new Alistair McGowan's series. On BBC's What's On I read that in the second episode next Friday "Alistair McGowan and Ronni Ancona send up Louis Theroux in Louis Potter And The Philosopher's Stone". That can be interesting� To all of u who are going to see PL, !enjoy!, and DO go to the stage door afterwards (I was too shy to when I saw the play in London *&@$#, regrets eversince)
Joyce
The Netherlands - Saturday, April 20, 2002 at 05:25:26 (PDT)

Okay, here is my report from PL. First of all I am in heaven. My advice to everyone is you must see this play. Do whatever you need to, but come to NY and see it.

I left for the theatre with my husband about 6:30 last night and it was raining with lightning and thunder. All I could think about was the stage door so I brought two huge umbrellas. We hit so much traffic but we did get there about 7:30. The theatre is very cosy even though it seats 1400. It was sold out but it took a while to fill up and I was getting nervous because it took some time to fill up. There wasn't anyone in the audience remotely famous.

I was sitting next to some British people who had seen the play in London. At the end the lady, (her name was Valerie),said the american audience was much more enthusiastic. I was in row N, center, which was on a litttle rise with a wonderful view.

The play started on time and when HE came out everyone started clapping and some yelling. I was beyond excited since it was my first time seeing him. My first impression s were that he looked older than I thought (this changed at the stage door - more about that later), his hair was longer, and his suit was tight. (Still drop dead gorgeous) The jokes were one after the other. The audience was wonderful, laughing hysterically at everything. I couldn't even catch all the jokes. (Don't worry I am going again May8).

The set was beautiful. It should win awards. I met with Ladyjane at intermisssion.(She is from the GB. I'm sure some of you know her.) She had bought him a beautiful bouquet and brought it up to the stage at the end. She had signed both our names to it. He was very grateful. He only got 2 bouquets and Lindsay one. (To be continued)
valerie
NY - Saturday, April 20, 2002 at 05:19:14 (PDT)

I'm American, but I'm butting in, Laura. I found this for you because I could not find the post here where the term *luvvies* was explained a few months ago. It's very interesting. Luvvies Terminology
Harlii <lmhpr00@knology.netfoo>
Huntsville, AL - Saturday, April 20, 2002 at 00:46:40 (PDT)

My apologies for this somewhat O/T post, but I was hoping that some of the Brits out there might be able to enlighten me regarding one of their expressions that I've come across several times while doing my Rickman "research". The term "luvvies", describing actors, has been mentioned in several AR articles that I've read - usually in a context that alludes to his apparent desire not be considered one - so what exactly is a "luvvie"? I assume it's somewhat derogatory since AR wouldn't want to be associated with the term, but beyond that, I'm pretty much at a loss. Being a Canadian, I'm generally pretty comfortable with most British-isms (after all, we do have the Queen on our money), but this one has me stumped. Again, apologies as this is a bit off topic, so feel free to email with your reply if you would rather keep it off the GB. Thanks.
Laura <trulymadlydeeply79@yahoo.comfoo>
Ontario, Canada - Friday, April 19, 2002 at 22:56:04 (PDT)

Gertrude, I thought I was the only one who saw the similarity between AR and Dustin Hoffman...In this picture from Rafaella's site, they really favor.

Harlii
- Friday, April 19, 2002 at 22:11:38 (PDT)

For those who don't have access to NYC papers, websites for the three biggies are www.nytimes.com, www.dailynews.com and www.nypost.com. As someone else said, the reviews won't come out till the play officially opens, but there may well be articles/interviews this weekend. The Times is the "serious" paper with the most theater coverage. The other two are tabloids but this being New York they try to keep the Broadway bases covered. Arts coverage is heaviest on Sunday, Friday and Wednesday in that order. Times articles are available free for one week from date of publication; you have to pay if you want to read them after that. The play will almost certainly be reviewed in New York, The New Yorker and Time Out New York magazines. I'll monitor the newsstands and let you know what I find.
Anne/Manhattan <agilhuly@gibsondunn.comfoo>
NY, NY USA - Friday, April 19, 2002 at 21:56:07 (PDT)

Hello everone! I really do hope that everything goes well for Private Lives!!!! I think so! It will be so good to read all your reviews here on the GB! Thanks so much Suzanne!There are 3!! AR films to be shown next month on the Pay here in AUSTRALIA. Here are the dates:Judas Kiss 7,18,28 May on Showtime. Truly Madly Deeply,Movie Extra, 20th, Galaxy Quest,12,13 Movie One, and 6,7,25 and 26 Movie Extra!!!! At last something to watchin May! Pity about Blow Dry- Austar tells me it was NEVER released here and probably will be the same re DVD and VCR..... I'm just happy with what we do have. Bye.
Barbara the Aussie <hermione(underscore )3@hotmail.comfoo>
Gold Coast, Qld Australia. - Friday, April 19, 2002 at 21:13:58 (PDT)

Anne W: Thank you. That was the web address I was going to try and find Stezi's site. However, every time I go, it says it says 'temporaily suspended' usually due to excessive bandwidth. I thought I remembered hearing somewhere that she had moved it to somewhere else because if this problem. Maybe I am remembering Rafaella and her Italian Alan Rickman fanpage - because she defintely did move it...
Sally
Sydney, Australia - Friday, April 19, 2002 at 19:31:48 (PDT)

Of interest...(I didn't see it posted yet)

'Private Lives' Goes Public on Broadway; Previews Begin
Fri Apr 19 Robert Simonson, Playbill On-Line

The award-winning British production of Noel Coward's Private Lives, starring Alan Rickman and Lindsay Duncan, will begin previews for its limited run at the Richard Rodgers Theatre on April 19.

In its Broadway incarnation, the revival retains its original cast. Joining the stars are Emma Fielding, Adam Godley and Alex Belcourt. All five appeared in the play at the Albery Theatre in London.

The Coward play will open on April 28. Howard Davies directs.

The production marks Alan Rickman's first visit to Broadway since he starred under Davies' direction in Les Liaisons Dangereuses, 15 years ago. Coincidentally, his stage partner in that show was Lindsay Duncan. (Between the two plays, Duncan paid a short call on Broadway in the Adrian Noble's 1996 mounting of A Midsummer Night's Dream. She was last seen in New York in Harold Pinter's Ashes to Ashes).

As in the more tragic Les Liaisons Dangereuses, the Coward comedy finds Rickman and Duncan playing brittle, witty lovers who wreak havoc on the lives of the people around them. (Though, to be fair, no one dies in Private Lives). Duncan won an Olivier Award for her portrayal of Amanda.

In the past decade or so, Rickman has given the film world many a theatrical villain, including those in "Robin Hood: Prince of Thieves," "Die Hard" and "Harry Potter (news - web sites) and the Sorcerer's Stone."

A spokesman for the new revival said the pre-sale income for the show is very nearly $2 million.

The original 1931 Broadway production of Private Lives famously starred Coward and Gertrude Lawrence. Since then, Broadway has seen stagings featuring (as Amanda and Elyot) Tallulah Bankhead and Donald Cook (1949); Tammy Grimes and Brian Bedford (1970); Maggie Smith and John Standing (1975); Elizabeth Taylor and Richard Burton (1983); and Joan Collins and Simon Jones (1992).

A 1999 London production of Private Lives starred Juliet Stevenson. Regionally, famed American director Marshall Mason staged a March staging of the play for Repertory Theatre of St. Louis.

Michele
PA - Friday, April 19, 2002 at 18:34:05 (PDT)

Daisy, Tim Allen's real name is Timothy Alan Dick. Wouldn't be surprising if there's some distant relation to Alan Rick-man... Anyway, I always thought their long narrow faces and mouths/teeth looked similar. Alan's nose has a ridge like Liam Neeson, too. And, of course, Alan and Dustin Hoffman look very similar in some photos, as we all know...
Gertrude
USA - Friday, April 19, 2002 at 17:48:36 (PDT)

"Elli, Elli dear, do come out. It's so lovely."
Sibyl
NY, NY - Friday, April 19, 2002 at 17:01:01 (PDT)

Sally-OZ, Try a search for "Stezi British Actors Page" or try this link: http://members.tripod.com/~stezi_lopez/home.htm
Ann W
AZ - Friday, April 19, 2002 at 16:55:18 (PDT)

And there's a bit at the end of that which should read-My Scout Leader likes Rickman too, but as he's married with two kids, only as an actor in GQ, HP and Die Hard.

While I'm here-Tim Allen looks nothing like AR does he? An aquaintance of mine is convince this is so, and I was wondering what you all thought.
Daisy
Bristol (I WILL get it right), UK - Friday, April 19, 2002 at 16:02:38 (PDT)

Hey Constance (in that unlikely situation, I hope) -what I reckon you should do is keep it (throwing it back would put them off I expect, especially if it went skidding across the stage and tripped someone up) then go to see him at the end, offer to give it back, and with any luck he'll tell you that you can keep it! That way you get a little conversation in as well as a keepsake pillow! Maybe you could get them to sign it too!
Hope everyone seeing PL has a great time! Yeah, okay, I'm turning green with envy as you read this.
Glad I'm not the only one who enjoys Blow Dry! Or even crys a little at it..My Scout Leader likes Rickman too, but, seeing as he's married with two kids, only as an actor in GQ and HP.
Daisy
Briostol, UK - Friday, April 19, 2002 at 15:56:30 (PDT)

N.C., 6pm....... Okay, everyone, 2 hours till show time!Break a leg, Mr. Rickman! Cheers! A toast to Private Lives!!!!! A huge success on B'Way and a Tony each!!! Cheers!
Constance..(any excuse to raise a glass...)
Cary, NC USA - Friday, April 19, 2002 at 15:10:32 (PDT)

I like Alan Rickman because he's got almost the same name as mine, look: Alan Rickman Alex Hinksman. My Scoutleader's assistant likes him as well, when he starred Robin Hood
Alex Hinksman <alexhinks@hotmail.comfoo>
- Friday, April 19, 2002 at 14:24:49 (PDT)

Wishing all who are going to see PL this weekend a wonderful time.H-H be yourself at the *door*,cool and dignified as you always are.
Magda
Aberdeen, - Friday, April 19, 2002 at 14:23:13 (PDT)

He yall..i saw dogma for the 1st time last night AR looks relay good in it.....(Note to self thing God in next prayer for pause button) hehehehe
Bev <Celebritygirl515@aol.comfoo>
buford, Ga usa - Friday, April 19, 2002 at 12:23:00 (PDT)

Ah, the last time I saw Private Lives, I was right behind a very tall man, he was wearing Neville Longbottom's grandmother's hat and... OK, you get the idea. I watched the whole play at a 45 degree angle over the guy's shoulder. If a cushion had landed on me, I would have stuck it under my, er, fleshy parts, so as to see the play better... :) Anyway what's all these good feelings and 'lucky yous' about? I had my chance in London. I took it. And now it's starting all over again in New York and I'm flipping JEALOUS! AAAaaaaaaargh! ;))

GML
UK - Friday, April 19, 2002 at 11:23:27 (PDT)

I almost for got to mention!
If/When you do meet Alan afterwards, dont hold your head low in shyness/embarrasment! Look into those beautiful eyes, they are piercing. You will only wish you had on the journey home!
You'll never forget it, its the kind of vision that haunts your dreams for months to come! Believe me, i know! Now is your chance! Dont miss it ;-)
missbluey
london, uk - Friday, April 19, 2002 at 11:00:59 (PDT)

oh, constance!
the thought is aspiring none the less!
i do hope that happens! and what a keepsake it would be!
...to own something that since last sept has been graced with his feet! LOL!
btw: of course you should keep it, if it were my lap it were to land on i would swiftly kick it under my seat and leave with it up my coat! Wo' betide anyone who dare get in my way! id be out the door as fast as is humanely possible to savor in my delight!
To all attending PL from now on in... i hope you all have a wonderful time. If you can, see it again, ive been several times since sept, it got better everytime. Be warned!: when Alan sings, expect your hearts to flutter so much you wonder it dosn't fly away! (and also wish more than anything it were you he was singing to!)

missbluey
london, uk - Friday, April 19, 2002 at 10:56:30 (PDT)

To everyone seeing PL: Have a GREAT time and enjoy Alan!! I saw PL in Feb this year and believe me its fab! And make sure you meet him afterwards and post all detalis about what happened on this page!!
Nisha <billyelliot82uk@yahoo.co.ukfoo>
London, UK - Friday, April 19, 2002 at 10:27:39 (PDT)

Wishing everybody who is seeing Private Lives this weekend a wonderful time (and, lets face it, if you don't there must be something wrong with you!)
*Special* wishes to HH who sees it on Saturday and also to Fausta, of course, on Sunday. Hope you all get to see him at the 'door'.
Sue
Slightly envious,but I've had my *moment* so enjoy yours;), England - Friday, April 19, 2002 at 10:20:45 (PDT)

A Question on Etiguette: To Our GB Denizens: If one happens to be sitting on the front row or close to it, during the fight scene in Private Lives... if a pillow is thrown and it lands on ....my lap, should I throw it back? Or do I keep it as a keepsake? Has this happened to anyone here? Just dreaming!
Constance <madaboutron4@yahoo.comfoo>
Cary, NC USA - Friday, April 19, 2002 at 10:00:41 (PDT)

Now I know the envy you all felt across the pond in Sept when PL was opening here in London. Would love to be able to afford to go to NY. But enjoy yourselves tonight, and give him a big cheer when he comes on from me. For the UK'ers a little bird has told me that in the new series of Alistair McGowan's big impression AR is being impersonated as Snape (I think), the new series starts tonight. Don't blame me if it is not in the first episode however.
Branca <brancauk@msn.comfoo>
London, UK - Friday, April 19, 2002 at 08:19:09 (PDT)

To everyone in New York who is going to see 'Private Lives

I just wanted to let you know that you are going to have a fantastic time and be totally swept away by the brilliance of the play. If you want to meet Mr.Rickman at the stage door afterwards then go for it - you will only regret it if you don't. How many other chances will you get 'eh?

PS I'm REALLY jealous!!!
Liz
Newcastle, UK - Friday, April 19, 2002 at 07:50:41 (PDT)

Maggie, News channels will probably review PL on the 11:00 news on opening night, or on April 29th at the latest. The NY Times, NY Post and Daily News will have their reviews in the April 29th papers. Local magazines like The New Yorker and New York will have their reviews in the May 6th issues. Time and Newsweek may review PL too, probably also in the May 6th issues.
Melissa
NJ, USA - Friday, April 19, 2002 at 07:49:35 (PDT)

Does anyone in the NYC Area (ANN?) know whey this play will be reviewed? Will Jeffrey Lyons from NBC - News 4 New York have a review tonight? Or are all reviews reserved until the True opening night?

I am anxious for news (like everyone else). Guess I'll have to track down a NY Times or even a Post on Saturday to see if anything has been written.
Maggie <perla58@earthlink.netfoo>
Morris Plains, NJ USA! - Friday, April 19, 2002 at 07:12:08 (PDT)

Dear Alan,With the attacks of the trade towers,the movie DIEHARD is close to home! I am proud to be an American, and more proud of the civil service firemen, RedCross workers and people of all walks of life joining together for a common good for our nation. Thank you for being a gteat actor. Peace to your family! rearle56@msn.com. /
ROBERT WENGER <rearle56@msn.comfoo>
MI U.S.A. - Friday, April 19, 2002 at 06:19:12 (PDT)

Hi Suzanne, thanks for the information. The order is on its way. Annie
anneinsley@thewind.fsnet.co.uk
uk - Friday, April 19, 2002 at 05:40:09 (PDT)

Regarding the "Town and Country" magazine-- the link that was posted here to the scanned picture is better than the real picture. The photo in the magazine measures 2 inches by 3 1/4 inches -- too small. Plus the magazine costs $4.00 in US currency. The article is the author's opinion of British men whom she thinks are gorgeous; there is no AR "news." The photo caption says, "Alan Rickman, the arrogant man." In my opinion, that is a rude, ignorant comment and I do not appreciate it one bit. She should have to get down on her kness and grovel and beg for AR's forgiveness.
Juliana <daltrey63@hotmail.comfoo>
- Friday, April 19, 2002 at 03:43:06 (PDT)

Sally/London and anyone coming to New York this weekend - How hot and steamy is it here? This afternoon it hit the mid-90s, where it's been hovering all week, cooling to mid-70s at night. This kind of thing is typical for July-August but nobody's ready for it in April. www.weather.com predicting 86 with isolated thunderstorms for Friday 4/19; Saturday, 76/cloudy; Sunday, 68/rain. Next week should be pleasant in the mid-60s with lows in the mid-40s.

Sue - Thanks, I'll definitely see the Callow/Dickens.

Catherine - "Galaxy Quest" DVD has AR extras. Cast bio section has interview clips; making-of documentary, ditto; and he has two scenes in the outtakes. Hope you get them too. If not, a friend of mine in London said she had her DVD Player "chipped so it plays all regions." If anyone's interested, I'll ask for details.

I'm hoping for a long interview with the director when "Winter Guest" comes out on DVD!

Fausta - Tried to email you yesterday, got the message reported by Claudia. So I'll thank you here for the info re "Liaisons."

This afternoon I checked out the Scholastic Store in SoHo, hoping to find some Snape stuff (like that poster that turns up now and then on eBay). Nothing! No Snape mugs, magnets, t-shirts, dolls, not a single Snape picture in the poster book or postcard in the postcard book (but multiple Hagrids and Dumbledores - why???). One "Potions Lesson" poster but it was a drawing based on the art in the books and Snape didn't look like AR. Not worth the trip if you're only interested in Snape, but a lot of general Potter merchandise (most is also available at the Harry Potter website or on Amazon) and plenty of non-Potter children's books, so if you have kids you won't go home empty-handed. 557 Broadway at Prince Street, 212-343-6166, open Monday-Saturday 10-7, Sunday 12-6.

I'm going to see him Tuesday night!!! :) :) :)
Anne/Manhattan <agilhuly@gibsondunn.comfoo>
NY, NY USA - Friday, April 19, 2002 at 00:33:11 (PDT)

ooooh! I envy all you people who are going to Private Lives this evening!!!!!!! I wish I could come with you! I hope you all have a lot of fun there and hopefully you all meet Mr. Goodlooking!! :) :) ******have fun!!******
Saskia <sasje@xs4all.nlfoo>
The Netherlands - Friday, April 19, 2002 at 00:23:23 (PDT)

I love when he said like this, "give me an occupation, or I should run mad..." (sense and Sensibility)
Pippi Ramadhan <upik_toto@yahoo.comfoo>
Yogyakarta, Indonesia - Thursday, April 18, 2002 at 21:43:06 (PDT)

Glad to see him with his black hair, playing Professor Snape. But he's very annoying when he's playing Sheriff of Nottingham (Oh, God! No!). But still, he's very good to star col. Brandon.
Pippi Ramadhan <upik_toto@yahoo.comfoo>
Yogyakarta, Indonesia - Thursday, April 18, 2002 at 21:33:11 (PDT)

Thanks, Sally and Juliana, for the hints re more AR screen time. Amazon delivered VCRs for AABA and Rasputin within 2 days of order for the default surface mail cost. I watched AABA tonight and spent the first half resisting fast forwarding, wondering when he was going to show up in the story. He's wonderful! Even as Captain Hook! At the hpgalleries.com/movie2 site, they have a picture of AR in costume as Snape, heading to the set in the rain for filming of Chamber of Secrets. The set is Gloucester Cathedral. Does anyone have news re interviews for PL promotions?
Toby <tobytamblyn@cs.comfoo>
Newtown, CT US - Thursday, April 18, 2002 at 21:30:38 (PDT)

Hah! Will be going to PL twice in July--6th row and 3rd row! very excited! Actually having a bit of a family reunion. Have got 9 family members going with me to PL!!! Converts, they'll be, I say...Have reservations at the Mayfair Hotel in the theatre district. Does anyone out there in GB land know anything about this hotel? It's inexpensive and has small rooms but its two blocks from the theatre.....supposedly "European feel". Will be in NYC for a week. My treat to myself for my b-day!!!
ciao all!
S;-)
- Thursday, April 18, 2002 at 18:49:35 (PDT)

Con: How hot and steamy is it? But, whatever the weather, they must be feeling really nervous now-like- get me out of this nightmare! Pre- and first night nerves magnified about five thousand times! But it must be so exciting, "an awfully big adventure", for the younger members of the cast in particular. Performing in New York! What a wonderful life!
Sally
London, UK - Thursday, April 18, 2002 at 18:25:02 (PDT)

I am so sorry that New York is so hot and steamy for our PL cast! What rotten luck! Oh well, perhaps next week they will get to see NYC at it's Springtime Best! I cannot believe that tomorrow night, it all begins again. Once more this little Guest Book will become Mecca for the Rickmaniacs of this world, living vicariously through the awesome experiences of the lucky few who will attend PL on B'way and might even meet The Man. More astounding yet is that I too, will be amoung the lucky few. An Awefully Big Adventure indeed, with a happier ending, I assure you!LOL :~)
Constance <madaboutron4@yahoo.comfoo>
Cary, NC USA - Thursday, April 18, 2002 at 17:04:13 (PDT)

Barbara's - thanks. eBay chose to ignore all the information I sent them and request it all over again. I had held off removing the desktop wallpapers hoping eBay would quickly resolve this issue, but they are apparently going to drag their heels. The wallpaper will be removed when I get home tonight and replaced with a nice big message informing people why they can no longer access the desktop wallpaper. "Abateua's" name will be features very prominantly there with a strong warning NOT to bid on any future products sold but this disreputable individual.

On a side note, does anyone know the address of Stezi's website? I remember vaguely reading she moved it, but none of the search engines have updated their links. Stezi -if you are reading, please re-submit your website to the search engines!
Sally
Sydney, Australia - Thursday, April 18, 2002 at 16:33:36 (PDT)

I am also jealous of all you going to see PL. I want to go to NY now just to see it. How fun would that be, fly from LA on Friday night, see PL and return to LA the following Sunday? I'd love to do that.
Laurie <Laurie@svptv.comfoo>
Sherman Oaks, CA USA - Thursday, April 18, 2002 at 15:45:23 (PDT)

Laurie, as a couple of people have already said, the UK DVD version of TMD has no extras (grrrr); annoying that a UK based film has no extras in the UK but does in the US (you lucky people!!) The "outtakes" at the end of the Dogma DVD (over the credits, only one per character, though) made me smile, and that has interviews in which Alan is mentioned, but he doesn't appear as an interviewee. Come to think of it, hardly any of my AR DVDs have any Rickman-related extra material. The Michael Collins one has some but it doesn't amount to much. :( To all those who are going to watch PL on Broadway tomorrow night: ooooooooh I am SO jealous!! :)
Catherine <catherineharpham@hotmail.co.ukfoo>
Reading, England - Thursday, April 18, 2002 at 15:21:19 (PDT)

OT: Fausta, I am sending it to the rickmanistareview.com address, but get the error message back from the yahoo address. Is the rickmanistareview one an alias for yahoo?
Claudia
New Zealand - Thursday, April 18, 2002 at 14:26:42 (PDT)

Kirsten & Laurie, Michael Kamen wrote several of the theme's for AR's movies. He has a CD, "Opus", which is a compilation of these (reorchestrated ?) themes. It includes "RH:POT", "DH" and "TWG". You can also check out my February 25th posting re liner notes.
Ann
NJ USA - Thursday, April 18, 2002 at 12:43:57 (PDT)

URGENT: (Sorry for off topic post, but it is for AR)

Fausta Whenever I try and send something to you I get this message:
] ----- The following addresses had permanent fatal errors ----- faustaw@yahoo.com (expanded from: ) ----- Transcript of session follows ----- ... while talking to mx2.mail.yahoo.com.:>>> DATA <<< 554 delivery error: dd Sorry, your message to faustaw@yahoo.com cannot be delivered. This account is over quota. - mta448.mail.yahoo.com 554 faustaw@yahoo.com... Service unavailable

Looks like your website e-mail address sends to yahoo, and that mailbox is full.
Claudia
Claudia <claudia@paradise.net.nzfoo>
New Zealand - Thursday, April 18, 2002 at 12:35:24 (PDT)

suzanne try sending your information to anneinsley@hotmail.com about the money for the flowers. annie
annie <insley@thewind.fsnet.co.ukfoo>
uk - Thursday, April 18, 2002 at 10:05:59 (PDT)

Kristen and Laurie--thanks to a post a while back from Laurel in San Jose...she dug up a CD set called Movie Adagios which is 2-1/2 hours of screen classics which includes Bach's beautiful Cello Sonata in G Minor from TMD.

I am sure it is available other places but I bought mine at Amazon and have been ever thankful to Laurel since. Both CDs are wonderful listening!
Claudia <Flipper828@aol.comfoo>
GA USA - Thursday, April 18, 2002 at 10:04:16 (PDT)

Kristen, I am trying to find soundtracks from AR films, currently looking for TMD. I have a "Hollywood connection" specifically for soundtracks so if I get my hands on them I'll note it here if you or anyone else is interested. Oh, and by the way everyone, AR is the SEXIEST in EVERY way.
Laurie <Laurie@svptv.comfoo>
Sherman Oaks, CA USA - Thursday, April 18, 2002 at 08:36:19 (PDT)

Speaking of Blow Dry, does anyone happen to have a photo or a still of the scissors tattoo on Alan's gorgeous foot?
Becky (who, yes, also has A levels looming -argghhh!) <astrokini@supanet.comfoo>
Manchester, UK - Thursday, April 18, 2002 at 08:30:57 (PDT)

Sort of off topic: ARs' films have really good music. TMD-the Bach, S&S, RHPOT and HP the great film scores. The PL music is lovely too- does anyone know if it is avaliable to buy? Totally off topic: Has anyone else got A/s Levels looming?
Kirsten
London, - Thursday, April 18, 2002 at 07:55:29 (PDT)

To Ladyjane, Valerie & Toby, Have a great time at the opening performance of PL tomorrow night. We'll wait with bated breath for your reviews and reports about meeting Alan and Lindsay.
Melissa
NJ, USA - Thursday, April 18, 2002 at 06:57:15 (PDT)

Off-topic,
Claudia,
Please send the remaining files to fausta02@rickmanistareview.com, due to meltdown of other 2 addresses. There's also a problem opening 2 files: papges 4-7, and 8-17 -- I get a message that says "There was an error opening this document. A file error has occurred", so if you could please send those again.

My apologies to Suzanne & all for taking up spece on this,
Fausta <faustaw@yahoo.comfoo>
- Thursday, April 18, 2002 at 06:54:33 (PDT)

Silly! Now you've gone and used up BOTH your brain cells...
Jules
UK - Thursday, April 18, 2002 at 05:47:28 (PDT)

alan rickman is sexy in everyway eg:hands walk looks but not forgeting that deep sexy voice best in harry potter ...................what a man!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
mel
- Thursday, April 18, 2002 at 05:20:47 (PDT)

So that's it, Sue, I was just wondering where my TMD extras were hidden. Why can't we all have the same DVDs ? OT has anyone noticed how funny Juliet Stevenson is in 'Bend it like Beckham'? Nearly forgave her for the love scenes with Jamie.
Jane
UK - Thursday, April 18, 2002 at 05:09:07 (PDT)

UK TV Info;
S&S Film Four 6pm tonight (7pm Film Four+1)

Anne,Manhattan - I can recommend Simon Callows' Dickens play. Saw it last October and it was on tv here a couple of weeks ago. The man is amazing.
BTW The TMD dvd ONLY has extras on the Region 1 edition. We Brits didn't warrant any extras. (Sorry, regular moan of mine!)
Sue
England - Thursday, April 18, 2002 at 04:08:18 (PDT)

tough luck, jane just as the film is about to begin, with him entering the stage.
well, watching the film as a dirty phantasy of old men might be one possibility, but there are at least ten others. (no, i won't name them:-). and every time i watch it, i find new ways. that's what is so fascinating about it. apart - from - other stuff.
stezis new pics of hans, the dvd-ones work now, i just had a look. wonderful stezi, thanks!

now, what was the movie you just talked about? blow dry? hmhm, off to amazon...
mortianna <obsessed@inthedungeonsfoo>
- Thursday, April 18, 2002 at 02:10:14 (PDT)

Thanks for all the advice on my BC or AABA 'which to see first' dilemma. In the end I started on AABA, figuring that with limited time there would be more chance of reaching the Rickman bits- and was interrupted just as a motorbike appeared ! Better luck today I hope. Just wanted to say, though, I was shocked that Stella looks so very young and innocent with her little round face and hope this is not some fantasy film for dirty old men.
Jane
UK - Thursday, April 18, 2002 at 01:53:28 (PDT)

Re Georgiana's post - With a cast like this in a show like this, Tony buzz was inevitable. Something tells me Rickman/Duncan will be able to handle the pressure! (And too bad about all those other shows :)) Broadway producers schedule openings around the Tonys for the same reason movie people offer their Oscar hopefuls at year-end - an award or a raft of nominations can be worth a few bucks at the box office, but not if your show's already closed or on its last legs. (Sometimes they'll keep a faltering show alive in the hope that a Tony will revive it; last year one or two of the nominated plays closed within days after failing to win anything.)

Re Ann from NJ's - I love the way he walks, too! When he stepped out of that truck at the beginning of "Die Hard" I said to my roommate, "Who IS this guy??!!" and of course he had no idea either. You just knew the man was something special before he even opened his mouth.

Re Jules' - Another thing I like about AR is his apparent lack of vanity. The man can look totally gorgeous and he certainly knows it and knows how to use it, but he's willing to wear a nylon jacket and Sta-Prest trousers or horrible hair if that's what the role requires.

Somebody asked a while back about other Theatrical Brits on Broadway. Simon Callow has a one-man show, "The Mystery of Charles Dickens," starting April 18 for a 10-week run at the Belasco. He's been touring with it for a couple of years (recently in London) and seems to have had good reviews. This will be Callow's Broadway debut. Details available at www.playbill.com, tickets through Telecharge. If anyone's interested in going before May 12, email me and I'll send you the code for a 30% discount (not valid opening night, April 24).
Anne from Manhattan <agilhuly@gibsondunn.comfoo>
NY, NY USA - Wednesday, April 17, 2002 at 23:23:53 (PDT)

Special Features on "TMD" dvd- 1. Audio commentary with Anthony Minghella; 2. "The Spirit of Cowardice" video interview with Anthony Minghella; 3. Threatrical Trailer of TMD; 4. Fiddler on the Roof Special Edition dvd Trailer ; 5. Princess Bride Special Edition dvd trailer.
Juliana <daltrey63@hotmail.comfoo>
- Wednesday, April 17, 2002 at 20:34:22 (PDT)

Just a reminder to all AUSTRALIANS that TMD is showing tonight on Pay TV - MOVIE EXTRA at 6.45 (EST), and tomorrow at 1205pm (EST)! Happy Viewing - I Love this one!!! Oh Sally, (Sydney)..... I hope that between you and the other wonderful Barbara, you can get some satisfaction. Absolute mongrel's these people are. Let us know how you get on. Bye.
Barbara the Aussie <hermione(underscore )3@hotmail.comfoo>
Gold Coast, Qld Australia - Wednesday, April 17, 2002 at 18:52:07 (PDT)

Not that it wouldn't be deserved and, mind you, there's hardly a viewer more enamored of the play than I am, but it seems to me an unfair burden to put upon the cast of "Private Lives" to be raising Tony expectations before it has even opened in New York? Not to mention what it says to the other fine productions and performers treading the boards on Broadway this season.
Georgiana <gellis@drizzle.comfoo>
Seattle - Wednesday, April 17, 2002 at 17:19:43 (PDT)

In "New York" magazine, April 22: "Tony-handicappers are anxiously awaiting the opening of Noel Coward"s crisp romantic comedy 'Private Lives' on April 28. Lindsay Duncan and Alan Rickman (pictured -same picture as we've seen), who last performed on Broadway together in 1987's 'Les Liaisons Dangereuses', won West End awards last fall for their performances as sparring divorces who fall violently back in love while honeymooning with their new spouses. No small accomplishment, considering the two are following in the footsteps of a cavalcade of celebrities, including Richard Burton, Elizabeth Taylor, Tallulah Bankhead, Laurence Olivier, and Coward himself, who starred in the 1930 premiere. Previews begin April 19."

And same mag, under listing for PL: "This anticipated revival of Noel Coward's crisp, romantic comedy, starring Lindsay Duncan and Alan Rickman, heads to Broadway after winning rave reviews and scads of awards on the West End. Howard Davies directs."

And BTW, I like "Blow Dry, too. I especially love the way he strides into the hall near the end, as if he's dancing - he moves so sexily. And I love the goofy thumbs-up he gives his son, with his tongue sticking out, after the randon selection haircutting (I forget what that part of the competition was called).
Ann
NJ USA - Wednesday, April 17, 2002 at 16:37:36 (PDT)

Catherine, Are there any special features on the DVD of TMD?
Laurie <Laurie@svptv.comfoo>
Sherman Oaks, CA USA - Wednesday, April 17, 2002 at 16:11:05 (PDT)

Sorry, Saskia: I think you were asking Georgiana her opinion of the sexiness ratings of AR in his various roles, and I answered. But, also, just for the record, I don't think there is the remotest possibility of Pl coming back to London. It was just Alan trying to cheer us all up a bit at zero hour on the last night.....
Sally
London, UK - Wednesday, April 17, 2002 at 15:21:24 (PDT)

Well, stack me, Jules and Daisy, I thought I was the only one round here who liked Blow Dry . It's a very English sort of film, isn't it, an 'everyday story of ordinary folk'- type movie, but I agree it's the message that makes it so cryable to!

Jane: You asked about order of viewing. I would say Barchester first, as this was his big ground-breaking early one, and he is simply younger in it (but no less good)than he is in AABA and so, chronologically speaking, it makes sense.

Saskia: He looks sexy to a degree, in Mesmer I think, but is a little too wooden to be sexy in S and S. But yes, he is definitely sexy in Dogma , all the way!

Gosh, those three posts of mine look like the guru has spoken!...Oh, well.lolxxxxxxxx
Sally <sallyphillips@btinternet.comfoo>
London, UK - Wednesday, April 17, 2002 at 15:14:00 (PDT)

Daisy! Poppet! I love Blow Dry. Though the only thing that makes me cry is the nylon jacket and the Sta-Prest trousers. Sacrilege. Gorgeous face part, though. ~~sigh~~
Jules
UK - Wednesday, April 17, 2002 at 14:25:49 (PDT)

Daisy--tearing up at Blow Dry is not absurd. I do it too! Its a sweet little film and has a wonderful message in it.
Claudia <flipper828@aol.comfoo>
GA USA - Wednesday, April 17, 2002 at 13:57:51 (PDT)

Oh, Sally, I'm so sorry!

I'm rather torqued myself! Nasty sneak-thief "abateau"! Vile, scum-sucking, bottom-feeding, squalid bag of protoplasm! Argh!!

I sent an email to the bidder, too. Told him/her that he/she could get this stuff for *free*.... That'll spike the tires, eh?

Barbara the Wallpaperer
- Wednesday, April 17, 2002 at 13:40:35 (PDT)

Oh good, I didn't like TMD that much. (Yes despite the fuss I made when it got taped over) Alan was nice, and stuff, but there's just somethng I don't like about it. And Mark (? Is that who I mean?) is too perfect. But..and I may be able to lay claim to being the only person who does this...I cry, for some absurd reason, watching Blow Dry.

don't ask

I do like S&S though (first film, *sigh* I was only ten) and Dogma and...well, I shall be here all night if I carry on...
Daisy
Bristol, UK - Wednesday, April 17, 2002 at 13:12:38 (PDT)

Georgiana, I agree with you. "An Awfully Big Adventure" is also my favorite Rickman film! I also like S&S and RHPOT very much. I didn't like TMD very much, though I think most of you people don't agree with me. Alan's parts were very good, ofcourse, but i think the story sucked. That's my oppinion! :):) I think Alan looks most sexy in S&S and in DOGMA. What do you think? A few weeks ago I read in this guestbook that there's a 99% chance Private Lives will come back to West End. Is that true? If yes, i will be able to see it!! Yay!! New York is too far away for me, so i hope it will come back!! To all the people who have the chance to see Alan in PL in NY, HAVE FUN!!!!!!! :)
Saskia <snape@xs4all.nlfoo>
The Netherlands - Wednesday, April 17, 2002 at 11:37:06 (PDT)

This sound's kinda embarassing, but I'd like to write him a "fan" letter. Has anyone done this or know if he gets them or even likes them?
Laurie <Laurie@svptv.comfoo>
Sherman Oaks, CA USA - Wednesday, April 17, 2002 at 10:59:12 (PDT)

"...and when we kissed, which was at about 11 o'clock the following morning, we were trembling so much we couldn't take off our clothes." Have just typed that directly from the DVD, so I am sure that's correct! So many great lines in one magnificent film! As I said yesterday, my favourite is "...warming my lips", because that's when Nina can really start to enjoy him!! Even after repeated viewings the film still has a remarkable effect on me; I'm always in tears by the end. In case anyone had forgotten (!) it's the PL Broadway previews in two days!! I for one can hardly wait to read the reviews!! Sure they'll be good, though; I saw the show in London and it's superb. PS: Anyone needing an AR h**d fix - I watched "Dogma" last night (well, the Alan bits, anyway!), and the scene at the end....truly amazing!!
Catherine <catherineharpham@hotmail.co.ukfoo>
Reading, England - Wednesday, April 17, 2002 at 10:56:18 (PDT)

Yes, I guess I have it pretty bad, the "AR Affliction." I've had it every time I've seen any of the movies. I guess the only remedy is to purchase every film and get healthy doses of watching them repeatedly, zillions of times!! Besides the fact that he's completely GORGEOUS, and has the SEXIEST voice on the planet (and accent), he's a great actor, a very truthful actor and I revere his work! -Laurie
Laurie <Laurie@svptv.comfoo>
Sherman Oaks, CA USA - Wednesday, April 17, 2002 at 10:52:12 (PDT)

Hi, Laurie! For once, a AR GB contributor 1 mile away from me instead of the usual 2,000...
FastFilm
Van Nuys, CA USA - Wednesday, April 17, 2002 at 08:07:57 (PDT)

Jane, "An Awfully Big Adventure" is my absolute favorite Rickman film. It is a gem and he is superb in it. He says not a word in the first several scenes in which he finally appears--and the facial expressions are priceless. But it is truly a 'black comedy' and not to everyone's taste.
Georgiana <gellis@drizzle.comfoo>
Seattle - Wednesday, April 17, 2002 at 07:33:29 (PDT)

Jane--The decision on which to watch first (Barchester Chronicles vs An Awfully Big Adventure) depends entirely on how much time you have to devote. Both, for me, are worth every minute of the tape. But BC is six hours long. I love BC, but I had to watch it in 1-1/2 hour increments.
Claudia <Flipper828@aol.comfoo>
GA USA - Wednesday, April 17, 2002 at 06:29:14 (PDT)

Well thanks a lot Annie for revealing the end of AABA. (LOL-after all it's the man that counts, not the plot). Mine arrived on Saturday and I haven't had time to watch it yet, also bought Barchester Chronicles - any advice as to which to watch first would be very welcome. Many thanks to whoever posted a few weeks ago that Blackstar had found AABA for her- now they've done the same for me.
Jane
UK - Wednesday, April 17, 2002 at 05:10:25 (PDT)

Hello all, I'm back again.

Just a quick query about Harry Potter and the Philosophers / Sorcerer's Stone. I was wondering ... y'know the scene where Snape has caught the gang loitering around inside and says "People might think..." (delicious pause) "... you're UP TO SOMETHING." Arch of Eyebrow, Flash of Eyes, Swirl of Cloak etc, etc. Does anyone know where that was shot? It looks very like the cloisters at Durham Cathedral to me, but it might be Winchester. I know they were shooting the next film there a month or so ago (a friend of a friend spied Daniel Radcliffe but no AR sightings, alas.) It's just that I was strolling through said cloisers at Durham the other week and rather fancied a tall man dressed in black strode purposefully past me, muttering something about "Damned Potter ..."
Liz
Newcastle, UK - Wednesday, April 17, 2002 at 03:46:02 (PDT)

ups, there was a gushing behind the first ah. makes a little more sense.*cough*
mortianna
- Wednesday, April 17, 2002 at 00:40:35 (PDT)

ah the version of that line of tmd as remembered by me is:

and when we kissed, which was about 11 o'clock the following morning, we trembled so much, we couldn't take off our clothes.

yeah, it is even sexier than the warming of the lips, in my humble opinion.
plus, he is sitting on a wonderful floor and caresses it with his h*ds.
and yes, i'm obsessed.:-)
mortianna
- Wednesday, April 17, 2002 at 00:38:21 (PDT)

Right then.. Watch out "Abateau" if you read this - I have sent a formal complaint to eBay about your blatent violation of copyright with the intent to profit from other people's work. It says right at the VERY TOP of my desktop wallpapers webpage that these images are for PERSONAL use only - and you violated that trust!
Sally
Sydney, Australia - Tuesday, April 16, 2002 at 16:51:08 (PDT)

Sally,

I can only imagine how furious you must be, it is horrible that someone can do that and that E-Bay turns such a blind eye (or do they just loftily proclaim 'Cavaet Emptor' about everything that's sold there?).
Trisha <patricia.schuman@gte.netfoo>
Bothell, WA United States - Tuesday, April 16, 2002 at 16:45:12 (PDT)

Laurie--I had the same symtoms that you are experiencing after I watched TMD. It is called "The AR Affliction" and you are not alone! Be rest assured, the symtoms will ease up with time and many viewings of his work....and zillions of viewings of TMD.

No, I haven't met him but there are many here that have and all say he is truly a gracious person.
Claudia (who still goes to mush when watching TMD) <Flipper828@aol.comfoo>
GA USA - Tuesday, April 16, 2002 at 16:42:31 (PDT)

And I wonder how many of abateau's "legally" obtained photos and sounds etc on said CD also come from the hard work of Stezi and Claire and Suzanne and Fausta and I wouldn suspect others who have put hard work into providing those images - for which this individual is now profiting from (its the profiting bit that gets me folks!)
Sally
Sydney, Australia (Yep, I'm stewing...) - Tuesday, April 16, 2002 at 16:34:27 (PDT)

Its over to you Barabara the wallpaperer...
Sally
Sydney, Australia - Tuesday, April 16, 2002 at 16:30:41 (PDT)

Yep - just looked at the stats - those desktop wallpapers were downloaded a whopping 966 times in the last month - I will not be able to keep up with emailing them to everyone. Sorry...
Sally
Sydney, Australia - Tuesday, April 16, 2002 at 16:29:28 (PDT)

Thanks Claire - most defintely is my work. You can all thank that individual - I shall now be removing the desktop wallpaper from my site - this is not the first time someone from eBay has done this, but this is the biggest abuse. Like I have said before, the individual pictures tend to be up for free grabs, but the design is my own work and I do not profit from it. That person IS profiting from the work I put into making those desktop wallpapers - instead of just creating their own to give freely to others so they ruin it for everyone. I may set up my site so people can email me for desktop wallpaper, but I wouldn't bank on it prompt delivery as I don't have time at present to maintain my site much.
Sally
- Tuesday, April 16, 2002 at 16:19:36 (PDT)

I just saw TMD for the first time this past weekend. I can't get that movie, or the poem out of my head. It is, HE IS on my mind every second. That movie and his performance is so powerful. Can anyone who was present at the NY signing in '97 or any other meeting with him give me any idea of what he seems like in person?? I'm very curious. Thank you, Laurie Chadwick
Laurie <Laurie@svptv.comfoo>
Sherman Oaks, CA USA - Tuesday, April 16, 2002 at 16:10:30 (PDT)

I sent an email a couple of weeks ago to Alan's ageny,ICM, regarding "The Actors", and yesterday I received this reply: "Alan will not be in the Actors, due to working on other projects." So it's confirmed that he won't be in it.
ann
NJ USA - Tuesday, April 16, 2002 at 16:03:07 (PDT)

Hey just a suggestion Claire, how about more of those sound files. I love it & cant get enough of him Also if u have any new bubbles?? Sorry if i sound i bit demanding but im desperate.LOL
Hilda
- Tuesday, April 16, 2002 at 13:04:40 (PDT)

hi Magda sorry for being contradictive but that line was actually "we were trembling so much we could hardly take off our clothes" (the other way around). I love Alan Rickman sooooooooooooooooooooo much. i told ye all that before but i thought i should reinforce it LOL Loved the pic of AR from the Mag thanks
Hilda
- Tuesday, April 16, 2002 at 13:02:40 (PDT)

O/T Sally (Australia)- You may want to check This out on ebay. It looks like your work.
Claire
- Tuesday, April 16, 2002 at 12:37:44 (PDT)

Re..TMD."Andwhen we took off our clothes we were trembling so much"
The poem is definately ever so moving love his awful Spanish accent
Magda
Aberdeen, - Tuesday, April 16, 2002 at 12:23:43 (PDT)

Slow news day... Those of you interested in Versailles, and Andre Le Notre (Alan's next movie project) can check out http://www.chateauversailles.fr/en/131.asp
Julia <j_petrov@hotmail.comfoo>
Calgary, Canada - Tuesday, April 16, 2002 at 11:34:52 (PDT)

Ohhhh, I agree Catherine! That line is memorable....but then again....EVERYTHING The Man says and does is memorable!

The poem recitation is the most moving for me.
Claudia <Flipper828@aol.comfoo>
GA USA - Tuesday, April 16, 2002 at 10:52:08 (PDT)

Hi everyone! I'm new to this page so apologies if I don't know the protocol!! I just bought the Dogma DVD and plan to settle down with it this evening; I would just like to know if there are any main AR "chapters" that I should go straight to! ;-) I have been following the TMD discussion and have to agree that the "hopping scene" is my least favourite in the film. I suppose it does serve the purpose of making Mark utterly unforgettable for Nina, though! Prize for best line I think has to go to Mr. Rickman (who else?!) for "Warming my lips.". Sooooooooo sexy!!
Catherine <catherineharpham@hotmail.co.ukfoo>
Reading, England - Tuesday, April 16, 2002 at 10:34:15 (PDT)

Hi everyone! I've created a new list: it's for Italian fans of Alan. I have a special message for them.

Ho creato un gruppo di discussione su Alan Rickman tutto in italiano, se volete iscrivervi andate a questo indirizzo
Raffaella <rossEross@tin.itfoo>
Italy - Tuesday, April 16, 2002 at 10:31:29 (PDT)

Annie, I appreciate your determination! But if your personal computer isn't working, is there an alternate e-mail address I can use to send you my address? I'm sure you understand I'm a bit wary of posting my home address.

Kirsten, I'm afraid I don't have the time or resources at the moment to create a separate archive for AR sightings/meetings, but thank you for the suggestion.

Re: TMD hopping scene: I thought it was rather amusing. Favorite TMD moment: when Jamie first appears and takes Nina into his arms. So touching!

Suzanne <Suz@mail.usa.comfoo>
TX USA - Tuesday, April 16, 2002 at 10:24:22 (PDT)

Suzanne: the computer that I am using will not let me into PayPal as it has been firewalled to stop the students from getting into trouble so I cant pay that way, is there anyway you can give me an address to send an international money order to? Are you sending the flowers to the Press Night or the Opening Night? About non favourite scenes I hate the bit at the end of AABA when they winch AR out of the sea after he has accidentally drowned himself, all dripping and cold looking. Hope they didnt keep him in the water for too long and warmed him up after! Annie
Annie <insley@thewind.fsnet.co.ukfoo>
- Tuesday, April 16, 2002 at 09:41:00 (PDT)

Could we have separate archive for accounts of meetings with AR? Or would this encourage fake stories? Lindsay-I think your tale was true and interesting. I got only a few responses for my account too. Don't worry-people just are wary on the net like GML said.
Kirsten
- Tuesday, April 16, 2002 at 08:59:01 (PDT)

Last call for the Welcome Back to Broadway Book! Please send your message TODAY if you haven't yet.

Re: Ebay, before you bid, especially on a book, check http://www.alibris.com. I just bought a nice edition of C Hampton's LLD with photos for $20 incl shipping.
Fausta <faustaw@yahoo.comfoo>
- Tuesday, April 16, 2002 at 08:36:34 (PDT)

For Sally and all the other AR-DieHards who want to know more about the magical people in Harry Potter, here's some more info from chats with JK Rowling

: * "Dumbledore is a hundred and fifty. Wizards have a much longer life expectancy than Muggles."
* "The "Arabella Figg" Dumbledore refers to at the end of "Goblet of Fire" is indeed the same Mrs. Figg that takes care of Harry for the Dursleys in Book One."
* "Harry's middle name is James, after his dad."
* "Hermione's birthday is September 19th."
* "James [Potter] was Chaser on the Gryffindor Quidditch team."
* "Lili Potter's maiden name was Evans, and she was in Gryffindor (naturally)."
* "Professor McGonagall is a sprightly seventy. Wizards have a much longer life expectancy than Muggles."-->How old is Dame Maggie Smith, by the way?
* "Ron's birthday is March 1st."
* "Professor Snape is 35 or 36 years old"-->'course, I think we all sort of know that by now (^-^)

Zel-Anne <zelanne@yahoo.comfoo>
Philippines - Tuesday, April 16, 2002 at 04:30:12 (PDT)

TMD is my absolute favorite movie of all time. And I thought the hopping scene was adorable. Mark's natural instinct is to make a game out of things. The way he halted the violence in the cafe was to do magic and the way he worked with the group of challenged people. Mark was desperate to get to know Nina so I thought it was only natural that after traditional means failed, to make it into a game.

I have since caught Michael Maloney in other parts and he certainly has gained a place on my list of faces (and talent)to watch

Needless to say who the irreplacable number one is on that list! LOL
Claudia <Flipper828@aol.comfoo>
GA USA - Tuesday, April 16, 2002 at 04:23:04 (PDT)

I'm glad to find out I'm not missing the issue of Town&Country. I was afraid the issue in question was from March!

Talking about ages of characters in HP, I was disappointed at first when I heard that Kenneth Branagh was cast as Gilderoy Lockhart because I picture him as being in his late 20s to early 30s. However, since all the other professors are being played older than the ones in the book, Mr. Branagh has been growing on me.
Michaele <mmh1324@comcast.netfoo>
Chattanooga, TN - Tuesday, April 16, 2002 at 03:53:49 (PDT)

concerning the four yorkshiremen, revisited

not completely off topic
thanks to gmls's post and my completely scientific approach to our common cause*cough* i loked up eddy izzard in a search engine and came up with the following:
http://www.auntiemomo.com/cakeordeath/amnestypage.html you can download part of the sketch there (a very funny bit, but only one glimpse at ar,i'm afraid), and there are a few photos, some of which i at least had not seen before. and you can order and donate there too, of course.

i loved the posting about tmd, by the way. couldn't have put it better: a warm body is better than a cold one, but in that case - not so sure:-) Well, i wouldn't mind high gas bills for heating in that case:-)

okay back to science.
mortianna <mortianna@gmx.netfoo>
freezing dungeons, germany - Tuesday, April 16, 2002 at 01:36:56 (PDT)

Val�rie (NY), hi, enjoy your evening next week and let us know what you think of the play! I can't give you advice on how to meet the guy at the stage door from my experience I'm afraid: I went to see the play in London, er, three times, but I never went to the stage door. The French don't like to queue! ;) - I'd say just be yourself and friendly... People catch moods from the people they talk to, you know, the more friendly and relaxed the crowd is, the more likely he/they are likely to be too. Have fun, it's the idea! Linda P, thanks for your friend's story, don't mistake the lack of responses for lack of interest, it's just that weird people inventing stories are not rare on the Net, don't ask me why, so people absorb it and keep quiet, but yours sounds genuine.... and a wet rat look would have made me smile too, I've been there only too often (London is nice but... ;) - Anyway, it's a looong time since I last went to the Barbican and I had a good time there... Did your friend say what she thought of the production?

GML
UK - Monday, April 15, 2002 at 23:52:28 (PDT)

GML, thank you! I hated the hopping-on-one-foot thing too. Granted, Nina's got to get on with her life, but why start with THAT jerk? Maybe that was the point - that any warm body would be preferable to a cold one - but in this case I disagree!

If you can stand one more re Snape's age: No way to say precisely based on info provided to date but I'd say late 30s when the series starts. Snape was at school with Harry's parents so at most he could be six years younger (doubtful) or older but given what we learn in the third book about the boys' relationships it's likely they were in the same year or close. No info so far as to how old James and Lily were when Harry was born but 25-30 is a reasonable assumption, and Harry's 11 in the first book.

When the news broke that AR had been cast, I was halfway through the third book, where Snape starts to get interesting. Until then I'd imagined him as a younger version of a priest I once knew (must have been the black robes) but as soon as I heard "AR" the character sort of mutated in my head and now I can't imagine anyone else in the role. My friend Karen disagreed - thought AR was WAY too old. And he is. But he's perfect anyway. (BTW, Maggie Smith is too old for McGonagall, who has black hair in the books, but she was also Rowling's choice for the role.)

I hope it's true about AR liking cats - or at least that he doesn't hate them. I'm probably about to offend somebody here, but I can't help thinking less of a person who really dislikes cats (as opposed to preferring some other species or not being a pet person) and was rather unhappy thinking that might be true of him, especially because I've always thought of him as an essentially feline actor. As to the incident reported by Emma Thompson, I've been giving him the benefit of the doubt - I never hesitate to say rude things to my own cats who are not always model citizens. (Though I felt like kissing the one who peed on my ex-roommate!)
Anne Gilhuly <agilhuly@gibsondunn.comfoo>
New York, NY USA - Monday, April 15, 2002 at 23:49:57 (PDT)

Juliana... Of course AR was on eBay before HP! But, he usually had one page, occasionally spilling a little way onto two. Now he seems to command 3 pages! It would also be fair to say the variety of stuff on it has increased since HP come out (I have been following it absent-mindedly for about 3 years now...), so it does make one wonder if indeed, people have been/are sitting on AR stuff and probably other actors, waiting for the spotlight to swing their way, and then new fans flood eBay looking for all scraps and prices get bid up... That said, the rare and good stuff sold at fairly high prices even during the 'lull' periods - so the only real change has been MORE rare stuff is evident than before... But, there has also been an increase in the trash like magnets, snowballs, pillowcases, screensavers (of which most images seem to have been pilfered from Stezi's fabulous site - first and last time victim here!). My advice: set your limits, and if its a commercial copy of something (CD, Video, DVD, book, tape etc) - shop around on the web at both British and Nth American sites before bidding for it! Wait long enough, and the item you want will reappear and maybe the next time, you win!
Sally
Sydney, Australia - Monday, April 15, 2002 at 22:06:36 (PDT)

What is your opinion?? On ebay, other sites , and yahoo photo sites, there are gorgeous pictures of Alan from different movies, candids and just at oscars, etc. Just WHERE and HOW do people find these unique photos ? The person on ebay who marks everything "arrkive" has a lot of great photos. Do you think these people are serious collectors or do they just have good luck? I love AR, but I cannot afford the prices people pay for some of these items. I wonder how much of AR was on ebay before Harry Potter? Does anyone know?? I am curious. Thanks for any comments. Juliana.
Juliana <daltrey63@hotmail.comfoo>
- Monday, April 15, 2002 at 18:55:54 (PDT)

The Town and Country is to be released this week. Matthew Broderick is on the cover.
Juliana <daltrey63@hotmail.comfoo>
- Monday, April 15, 2002 at 18:13:16 (PDT)

Michaele--Its the May issue of Town and Country that should be out in a week or so. Annette had a subscription to the mag and subscribers gets their copies very early.

Thanks again, Annette for the heads up--I'm watching my local newstand like a hawk!
Claudia
GA USA - Monday, April 15, 2002 at 18:04:59 (PDT)

I looked at a local bookstore tonight for Town&Country. They had the April issue and there wasn't any articles about British men in it. What issue is supposed to have this article?

Just curious, wouldn't a reporter lose her job if she released info obtained in an interview somewhere before the article is released? Sorry, I'm just a little skeptical.
Michaele <mmh1324@comcast.netfoo>
Chattanooga, TN - Monday, April 15, 2002 at 17:44:24 (PDT)

Daily News, Monday April 15, page44,

"Wait a spell for next Potter book"

Harry Potter fans,sit tight - it looks as though book No 5 will not be on the shelves until fall, at the earliest. J.K. Rowling's latest, tentatively titled "The Order of the Phoenix" had been expected in July.

Next 6 paragraphs talk about how Rowling got married, keeping a low profile, they are not hassling her.

Last 2 paragraphs: "Chamber of secrets is now filming in Britain, starring most of the cast of the first film - Daniel Radcliffe, Emma Watson, and Rupert Grant, along with Alan Rickman, Robbie Coltrane and Maggie Smith, joined this time by Kenneth Branagh as Gilderoy Lockhart and Shirley Henderson, currently on TV as Marie Melmotte in "The way we live now" as Moaning Myrtle.

Potter addicts can also console themselves with the upcoming release of the video and DVD slated for May 28.
Valerie <Brookdoc913@cs.comfoo>
NY - Monday, April 15, 2002 at 16:10:47 (PDT)

Hi Everyone,

A few weeks back I mentioned that a lucky friend had seen AR at the Barbican in London, waiting to see Sam West in the RSC Hamlet. Remember now, she was there for Sam, and really doesn�t know the whole AR/Rima story, although this obviously sounds like the person she is describing. She promised more details when she returned, and here�s what she wrote back. The suit sounds lovely!

�What is really funny is that if I had not asked if there were any seats closer, I would have been sitting four seats away from Mr. Rickman and his companion (female, brownish/reddish hair, fortyish, seemed quite pleasant). Mr. Rickman was looking terribly urbane (as I was extremely harried at the time as the Tube was running late and I was scurrying across the lobby like a wet rat) in a light gray suit and bluish/silver tie, longish rather blonde looking hair. He gave me a lovely smile despite my wet rat appearance and both he and companion visited Sam in his dressing room after the performance--as well as the West parental units. They left with Marty Cruikshank (Gertrude) and she wished him good luck with Private Lives in New York.�
Linda P.
- Monday, April 15, 2002 at 16:03:27 (PDT)

GML: I am going Fri. It will be my first time to see him in the flesh. I am quite excited and I don't know how I will make it until then. I'd like to go to the Stage Door but I don't know if I will be able to speak. I'm sorry if this is all too personal for the GB. If you have met him and have any advice for me you can e mail me. I do like to follow the rules.
Valerie
NY - Monday, April 15, 2002 at 13:49:26 (PDT)

Annie (insley@The Wind): I got a cheap flight for �221 (Kuwaiti Airlines: Heathrow-JFK return) (I don't think you get to drink on board though!) which I didn't think was bad. I believe there are cheaper ones-�206?- Virgin- though you may have to go soon. Hope that helps, lol
Sally
London, UK - Monday, April 15, 2002 at 12:14:19 (PDT)

I was reading an article from "Movie Times" at work (during my break of course), and there was an article about accents, good and bad. Of course, Costner's on-again/off-again accent in RH was mentioned, but there was also a paragraph that mentioned Rickman (I'm trying to type this from memory):

"In "Michael Collins" you had Liam Neeson, who is Irish, and Alan Rickman who sounded Irish." It goes on to say something like Aidan Quinn sounded half-way Irish (more like someone trying to get into the feel of the festivities for a St. Patrick's Day party) and that Julia Roberts' accent was so horrible, that it has led to other people talking about a bad accent performance to label it as "doing the full Meghan". (I suppose I should be glad AR's accent in "Dark Harbor" didn't get mentioned).

(sigh) I know we should just leave this thread die, but I just got on a website the other day that had the "official timeline" for Harry Potter, and according to that, Harry's first year of Hogwarts takes place in 1991. Therefore, James' trophy being from the 1970's would be reasonable and it also means that Snape should only be in his thirties.

And, my husband is going in today to work and is going to offer to be relocated to Rhode Island from Seattle (as he rather suspects he may be out of a job otherwise.) As we just moved to Seattle from the midwest last June for this job, I'm not real happy about it. But I told him: "Okay, I'm willing to move to Rhode Island, under one condition-I get to go see Private Lives at least once!"
Trisha <patricia.schuman@gte.netfoo>
Bothell, WA United States - Monday, April 15, 2002 at 10:35:55 (PDT)

'Moorning! (to the US residents that is, including the latest acquisition (*jealous groan*!;)... I'm just passing by:

Mortianna, if AR is Jesus, then Eddie Izzard is God! (*ducks the rotten tomatoes*). OK, the implied fatherhood is somewhat unlikely, but Izzard simply is the funniest man alive. If you can get hold of his video Glorious, go for it, you'll die. Oh, and he's that rare breed of a fundamentally decent guy too, by all appearances. Uh, OK, scrap the appearances... ;) - It was good to see them both on the same stage.

Sally (the one who walks upside down), I agree AR gets pretty decent exposure in Truly Madly Deeply and oh, my naughty mind is finding it very hard not to paraphrase your sentence to describe the exposure he gets in Dark Harbor! :D (nah, I didn't find it indecent, I have no problems with the human body and its furry bits, I just couldn't resist the remark...;)

Mmh, there was something else... oh, yes: yesterday or the day before, can't remember, I happened to catch an interview of Juliet Stevenson on BBC Radio 2 while I was driving. Truly Madly Deeply eventually was mentioned and the interviewer said that a woman (uh, forget who) told him she uses the film as a therapeutic instrument when she needs a good cry. She feels better afterwards. JS said she was glad to hear somebody could use the film that way, and then the interviewer said that although he really liked the film as a whole, he really hated the scene when she and Maloney hop on one leg talking, and asked her if other people had ever mentioned they hated it too. JS said that no, nobody had every mentioned it, or hadn't dared ;)... Anyway, there I was, jumping up and down in my car saying : "I hate it too, I hate it too! You're not alone!" - not that I think there is anything wrong with the scene in itself, it's just that psychologists and their patronizing games get on my nerves... sorry, my sister is one ! :)

Right, waiting for the first US PL reviews now. Who's going first? (no pressure... ;)

GML
UK - Monday, April 15, 2002 at 10:35:43 (PDT)

Hi Annie,
The easiest way for you (and others that live overseas) to contribute to the Opening Night Flowers is by using PayPal.com.
Thank you and I hope you get your computer fixed soon!

And let me take this opportunity to give an update. So far, we have now collected $100. Doing good!
Suzanne <Suz@mail.usa.comfoo>
TX, USA - Monday, April 15, 2002 at 10:31:27 (PDT)

Suzanne-Iwould like to contribute to the Opening Night Flowers but my computer is out of action at the moment.What can I do about getting the contribution to you? Annie
Annie <insley@the wind.fsnet.co.ukfoo>
- Monday, April 15, 2002 at 10:11:05 (PDT)

I am trying to talk my husband into going to see PL in New York - very neccessary to my health and wellbeing - he says I have already seen it twice and don't be greedy. Does anyone know of anyone who does weekend Theatre breaks or reasonably priced flights? also can Town and Country be obtained in England and where? Annie (keep being interrupted by students who don't realise the importance of these communications)
Annie <insley@thewind.fsnet.co.ukfoo>
- Monday, April 15, 2002 at 10:06:39 (PDT)

Whew! I thought I'd started the "Lupin and Petticrew" thread with my idea about casting the part of Lupin.

Next time, I will set a better example: **Spoiler** at the top of the post.

Thank you, Claire, for the picture of Alan, looking down at the camera (London Hilton)with that wry smile on his face. Made my Monday morning brighter! Yours truly is 29 (April 10)! Gee, what happened to my twenties?!! I discovered AR half-way through them, I guess. It's been great since then!;)
Ann W
AZ USA - Monday, April 15, 2002 at 08:21:40 (PDT)

Dear Sally I too wish some smart person would pick up those famous yet not seen scenes and put them on a DVD. They cann do it for ET.. well so why not for RHPT!

For those who speculate as to Snapes age If you compare AR when he was younger in BC or R&J well he does seam old for someone who used to follow Lupin and Harry's Dad about. Yet dealing with the dark art is an ageing thing just think of Mad Eye Moody lol. I still think the rivalry between Harry's dad and Snape had more to do with Harry's mum than Quiddich.

My favorite scene in BC is where Slope says May you live forever. I wonder if JK Rowling was inspired by this to write about Snape. Or is she just lucky like all you Brits and get to see AR on stage.

Hope the paragraaph thing worked . Good night it is past my bedtime.
Janine
Melbourne, Vic Australia - Monday, April 15, 2002 at 07:42:05 (PDT)

Claire! Great pics, but wot - no bubbles???
Jules
UK - Monday, April 15, 2002 at 07:41:33 (PDT)

Raffaella, PL opens in previews on April 19. April 28 is the show's opening night and press night. Hope that answers your question.
Melissa
NJ, USA - Monday, April 15, 2002 at 07:40:15 (PDT)

Thanks Sally! The problem is, I haven't used the internet lately (some troubles with the new ADSL connection, now fixed). I just wanted to know if there's a preview of PL in New York. So when is the press night? Usually flowers are sent for the press night, aren't they?
Raffaella <rosseross@tin.itfoo>
Italy - Monday, April 15, 2002 at 06:44:56 (PDT)

Well, Claire is at it again! Just visited the April picture page at her site! Holy Molly! Not recent but still lovely portraites of AR. Happy Monday!Thank You Claire!!!!
Constance
NC USA - Monday, April 15, 2002 at 05:21:34 (PDT)

Cripes, Raffaella! You run a website, and you ask us this! The previews start on April 19th! So get cracking, girl!

Sally,Oz: He appears quite a lot in Blow Dry , too.

Christine: You're right. HE didn't tell us he was leaving 5 weeks ago, it was Emma Fielding. He did leave word, however, that he'd left on a Wednesday, a few weeks later, when he hadn't, because he was subsequently spotted in London five days later! And, yes, it was to maintain his privacy, and, yes, I'm sure some of what he puts out is for fun. I mentioned his 'deviant sense of humour' in my last posting.
Sally
London, UK - Monday, April 15, 2002 at 05:01:51 (PDT)

Hello everyone! I'd like to send Alan some flowers...any idea which day is the most appropriate? Is there a "Private Lives" preview in New York, too? Is the premi�re on April 19th or later? Any suggestion is welcome. Thanks!
Raffaella <rossEross@tin.itfoo>
Italy - Monday, April 15, 2002 at 04:05:46 (PDT)

i got rather fed up with the word concerned over the last weeks and planned on not ever again using it, but the last post over this sublime "name" nailed it, i think. not that my opinion is better than that of anyone else here.:-)

barchester chronicles: thanks to a wonderful friend i had the chance to watch that film, well at least in part. he is very young in it or at least looks it, and he is so slippery slimy and wonderful in it, it is sheer delight. ther is george, there is snape, there is just about everyone. well, no colonel, i'm afraid:-)
and what's more there is geraldine mcewan (?) in it who would later be the witch in rhpot of whom i borrowed my name. it is just about wonderful to watch those two together and i nearly, nearly enjoy her acting more than his. like to look at him more than at her, though:-) i know some more names for what i think, but no one here likes them very much (*somewhat muddled homage*)
there is donald pleasance in it, too, a great actor i had nearly forgotten. and it brings to light an epoch of rural britain which is fun to watch if you didn't have to live in, in my humble opinion.
go get it, if you have the chance. he is in it only in the second part of 6 hours, but then fairly often.

got the four yorkshiremen also. fun, big fun. wonderful moment, when AR says his first line and the audience just roars. and the other guy (something in my head tells me his name is eddy izzard, but i don't know who that is, sorry to you brits), says: i think jesus has just walked in. yeah, just about:-)
all of them are funny, have funny lines, but ar is the only one who at least pretends to be acting - he listens to the others and does not laugh but takes them seriously. i loved it.

looking forward to the first reviews on pl, too. seems to have been in another life, this london-thingy.*sigh*
mortianna
- Monday, April 15, 2002 at 00:59:05 (PDT)

Thank you for the tip FastFilm! I have heard people say iits funny so I suppose you have to get over the intial shock and enjoy the humor!
Ashley R. <ar321@cox.netfoo>
ft.walton beach, FL US - Sunday, April 14, 2002 at 22:16:42 (PDT)

Toby, best movies for AR exposure are: Closetland, Rasputin, An Awfully Big Adventure (2nd half anyway...), Mesmer and Dark Harbor. He gets pretty decent exposure in Truly, Madly, Deeply, Galaxy Quest and Die Hard...

I wish the bits that ended up on the cutting room floor for Robin Hood: Prince of Thieves would appear on a DVD...
Sally
Sydney, Aust - Sunday, April 14, 2002 at 21:58:35 (PDT)

Not to be rude, but when I think of a thirty seven year old, Rickman does not come to mind. He makes a perfect Snape,but certainly closer to 45 than 35
a concerned citizen
- Sunday, April 14, 2002 at 21:48:38 (PDT)

There are numerous articles that allude to Mr. Rickman's private life, as his partner and he are both in very public professions-personally, I don't care if he likes cats, hates dogs, drinks cabernet sauvignon while standing on his head, but if some of you do want to know, and he has discussed it somewhere, with someone, then I say, "go for it" Certainly there are some strange, dangerous people in the world, but does it hurt if they know he likes cat, unless they plan on throwing some at him? Or that he and his lady have different residences? I assume that some of us have read all Kel Clancy's articles, and we have done so because we want to know more about Mr. Rickman than we can ascertain from his work-why chastise someone who asks an innocent question, even if the answer is "we don't know because it is a private matter." Certainly, if you wish to limit your curiosity to only Mr. Rickman's work, do so, but I seriously doubt if some of the "looney tunes" we assume are out there and reading this guestbook will learn anything valuable, unknown or dangerous from us. Most of us are rather fond of the man, in an appropriate manner, of course, and wouldn't print something harmful-ps if you know what hotel he is staying at, please don't print it, but if he has seven cats named after the seven dwarfs, then go for it.....
a concerned citizen "caveat emptor"
- Sunday, April 14, 2002 at 21:42:06 (PDT)

Hm. I was just about to make fun of Christine's Watsonian "possibilities" but then I checked my email, and apparently, Sasha's email addy doesn't exist. Curioser and Curioser.
Julia <j_petrov@hotmail.comfoo>
Calgary, Canada - Sunday, April 14, 2002 at 20:07:54 (PDT)

Toby, watch "Mesmer." AR is on the screen most of the time and is very compassionate. Mesmer is one of my favorite movies.
Juliana <daltrey63@hotmail.comfoo>
- Sunday, April 14, 2002 at 20:07:14 (PDT)

Watch TMD this afternoon. How nice to see AR in a romantic lead. I still want to see him in a film where he has the majority of the screen time. Since I'm still a new-comer to the AR repertoire and making my way slowly through the VCRs and cable movies available, maybe someone can suggest which movie has the most exposure. I don't foresee any substantial character development of Snape in the HP movies, at least until movie 5, 6 or 7 (that's 2005 at the current pace!). Wouldn't it be nice to see AR in a lead (as in majority screen time) Snape-like ambiguous conflicted poised-for-romance role? Who do we need to convince?
Toby <tobytamblyn@cs.comfoo>
Newtown, CT US - Sunday, April 14, 2002 at 19:23:19 (PDT)

I don't mean this as a put-down of anyone who claims to have interviewed or talked to Alan personally, but it seems to me there are three possibilities whenever these claims are made:
A: The conversation didn't happen.
B: The conversation did happen and is accurate as stated.
C: The conversation did happen and is partly true/partly false; the falsehoods either being made up by the interviewer or the interviewee. I don't know Mr. Rickman at all, but is it possible that he might spread a little disinformation in the interest of preserving some of his privacy? Sure. Or perhaps just to have some fun. Who the heck knows.
Sally, I'm confused about the bit about AR claiming to be leaving for the US five weeks ago -- did he really say that to someone? I seem to remember that someone else said they had a week off before leaving, but I don't remember it being him. Maybe I'm wrong.
Christine
USA - Sunday, April 14, 2002 at 19:23:02 (PDT)

Ashley in Florida, try to check the stars on TV site on Alan Rickman and see when TMD will be shown again, and watch it. I had the same reaction you did upon initial viewing, but it is one of those flicks that gets better with repeated viewing, where you can study the filmmaker's signs that Jamie really has a specific mission. You'll be able to laugh at the ghosts watching videos without the tears in the way too, and appreciate the specific pop song choices (so gloomy!). What I couldn't get over was how Rickman portrayed someone who was SO NICE to her, all those little gestures and pawing.
FastFilm
Los Angeles, CA - Sunday, April 14, 2002 at 19:20:56 (PDT)

Thanks, Valerie. This news about PL is making it seem like "old times" again, albeit the old times were only six weeks ago!!

CATS stuff: I don't think he's got cats at all! I mean, he's never at home to look after them is he? Don't tell me Rima has to look after them when he's not here, because I just wouldn't buy it! Plus cats hate being relocated. I think he got wind of us debating about this cat thing and so he thought he'd thrown in some myths of his own-like he's got two cats. I think it's his deviant sense of humour. (Like telling us PL was coming back to London, and that he left for the US five weeks ago!) What is it they say? "Never believe all you hear, spend all you have, or sleep all you want." (Especially when you hear it from Alan Rickman!) (But you don't have to agree with me ofcourse.)
Sally
London, UK - Sunday, April 14, 2002 at 17:42:53 (PDT)

To elaborate on the NY Times, Arts and Leisure section, PL is listed twice, pages8 and 36. And here is what it says:

Previews begin Friday
'A CLASSIC NOT TO BE MISSED!
ALAN RICKMAN & LINDSEY DUNCAN
ARE SENSATIONALLY GOOD"
London Daily Mail on Sunday
Noel Coward's
PRIVATE lIVES
Directed by Howard Davies
Call (212) 307-4100/800 755-4000
Order online atwww.ticketmaster.com
Groups (20+): 800- 677-1164
Tue - Fri at 8: Sat at 2 &8: Sun at 3
Richard Rodgers Theatre (+) 226 W 46 ST

It was exciting to finally see something in print Hopefully there will be more coming up
Valerie
NY - Sunday, April 14, 2002 at 17:01:57 (PDT)

I speak as a non-cat lover but a pet-lover and traveller here. Although I would not enthusiastically rush out and buy a cat if I had the opportunity to have a dog, I would give owning a cat serious consideration - if it was a friendly cat - because they are much easier to maintain if you travel a lot, and dogs are not! Ergo, I reckon non cat-lovers will have a cat if they are still pet-lovers in general, and I would never say no to a cat who adopted me!

I can't believe Snape is in his 30s - the impression I got from the 4th book was he has quite a history! Surely wizardry slows down the aging process - isn't Dumbledore ancient?!
Sally
Sydney, Australia - Sunday, April 14, 2002 at 16:42:39 (PDT)

Sasha, in what magazine can we read your interview? I would love to know what else he told you. Thanks, Juliana
Juliana <daltrey63@hotmail.comfoo>
- Sunday, April 14, 2002 at 16:19:30 (PDT)

Private Lives- sorry if this is a repeat of information- Richard Rodgers Theater Midtown West 226 West 46th Street New York, NY 10036 phone 212-307-4100 (seating capacity 1400 people)
Juliana <daltrey63@hotmail.comfoo>
- Sunday, April 14, 2002 at 15:59:22 (PDT)

Hello! I've just now gotten the nerve to post. Well, I wanted to know What everyone thought of TMD. I saw it today and just about cried the whole way through! I think its a good movie but I would like other peoples opinion on it.
Ashley R, <ar321@cox.netfoo>
ft.walton beach, FL US - Sunday, April 14, 2002 at 15:19:07 (PDT)

So, is "friend" from the UK going to dispute this one, too?
Little Bird
- Sunday, April 14, 2002 at 14:18:11 (PDT)

Oh Suze (from UK), I never wanted to sound nosy... AND I do respect AR�s private life, I really do! He�d never be the interesting person he is for all of us if he�d tell all about his private life... it was only because this subject came up for some time that I thought it�s okay to ask... but that�s enough now.

Well, that pet thing... I wondered if he simply wasn�t in the mood for cats when he said this "F...off" - I have cats too and I really love them but sometimes I simply can�t stand their running about my flat or being in the way or leaving their hair everywhere they go... AND there certainly are some cats or any other animals that I (and maybe other people feel the same) don�t like for no special reason (the cat of my best friend for instance)... he has the right too, hasn�t he? I only hope he has someone who cares for his cats when he�s away... which is more time he seems to spend home...
bad for the cats but good for his fans, because then we can be sure there�s a new project going on where he�s taking part...

Dogma was written by a catholic? That�s interesting. Well, I�d never feel offended by this film. There are some very funny scenes with AR, when he talks about God and pretends to drink Tequilla...

Well, I hope nobody�s angry with me anymore...
Sunny <HDSunny1@aol.comfoo>
Germany - Sunday, April 14, 2002 at 13:43:26 (PDT)

Melissa: Thanks for info. on The Crucible and L.Neeson. Glad it was worth seeing. I will endeavour to book it.

Georgiana: Thanks for the NY Times mention of PL's preview times and start date. It makes one feel as though it is ACTUALLY and finally going to happen!
Sally
London, UK - Sunday, April 14, 2002 at 12:37:05 (PDT)

Re: the cat topic -- this just illustrates the danger of making "definitive" statements about a person ("He doesn't like cats") based on one incident at which none of us were present to witness the circumstances (Emma's "F*** off" story). Perhaps he was tired or feeling irritable at the time. I mean, I like cats, but there are some animals (and people) who can get on my nerves by being exceptionally needy for attention. My mother's cat is like that.
Lets see... I'm guessing Smokey is grey and Lucifer is all black... :)
Christine
USA - Sunday, April 14, 2002 at 11:41:02 (PDT)

He likes cats? That�s really really new!!! Laura,he said F*** off to a cat (wrote Emma ). So I also thought he wouldn�t like cats.Well,what for interesting names,Smokey and Lucifer...
Vee
- Sunday, April 14, 2002 at 10:54:30 (PDT)

Sasha, thank you for your comments. I especially enjoyed the bit about the cats. I'd heard earlier rumors about his less than respectful behavior towards cats (I believe it originated from Emma Thompson's S&S diaries, but I could be mistaken as I've never actually read them myself) and had been quite taken aback as I always like to judge a man by the way he treats children and animals, so it's nice to hear that he has a couple himself. This magazine that you work for, do they intend to publish this interview anytime soon? Please keep us informed so that we can be on the lookout for it. Thanks again.
Laura <trulymadlydeeply79@yahoo.comfoo>
Ontario, Canada - Sunday, April 14, 2002 at 10:19:56 (PDT)

I was very lucky to meet Alan a few months ago. He is very friendly, but very shy. I was interviewing him for the magazine I work for and I found out some pretty cool things. For example, Mr.Rickman doesn't know how to work the internet, he doesn't like peas, his favourite animal is a cat (he has two- Smokey and Lucifer), Mr.Coltrane is really cool, and he thinks that Prof. Snape is about 37 years old. Hope this was of interest, Sasha.
Sasha <funnymonkey@aol.comfoo>
- Sunday, April 14, 2002 at 09:50:54 (PDT)

The New York Times Arts page lists "Private Lives" opening in previews this week. (Link may not work--you have to be registered to visit their site.)
Georgiana <gellis@drizzle.comfoo>
Seattle - Sunday, April 14, 2002 at 09:35:27 (PDT)

Julia, I was thinking the same thing about Suze's nice and polite post!
Bravo Suze!!!

And welcome to Sunny...love that name....so bright and happy souding!
Claudia <flipper828@aol.comfoo>
GA USA - Sunday, April 14, 2002 at 08:27:40 (PDT)

I just want to say - fabulous website for a truly fabulous actor - voice of God in Dogma is highly appropriate for him - sorry to upset anyone, but, who needs Brad Pitt when Alan Rickman is the one??!! :) Again - well done with the website it truly rocks! Love and hugs Felicity xx PS Alan Rickman has a partner???? Sob :( :( he can't - its just not allowed but we do have to respect his private life ( I wanted to marry him!!) anyway, byebyes, Felicity xxx
Felicity
Newcastle, England - Sunday, April 14, 2002 at 08:15:01 (PDT)

Suze, amen to that! (Finally, a post about respecting AR's privacy that's not snobbish, grumble grumble...)
Julia
Calgary, Canada - Sunday, April 14, 2002 at 08:10:25 (PDT)

Sunny, I know you haven't been here long, so you wouldn't know maybe, but Mr Rickman has made it clear that he doesn't like his fans nosing into his partner's life or whereabouts, she is not into showbusiness and it is not fair on her. He also likes to keep his private life private and most of us here respect that, because we respect him as a person, not just as an actor or some commodity we have a right to know all about. Sure we're all curious too ;) but we keep it off this Guestbook, which is public. Stuff you read about here is either rubbish from people trying to stir your interest, or maybe true and they couldn't keep it to themselves as tney should have (which is why they rarely sign their name). There aren't any easy way to check without turning into a stalker, so most of us ignore it. What does it matter who he lives with and where? Don't worry, nobody here is pretentious enough to think they have a right of say in the matter. And we prefer to use our time to enjoy his films rather than spend it trying to get information that is none of our business and will lead us nowhere. AR is very respectful to his fans, even if he is a bit reserved, and he deserves the same respect in return. Don't worry about Dogma by the way, it was written by a Catholic, so it wasn't meant to be insulting. Glad you liked it.
Suze
England - Sunday, April 14, 2002 at 04:32:39 (PDT)

Sorry, have been away a few days and all of you wrote SO much it�s hard to keep up... that�s why I�m asking that (maybe stupid) question:
What about this AR and Rima moving together in a new build house? I mean why not? Most couples would do this... but is it just gossip that someone wrote to fool us all or is it true? Does anybody know?

Well, yesterday I saw "Dogma" for the first time... woah, thank God I�m not catholic and feel strong about it; BUT AR was really great... his typical behaviour when having to deal with peaople who don�t believe what he�s saying...pure fun to watch him. Sigh, when will some new films of him be released? Can�t wait.
Sunny
Germany - Sunday, April 14, 2002 at 02:33:30 (PDT)

Oh, DOH! I'm planning a few days back in France in May, so I looked up what's on at the Forum des Halles (cultural scene) in Paris and... they showed the Winter Guest on BIG screen twice this month! I've missed it! Ah, well, if it is in their collection, it will be shown again no doubt, I'll have to keep an eye on the programme. (They have a large collection of movies, all with Paris as a theme or a location, including about 200 in the English original version. Not too sure why the Winter Guest is part of it but I'm not planning to complain! :) - They obviously think a lot of it, and I suppose it relates to the urban/non-urban theme...

GML
UK - Sunday, April 14, 2002 at 01:57:45 (PDT)

Snape's Age: Sorry to those who may be fed up with the issue, but I'm glad I'm not the only one who reads and rereads Harry Potter. Anyway, after reading Gwenn's post, I realized that I'm totally giving everything away to those not initiated in the Potter magic...Sorry!

Zel-Anne <zelanne@yahoo.comfoo>
Philippines - Saturday, April 13, 2002 at 21:58:53 (PDT)

Sally, London, I hope you can get a ticket to see The Crucible; you should be able to. I saw it a few weeks ago and it's a great production.
Melissa
NJ, USA - Saturday, April 13, 2002 at 20:28:27 (PDT)

Hello, all! I don't recall anyone posting anything about this, and I thought it was rather intruiging: Apparently, Fox Interactive has developed a PC game based on the original "Die Hard" film called "Die Hard: Nakatomi Plaza" (released March 2002). As a fan of all things DH (especially Hans!), I searched and found an interesting review of the game and wanted to post the pertinent bits:

" . . . then there is the voice talent that Fox Interactive hired to impersonate Alan Rickman. Whoever this actor is, he nailed Rickman, most of the time. He did a good job emulating Rickman�s voice, and just about mastered the quirky pauses and emphases that make Rickman so distinctive.

But you do not see Rickman�s face for most of the game. . . . [The] goal of the game is to make players experience the entire Die Hard thrill ride. If they could identify Hans, the chief terrorist, many players would simply shoot him and end the game.

Instead, like McClane did in the movie, players will hear the voice and see the body from odd angles, not knowing exactly whom Hans is until it�s too late."

If anyone's interested in reading the entire review, it can be found here: http://www.msnbc.com/news/720348.asp.

Now I am off to try and discover the name of this AR soundalike. : )

A skeptical Jennifer
Jennifer <jelleebaby@yahoo.comfoo>
MD USA - Saturday, April 13, 2002 at 18:53:15 (PDT)

Michaele- of all the things I've ever read about Bob Roberts, your comments are the first to ever inspire me to give it another chance. Great review- thanks!
Laurel <laurelb@flash.netfoo>
CA USA - Saturday, April 13, 2002 at 17:56:16 (PDT)

Oh, Annette, don't be sorry - thank you again for providing us all with the lovely photo while we wait for the magazine to be available!
Ann
NJ USA - Saturday, April 13, 2002 at 17:34:57 (PDT)

Ann, NJ - Yes, I do get my Town & Country magazine via subscription. I had no idea it was that long between when subscriptions are mailed and when the magazine appears on the shelves. So sorry.
Annette
Mansfield, Tx - Saturday, April 13, 2002 at 17:29:53 (PDT)

I must thank Annette from Texas for that amazing Town & Country pic! I have it under "favorites" and as I toil at this machine, it is nice to know that in one fell CLICK, I can be transported.....for a second... and smile! Thank You!
Constance
USA - Saturday, April 13, 2002 at 15:19:25 (PDT)

Oh, dear! I went to Barnes & Noble, and they won't have the May issue of Town & Country until around April 21 (the off-sale day for the April issue). How disappointing! On the other hand, I guess it's something to look forward to - no instant gratification. Annette, do you get your T&C through subscription? Oh, well, back to work, while I keep the photo on my desktop!
Ann
NJ USA - Saturday, April 13, 2002 at 15:12:08 (PDT)

BOB ROBERTS SPOILERS: I�ve finally been able to view BR, and I thought I would write my review of it since some of you were interested in what I would think about it. Thankfully, since you all gave me warnings, I think I came to the movie with a more open mind. First, I have to say that I can understand why British people wouldn�t like it. I think to appreciate this movie you must understand something about American politics, and how religion, regional differences, and race relations affect those politics. Without this understanding, the movie probably doesn�t make as much sense. It�s kind of like watching one long inside joke. As for the documentary style, it didn�t put me off. Rather, it drew me in, and I felt like I was watching a real campaign unfold. (If you don�t like this style, I would suggest not watching a movie called Best in Show about a dog show, which I though was quite funny, also done as a satirical documentary.) For those of you who have seen this movie, I would like your opinion. Was Bob paralyzed or not? At the end of the movie he was singing a song in his wheelchair and the camera zooms in on his foot tapping. I think they faked his shooting to get the sympathy vote, which worked. And what about Lukas, AR�s character, the morning after the shooting. The collar of his shirt was undone and it looked like he had a hickey on his neck. I think he was cheating with Bob�s wife, a feeling I got from the way he looked at her earlier in the movie. I think that this is one of the movies you have to watch more than once to get all the meaning out of it. It�s not my favorite AR movie, but I don�t dislike it. I think it is a much deeper and complicated movie than it may come across on first viewing. Sorry, I was so long-winded.
Michaele <mmh1324@comcast.netfoo>
Chattanooga, TN - Saturday, April 13, 2002 at 15:10:38 (PDT)

Yes I know this isn't strictly Alan Rickman, but I have to point it out-

Lupin and Pettigrew (Wormtail) both have grey hair because they are stressed. Lupin from being a werewolf, and Pettigrew from the fear of knowing Black has escaped and is coming to get his 'own back'. There is no mention of Black having grey hair, only that it is matted, long etc.

Sincere apologies that I had nothing more relevant to post.
Daisy-I have been in a very, very funny mood today, gimmie some sympathy!
Bristol, UK - Saturday, April 13, 2002 at 14:19:48 (PDT)

www.flf.com/winterguest/video.htm
Vee
- Saturday, April 13, 2002 at 14:12:16 (PDT)

www.bifa.org.uk/gallery/9901.html (bifa,not BAFTA)
Vee
- Saturday, April 13, 2002 at 14:11:11 (PDT)

*Tsk* *gg* Where are you all????? I�m sitting here for more than two hours and no one was here....everyone is going out except me...mmh....ok,that�s not the point.I was surfing in the Internet and found some pages with/about Alan. So here are two of them (the one is a photo from the BAFTA and the other is an interview with him (The Winter Guest))
Vee
- Saturday, April 13, 2002 at 14:10:18 (PDT)

Georgiana:I know that you didn�t mean this, but I thought that you could tell me some informations (in NYC or so) because there is no one who�s gonna go to New York in Mid-June.....~~~~~ To the *Snape�s Age Thing* : Lupin could also have grey hair because he�s a werewolf.But Sirius B. and *Wormtail* have also grey hair or no hair,so Snape either coulored his hair or he�s still *young*..?! Did you know that Ms Figg in Part IV is the same as in Part I, the woman who showed Harry her cats and her photos? And in Part IV will be a female teacher for Def. against the dark Arts and Snape will fall in love with someone in the next three books.So I thought that could be Ms Figg ,but she�s old so it had to be someone else.But who?
Vee
- Saturday, April 13, 2002 at 11:52:43 (PDT)

Barbara the W: So glad "it" arrived safely! Do not worry too much about NY transport, I will help you as the date gets closer and as for the Met and the Cloisters.... good choices! I am not sure about the Cloisters for it is a 2 hour bus ride.... but it might be worth it!Weather permitting!

I am so anxious for the first PL reports to come in after the 19th... I am sure that the play will feel different with such a huge stage at the RR. For those of you who will be lucky enough to see the NY version after the London production... well, your insights will be much appreciated.As for the Stage Door.... I think you Brits have had such an advantage there!(sigh/weep/knashing of teeth...)LOL :>)
Constance <madaboutron4@yahoo.comfoo>
Cary, NC USA - Saturday, April 13, 2002 at 10:14:49 (PDT)

We should be careful about not giving away Harry Potter spoilers--I beleive there are still a few people in the world who haven't got around to reading all the books yet!
Gwenn <moregato@hotmail.comfoo>
US - Saturday, April 13, 2002 at 09:23:59 (PDT)

Annette, thanks for the absolutely gorgeous photo of Alan. I will try to buy the mag today. I have been working very late, to the wee hours, and looking at that picture every so often sure gets the brain going again! (And the heart, and the ... well, lets just leave it at that!)

Don't forget "Truly Madly Deeply" is on AMC Sunday at 3 PM.
Ann
NJ USA - Saturday, April 13, 2002 at 09:07:08 (PDT)

I don't understand why she leaves it this long to buy a house.

Anyway, thanks Annette, for, the "Crucible" website.

Sally
London, UK - Saturday, April 13, 2002 at 06:25:06 (PDT)

There was a photo of Rima and Alan in the Daily Mail around the holidays and the blurb was something to the fact that they were house shopping for her.
Ginny
- Saturday, April 13, 2002 at 06:02:25 (PDT)

Claudia, GA - probably right next to that custom designed spice rack in the new house that he and Rima just moved into! :) (just kidding folks ... I didn't quite believe these bits of gossip when they were reported several days ago ... someone's having some fun with the GB).
Annette
Mansfield, Tx - Saturday, April 13, 2002 at 05:29:01 (PDT)

(Giggle) I wonder if AR is displaying that drawing on his fridge!
Claudia <Flipper828@aol.co,foo>
GA USA - Saturday, April 13, 2002 at 03:46:40 (PDT)

An alternative to the Carey Bus is the Supershuttle (www.supershuttle.com), a van service that will take you from the airport directly to your hotel. Costs more than the Carey but less than a taxi. As to taxis, visitors should be aware of a couple of scams - a driver spotting an obvious tourist might take the scenic route to run up the meter, or quote you a flat fee in excess of what's allowed. There are taxi stands and dispatchers outside the baggage claim area where rules and fare info are posted. Subway and bus maps at www.mta.nyc.ny.us; if you're staying in the City, the NYC Transit button should give you everything you need. You'll find the NYC Convention & Visitors Bureau (neighborhood maps, hotel info, calendars and so on) at www.nycvisit.com.

Off topic: If your (US) cable system carries BBC America, you can see a "luminous" Lindsay Duncan this weekend in "Almost Strangers" starring Michael Gambon and directed by Steven Poliakoff who did "Close My Eyes." www.nydailynews.com/2002-04-12/New_York_Now/Television/a-147347.asp

This post is too long but this interview with the "Harry Potter" kids is cute: "One time in potions lesson, I was just mucking about with my quill, doodling a picture of Alan Rickman," says Rupert [Grint, who plays Ron], referring to the British actor who plays the intimidating Severus Snape. "I didn't make him look too handsome."

"You looked around," Daniel [Radcliffe, Harry] prompts.

"He was right behind me," says Rupert, "I was so scared. He was really nice about it; he kept the picture." I'd love to see it! You can read the whole thing (that's the only AR bit) at http://www.nydailynews.com/2001-11-06/New_York_Now/Movies/a-131077.asp

One of these days I'm going to have to learn to do links.
Anne Gilhuly <agilhuly@gibsondunn.comfoo>
New York, NY USA - Saturday, April 13, 2002 at 01:25:14 (PDT)

I just want to share something with you all, to prove once and for all that Snape's age is around 35 years. Check out this short piece from Prisoner of Azkaban...

...Harry, Ron, and Hermione set off down the corrider, looking for an empty compartment, but all were full except for the one at the very end of the train.

This had only one occupant, a man sitting fast asleep next to the window...The stranger was wearing an extremely shabby set of wizard's robes that had been darned in several places. He looked ill and exhausted. Though quite young, his light brown hair was flecked with gray.

"Who'd d'you reckon he is?" Ron hissed as they sat down and slid the door shut, taking the seats farthest away from the window.

"Professor R.J. Lupin," whispered Hermione at once...

Remus Lupin is the werewolf friend of James Potter, Harry's dad (we'll see him in the movie version of Azkaban) and this short piece ought to prove that Snape's below 40 years of age!
Zel-Anne <zelanne@yahoo.comfoo>
Philippines - Saturday, April 13, 2002 at 01:16:34 (PDT)

Constance!
It's *here*!!

Suz --
Awww.... but it would be so much *fun*! (insert soundbite of MA-and-Renie-level snorfling here)
And the "madly plotting" is, I'm afraid, what a country bumpkin like me has to do when faced with braving the concrete jungle.....
Heck, I'm a corn-fed Midwestern farm girl.... all I want is a way to get from the airport to the hotel to the theatre w/o getting mugged (or whatever happens to strangers in big cities)....

Oh, yeah, and a trip to The Met and The Cloisters and.... yep, definitely "madly plotting"
Barbara the Wallpaperer
- Friday, April 12, 2002 at 23:17:06 (PDT)

Sally, London - I haven't read anything about ticket availability to The Crucible, but according to their website, the play closes June 8th. Here is a link to The Crucible's website.
Annette <annettegeisel@charter.netfoo>
Mansfield, Tx - Friday, April 12, 2002 at 19:22:02 (PDT)

Vee, dear, sorry. I'm happy to provide advice or information, not, I'm afraid, in loco parentis. As to transportation from JFK, there are buses (Carey comes to mind) that travel into Manhattan that are reasonably inexpensive and will deposit one just south of Grand Central Station on Park Avenue. Easy to get a cab or take the subway from there (or walk to Broadway providing you are not hauling much in the way of luggage...).
Georgiana <gellis@drizzle.comfoo>
Seattle - Friday, April 12, 2002 at 18:34:53 (PDT)

Yes, I agree with you Sally UK, and Sally (Sydney). Sydney is a long way to come but I think this place is worth the time.Judy, no worries and I am glad to Share anything here! I have faith and I do believe AR will come this way in the future maybe with Hugh Jackman and his wife Deborah funess-lee? Fingers crossed. I would have to talk to you Sally and Judy from Sydney who have already spoken to Him! Lucky!Bye.PS I think ALL Australia is wonderful and hope AR would consider roaming up to the sunny NORTH? That's my dream!
Barbara the Australian <hermione(underscore )3@hotmail.comfoo>
Gold Coast, Qld Australia - Friday, April 12, 2002 at 18:32:30 (PDT)

Jules - no poignant memories for AR visiting Australia - just an excellent memory of the long flight. If he was lucky, he held enough sway to get a business or first class seat, but having just flown back from the UK a couple of weeks ago, from personal experience, I can tell you 24 hours is waaaay too long to be in economy!

Sally (UK) I dunno... Its about 18 hours to get from NY to west coast oz (incl. swapping planes on the west coast of the US) and then another 24 to London, and only 6-7 hours to do NYto London - I think we are on a loosing wicket here (*grin*)!!
Sally
Sydney, Australia - Friday, April 12, 2002 at 17:39:05 (PDT)

I meant to add on to Claire's remark about the T and C pic of AR. I would agree about her dates. He doesn't quite look like that anymore does he? He's miles better-looking now. More beat-up and lived-in looking!! (Just the right age for meeeeeeeeee!)
Sally
London, UK - Friday, April 12, 2002 at 15:16:25 (PDT)

Sally and Judy: If he went straight from New York, "round the other way" i.e. west instead of east, to Sydney, would that not save a few hours? Then he could leave for a few weeks break in Oz at the end of the NY run, before going on to whatever he's going to do next.. Just a thought.

Annette: There are two English gents in PL, don't forget! And I want to know about that Liam Neeson play (The Crucible?) which I think will still be on in NY when I go in May. Would it be necessary to pre-book that as well, do we think, or what? Can anyone enlighten moi, please?
Sally
London, UK - Friday, April 12, 2002 at 15:10:38 (PDT)

Would hazard a guess, that great Town & Country picture dates from around 1993.

Claire
- Friday, April 12, 2002 at 14:47:06 (PDT)

Have to agree with Gaye's sentiments re Annette's picture. Got similar reaction to yours Sally re Sydney's location on the globe.
Judy
Sydney, Australia - Friday, April 12, 2002 at 14:38:03 (PDT)

Well, Barbara, that would certainly get everyone's attention! Not to mention confuse a few people. LOL But, um... I'm afraid not, sorry. :-) And by "madly plotting," I hope you mean in your story on Flights of Fancy. *grin*

Thanks, Annette, for the info and gorgeous photo!

Suz <Suz@mail.usa.comfoo>
TX USA - Friday, April 12, 2002 at 14:33:51 (PDT)

O/T, sort of. Some here have commented about going to see Fortune's Fool, in NY, with Alan Bates and Frank Langella. For those interested, here is the review from The New Yorker, April 15, 2002 issue. I wish it were still playing when I go see PL in late June. Oh well, maybe there'll be something else starring an English gentlemen that I can see.
Annette (my, I've been reading a lot of magazines lately) <annettegeisel@charter.netfoo>
Mansfield, Tx - Friday, April 12, 2002 at 14:14:58 (PDT)

Suzanne.....

I think the part from "The View" interview: "My shoes are clean...." all the way to "... and my genitals are in place. Will I do?"

THAT needs to be our new soundbite ;)

Barbara, madly plotting....
Barbara the Wallpaperer
- Friday, April 12, 2002 at 13:40:50 (PDT)

Annette: Thank for posting the georgeous picture from ... ooops, Country and... But it does not seem to me that it has been shot very recently, does it? I mean, his face looks like in his Robin Hood years, and it has changed a lot since, has it not? Lizzy
Lizzy <wintertag@yahoo.defoo>
Germany - Friday, April 12, 2002 at 13:29:00 (PDT)

Georgiana, what do you mean exactly with the date (June 9th)...? I ask simply because I could also fly a week earlier (what means I had to be absent at school ;) ) I asked my mother and she said that I could fly if I had a person who would fly with me or who would be in New York and could be *the guide* or so. But there must be a person or my mother would die thousands of deaths.But there is another problem.I would land at (?) the JFK Airport and how could I come from there to the Theatre / to a hotel near the Theatre?...well well, so many questions...
Vee
Germany - Friday, April 12, 2002 at 12:25:42 (PDT)

STUPID STUPID STUPID

i just spent an hour walking around town searching for Town and Country...ITS A US MAG YOU DIV!
flamingkitties <louise@bubbles16.freeserve.co.ukfoo>
- Friday, April 12, 2002 at 10:17:32 (PDT)

Well, I am quite enjoying my commute lately, having "The Return of the Native" read to me in that magnificent voice (or, rather, magnificent voices). I don't think I'm particularly liking Mr. Hardy's view of women, however. The only other book of his that I've read was "Far From the Madding Crowd", and though it's been quite a while, the characters of Eustacia and Bathsheba are seeming similar to me.

Sorry it's taken so long to add my thanks for "The View" clips. At first, I was a little miffed at downloading that long first segment when it didn't actually include AR, but then I wouldn't have been able to fully appreciate that second part, particularly when they start out asking what he thought they were looking at when he came out!

To add to the Snape age debate-I think they have "aged" Harry's parents also. The glimpse you have of them in the picture and the Mirror of Erised surely doesn't look like a couple in their early twenties to me. They look a lot closer to thirty to me, which makes Snape at least in his forties if he's a contemporary.

I have read in several places that AR was at least one of the people on JK Rowling's specific "wishlist"of actors for the project, though I'm not sure if it was simply because she knew how well he could play villainy. I don't know if even his creator ever expected Snape to be such a popular, even romantic, character, and in my case I certainly never had the slightest interest in the books until I found out AR was going to play one of the characters.
Trisha <patricia.schuman@gte.netfoo>
Bothell, WA United States - Friday, April 12, 2002 at 10:02:30 (PDT)

Eileen, I believe the plan is that Fausta will shortly put the list up on her site. Is this correct, Fausta?
Georgiana <gellis@drizzle.comfoo>
Seattle - Friday, April 12, 2002 at 07:41:22 (PDT)

*Tsk* Jules, he doesn't like cats! ( Honestly)
I'm sure that somewhere in one of the Harry Potter boooks (yes, okay, I havn't actually found it yet-but I'm convinced it's there) someone the same age as Harry's parents-and therefore Snape-is described as being in their mid thirties. Could be Lupin.Or my imagination.
Daisy
Bristol, UK - Friday, April 12, 2002 at 07:07:54 (PDT)

Sally Oz - tell us more about the poignancy of his memory of the flight to Australia! What on earth happened? Was his heart broken by a particularly lovely trolley dolly? Was he missing his cat? What???
Jules
UK - Friday, April 12, 2002 at 05:06:18 (PDT)

About Snapes age, which I wondered about. He is contemporary with the Potters who would have been about 35 ish when Harry started at Hogwarts, so that makes Snape 35 or 36 exactly right. However, in the film, James Potter's award for Quidditch is dated either 1977 or 1972 (couldn't quite make it out) so in that case the Potters have been aged to keep up with a Much Older Snape. Why did they cast AR, he has too much sex appeal and dignity for Snape! (But I love it!)
lindy
UK - Friday, April 12, 2002 at 03:07:26 (PDT)

Sally (UK) - I think we down under may be living in fantasy land if we thing he will come down soon... I spoke briefly with him when I saw him in London last year (seeing PL) - and it seemed his most poignant memory of filming QDU was the LOOOOONNNNGGGG flight to Australia... I doubt I did anything by saying it was about 24 hours from London to Sydney - reduced from the 30 when he came down... He could always got to Perth I suppose, and knock off 4 hours, but...
Sally
Sydney, Aust - Friday, April 12, 2002 at 02:16:52 (PDT)

Wow Annette, great picture indeed! Who would have thought you could find such great things in "Town & Country"?
Laura (who's running out to the store right now to look for T&C) <trulymadlydeeply79@yahoo.comfoo>
Ontario, Canada - Thursday, April 11, 2002 at 20:00:30 (PDT)

Gosh, thanks, Annette, that's a yummy photo! Quite mouth-watering, in fact. Now I just have to check out if Town and Country is available here in Australia.
Gaye, who's waiting to go out to lunch and is feeling VERY hungry...
Adelaide, South Aust. - Thursday, April 11, 2002 at 19:13:11 (PDT)

Here is the photo to which I was referring several entries below. It can be found in the May 2002 issue of Town & Country. AR Town&Country pic

I apologize for the fuzziness of the pic - our scanner doesn't do a very good job scanning pics from magazines.
Annette <annettegeisel@charter.netfoo>
Mansfield, Tx - Thursday, April 11, 2002 at 19:01:44 (PDT)

I may have missed this, but how do we access Valerie's list on who is attending PL and when? Thanks! PS My tickets arrived today! :-)
Eileen
Fl - Thursday, April 11, 2002 at 18:58:04 (PDT)

MTP, I only know for certain the 'cast'--the names individuals playing characters on stage. I have seen listings for the NYC production that list the same set designer, costume designer, etc. So those creative people appear to be the same, although I have no idea as to whether they would actually need to be in NYC--probably mostly not. As to stage hands, lighting engineers, etc.--I would expect not, but I do not know that for certain.
Georgiana <gellis@drizzle.comfoo>
Seattle - Thursday, April 11, 2002 at 18:17:49 (PDT)

I was thinking-AR will be in need of a hol when he finishes in NY. A nice winter holiday in a sunny clime would probably suit-what about Australia? (Wouldn't mind a spot of that myself.) And I think it's about time you lot "down under" had him for a bit. As someone so memorably said, not so long ago, WE MUST ALL SHARE!
Sally
London, UK - Thursday, April 11, 2002 at 16:57:14 (PDT)

Vee:Thanks for photo. What is he so worried about?
Sally
London, UK - Thursday, April 11, 2002 at 16:49:35 (PDT)

Seems Helen Mirren is swanning about Hollywood all happy about her hew Fall televsion show and telling those in the news that she'd love to have some of her friends from the UK appear on the show. YIKES! Maybe Alan will become a U.S.A. media darling and offered up a 'guest shot'! Billy Connelly came over for a visit awhile back and was given a t.v. show which didn't do too badly! $ talks and you-know-what walks!
Ginny
- Thursday, April 11, 2002 at 16:42:30 (PDT)

Thanks Barbara You know I rely on you for your updates here down under! Mmmm special edition - these seem so rare!
Judy
Sydney, Australia - Thursday, April 11, 2002 at 16:13:34 (PDT)

Annie: I'm 99% sure certain he left today, because of the manner in which I was told the news. If you scroll back through the GB you'll see I spoke about meeting one of the Galaxy Quest cast at the Almeida Theatre last Friday, and he said that AR was leaving for the States next Thursday-which is today.

By the way, a lot of questions being asked, and information being given, is already on the "News, Info and Schedule" page(or some name like that)which you'll be directed to if you scroll to the top of this page. Also, if you read through some of the previous stuff-quite a quick read when you get going-on the GB, a lot of your questions have already been answered. Sorry to nag.

By the way, for afficionados (?spelling?) of Emma Thompson, I went to a book signing tonight up in town by Nick Hornby, who wrote, amongst other things, About A Boy (Hugh Grant's latest film). Apparently Nick's latest project is writing a screenplay with Emma Thompson. It's a romantic comedy-so something to watch out for.(Well, you probably won't have to do much watching out, as it will most likely be hyped to the roof)!lol
Sally
London, UK - Thursday, April 11, 2002 at 16:10:39 (PDT)

I'd just like to point out (and sorry this is Off-T), re:Annette's artical, that Cary Grant is from Bistol. Tee, hee, my claim to fame! And he was born just up from my road...dang, no connections with anyone else.
Daisy
BRISTOL, UK - Thursday, April 11, 2002 at 14:24:49 (PDT)

Per Valerie's earlier query, there are tickets available for press night, ie opening night but unfortunately they are rear mezz seats. Very rear and only a few left.
Jacqueline
Chicago, IL USA - Thursday, April 11, 2002 at 14:09:07 (PDT)

All slots taken! Not fair! Sulks, stamps foot. :)

Amy
UK - Thursday, April 11, 2002 at 14:03:03 (PDT)

The May 2002 issue of Town & Country has an article titled, on the front cover, 'What Is It About British Men?'. The actual article is titled 'Mad About The Boys' by Catherine Calvert and is about 'One woman's weak-in-the knees fascination with Englishmen. And guess what? She's not alone.' Below are the comments about or related to AR.

"...But still, the appeal of the Englishman can span the generations, and we've all been there, if only in the theater. Most prominently, there are the stars, old and new: Ronald Colman, Cary Grant, Peter Finch, Alan Bates, James Mason; or, more recently, Jeremy Irons, Colin Firth, Jude Law and Alan Rickman, as well as those fine Fiennes - Ralph and Joseph ..."

And talking about the Englishmen's clothes

"...I'm sure Alan Rickman keeps his shoes on shoe trees, and we like a man confidant enough to dress just this side of popinjay. ..."

and finally "... Englishmen manage to combine the sensitive and the assertive, to a greater or lesser degree, and each mix has its charms. There's the smoldering sadness-at-bay that some exhibit, exemplified by, say, Jeremy Irons and Alan Rickman. It's left to us sensitive women to make it up to them for being sent away to school at age eight and having cold baths and never seeing Mummy and Daddy. ..."

The article has a scrumptious photo of AR, a full page close-up photo of Ralph Fiennes which made my heart skip a beat, plus photos of Jude Law, Cary Grant, Colin Firth, Hugh Grant, Prince William, Laurence Olivier, Charles Prince of Wales and Jeremy Irons. My scanner is not operational currently but hopefully will be later this evening, and I will then post the pic of AR, if not done by someone else before then.

I must say, this article certainly captures the appeal, for me, of Englishmen. If you can find it, get the magazine.
Annette
Mansfield, Tx - Thursday, April 11, 2002 at 13:46:44 (PDT)

I�m sooo sorry that i write always soooo often,but I discovered a new Alan Rickman Photo: www.hpgalleries.com/movie2/m2gallery7.htm
Vee
- Thursday, April 11, 2002 at 12:05:46 (PDT)

Fausta,I �ve sent you the massage / the mail. Hope it�s not too long. (I needed more than two hours ;) ,asked my brother-in-law ,sister and parents.What a "Traa-Raa"...).
Vee
- Thursday, April 11, 2002 at 11:46:13 (PDT)

Amy..Sorry to disappoint you but that time slot has already been taken and I'm her friend.La La La La La
Magda
Aberdeen(boots,cloaks swords, love em all), - Thursday, April 11, 2002 at 11:27:51 (PDT)

"Hope that the Americans realise that he is not on indefinate loan and we need him back" Hehe, yes we would like him back afterwards please!! :o)
Nisha <billyelliot82uk@yahoo.co.ukfoo>
London, UK - Thursday, April 11, 2002 at 11:11:20 (PDT)

Thanks Georgiana. Does cast also refer to the *behind the scenes* people?
MTP
- Thursday, April 11, 2002 at 10:52:15 (PDT)

A nice article in this month's Theatregoer mag about Lindsey Duncan and some references about PL which i thought you might like to hear. It's written by Sheridan Morley, and I'll only include the pertinent bits! "Since Coward died almost 30 years ago, I have been literary executor of his estate, and in all those years I have never seen a better Private Lives than this one, and for a very simple reason. Ever since Noel and Gertie premiered the play back in 1930 the casting problem has always been in finding a perfectly matched duo who actually look as though they belong together even after divorce and remarriage. Alan Rickman and Lindsey Duncan do just that. So, from the very first rehearsal of this new Private Lives they came as a pre-existing couple."
Then at the end of the article LD says about being in NY last time for a Pinter play and recalls how one woman in the audience was overheard to say "They have the brass balls to call this a play?" Sheridan Morley concludes his article with "And it's not as though anyone is likely to say the same about Private Lives".

To our friends in USA, just look what you're getting (as if you hadn't guessed already!) Enjoy it's entire run! We look forward to hearing all about it when you finally get to actually see it!! and him, of course!
Sue
Lincoln, U.K. - Thursday, April 11, 2002 at 10:32:08 (PDT)

Does anyone out there know if it is true that AR has left for the States today? I usually read this guestbook at work and find it very interesting My favourite film is AABA look at the hair! Hope that the Americans realise that he is not on indefinate loan and we need him back The secret is that he makes you want things that you either cant have or will never get Annie
ANNIE <insley@the wind .co.uk foo>
Northampton, England - Thursday, April 11, 2002 at 10:24:01 (PDT)

Yes, the entire London cast goes to NYC for "Private Lives."

My recollection is that it was Lindsay Duncan whose mother had Alzheimer's that provided the impetus for Sharman MacDonald's play, "The Winter Guest."

I'm in NYC week of June 9 (and have been to Manhattan many times...)

Georgiana <gellis@drizzle.comfoo>
Seattle - Thursday, April 11, 2002 at 09:57:00 (PDT)

Melissa, I�d need a NYC guide but I will probably be in New York on June 15th - June 18th (because of the `special offer�).
Vee
- Thursday, April 11, 2002 at 09:46:18 (PDT)

Vee, I'm seeing PL on June 30. If you need a NYC guide, I'd be happy to help. Let me know.
Melissa
NJ, USA - Thursday, April 11, 2002 at 09:19:42 (PDT)

(one of) my favorite *evil* Alan shots is the Sherrif's 'Do you MIND?!' also (I can just imagine this, I hope they left it in the film) Snape's line from Chamber of Secrets 'Or maybe he's waiting to hear why you two didn't arrive on the school train' my mental image of this is so funny. And something else that makes me laugh is Michael Collins, where he's yelling at Liam Neeson about a newspaper or something, who replies, and then AR just stands there. Mind you, his accent in that film cracks me up completely-as did Jules' comment, heh heh, lol.
Daisy
Bristolo, UK - Thursday, April 11, 2002 at 09:13:10 (PDT)

Hey, I watched The Winter Guest last night and there were some `sprecial thanks�,also to Lindsay D. from Private Lives. Does someone know which part she had to this project?*** Another question: Is there anybody who will be in New York in June (seeing Private Lives?). I would love to fly, but I need someone who knows NY (I�ll get lost! :) )...
Vee
- Thursday, April 11, 2002 at 09:02:12 (PDT)

Do you Georgiana or anyone know if the whole company/crew transfers from London to NY with the play?
MTP
- Thursday, April 11, 2002 at 08:32:19 (PDT)

Yes, that's the difference, Valerie. April 28 is opening night = press night. Should not be reviewed before that. Again, they've had ample 'rehearsal' in the 175 performance London run! Any glitches are likely to be 'technical'--i.e., related to set, props, lighting, mechanicals.
Georgiana (not much time left for rehearsals...) <gellis@drizzle.comfoo>
Seattle - Thursday, April 11, 2002 at 07:58:40 (PDT)

Re Who's going to PL, please indicate if you are attending the matinee or evening show if there are 2 shows on the day you are going. (If you've already done this, thank you) Maybe this is a dumb question but what is the difference between the previews and the opening night? I think the press goes to opening night 4/28, but is that the only difference? I tried to get tickets for that night and could not. I also noticed that so far nobody is going on that night.
Valerie <brookdoc913@cs.comfoo>
Great Neck , NY - Thursday, April 11, 2002 at 06:59:25 (PDT)

I agree, I was LOL to Jules' comment too!

On the heroine question. I'll be a wench too! Can I join you Magda? You can be 10.30 and I'll be 10.45! ha. Amy
Amy
UK - Thursday, April 11, 2002 at 05:10:49 (PDT)

Jules..."As is the English language he so prizes, evidently..." LOL, LOL, I almost choked on my drink I was laughing so hard...too funny..made my day.
Juliana <daltrey63@hotmail.comfoo>
- Thursday, April 11, 2002 at 03:49:40 (PDT)

Very funny Magda - I should have guessed you would be the WENCH. The look Jamie gives Nina in the bathroom scene, when he says "I do know you shave your legs" is not Evil, but still quite piercing.
Branca <brancauk@msn.comfoo>
London, UK - Thursday, April 11, 2002 at 00:03:28 (PDT)

Magda-My favorite Alan shot is in RHPOT. I LOVE the part where he is about to rape the lady and Robin Hood jumps through the window-at that instant his head turns crooked and his face is to die for as he rolls his eyes (not him again). I oddly found the WHOLE wedding/about to rape scene hilarious. Of course, the concept is terrible, but I knew she would get out, so I could enjoy it. I find his character's jokes tremendously funny and thus enjoyed him the most in that movie. I have to admit though that as Colonel Brandon he was very sweet and admirable. **About the ancestor photo-i noticed that the man in the picture had the same line (wrinkle) inbetween his eyebrows.
Christine (My eyes are like a dying sun)
Disneyland...must slow breathing..., United We Stand, Divided We Fall - Wednesday, April 10, 2002 at 20:17:51 (PDT)

So sorry this is Off Topic

Shloka Vaidialingam !!

Please email me off list at: perla58@earthlink.net I sent you a post but it bounced back to me. Must talk to you before May 4th re: Private Lives!!
Maggie <perla58@earthlink.netfoo>
Morris Plains, NJ USA! - Wednesday, April 10, 2002 at 19:16:35 (PDT)

Oh, I've already heard in an interview about JK telling AR about his character, and boy I'd do lots to find out what she told him! But really, I sort of see what my critical friends saw in the movie...Snape's "creepy-ness" and "cruelty" time was kinda short, but I suppose its enough for Columbus (I'm itching to call him Columbo!) to place the Potions Master as the bane to Harry's school life. I only hope that there's more to the character as the next movies come out...
Zel-Anne <zelanne@yahoo.comfoo>
Philippines - Wednesday, April 10, 2002 at 18:57:53 (PDT)

Hello everyone! Would just like to thank Sally (Sydney) for letting us know about the Eco challange- managed to catch it on Discovery! Like Velvet his voice is. I would like to let all Australians Know, that on the front of the latest Australian Empire Mag (with Mel Gibson on the front) May issue is a DVD Action Collection, with Die Hard on it, with a lot of action sequences on it. and a Die Hard special Edition as well! I don't have a DVD player, but my Son, the Computer wizard, can run it on his Play Station!
Barbara the Australian <hermione(underscore )3@hotmail.comfoo>
Gold Coast, Qld Australia - Wednesday, April 10, 2002 at 18:49:08 (PDT)

Uh-oh... he'd better stay away from those bagels... We wouldn't want him looking like Thomas Clio, now would we? Tee Hee Hee! ;)
Julia <j_petrov@hotmail.comfoo>
Calgary, Canada - Wednesday, April 10, 2002 at 18:06:58 (PDT)

Heroine...Branca.No I'll be a wench in the castle the mans insatiable anyway he;d always come back for more. LOL
Magda
Aberdeen, - Wednesday, April 10, 2002 at 17:13:12 (PDT)

Thanks, Constance. Sounds like he might sweat off any extra poundage,if that air conditioning breaks down again!

Alan fat? Novel thought. "OFF TOPIC": A friend of mine used to like her men "with a bit of body". Needless to say, she was like a pencil. Someone said she "liked her men fat, the way a rat likes pumpkins". Just thought I'd throw that in.
Sally
London, UK - Wednesday, April 10, 2002 at 16:43:44 (PDT)

Magda, regarding evil looks in AR's movies, I would have to vote for any of the looks given during the scenes between Slope & Mrs. Proudie in Barchester Chronicles. The set jaw and squinting eyes during some of their exchanges were an absolute gem to watch!
Laura <trulymadlydeeply79@yahoo.comfoo>
Ontario, Canada - Wednesday, April 10, 2002 at 16:34:34 (PDT)

Have no fear Brit Friends! The New Yorkers will take good care of him, ply him with bagels and cream cheese, Nathan's hot dogs and real italian food from Mulberry street! If anything... Mr. Rickman may need his suits altered before the run is through!(lol)
Constance
NC USA - Wednesday, April 10, 2002 at 15:59:45 (PDT)

I just thought some of you might like to know, if my information is correct, that AR (sorry to make you sick again, Rach) should be leaving for NY tomorrow (Thursday). Don't know where he is departing from (suppose it has to be Heathrow, unless he goes by private jet) or which terminal, or how, or whether it's morning, noon or night, alone, accompanied or with "the others." All I know is, it's tomorrow.(And I hope I've got it right this time).

Fellow UKers, I am sorry we will have to mourn all over again, having mourned badly enough the first time round when we were erroneously told he was leaving a week after PL ended. To ye 'across the water', we entrust him to you with our love.
Sally
London, UK - Wednesday, April 10, 2002 at 15:54:51 (PDT)

Fausta's photo was printed nice and large in February 7th edition of the New York Times (Thanks Renie!), for those interested in obtaining a back issue.

Lindsay Duncan's red outfit was worn in the September early London previews. Thought I had imagined it when I next saw the play a week later and she was in grey, no photos were evident until after press night. However, when I asked Lindsay about the change, wondering if it was to tone down the scarlet woman analogy, she said that it had not proved robust enough so wardrobe changed it.

Claire
- Wednesday, April 10, 2002 at 15:30:18 (PDT)

Thank you Fausta, for that fabulous photo, which, BTW I hadn't seen before. It took up the whole of my screen and just made my day!

And thank you also to Sally, Australia: yes I realised that the Eco-Challenge had several more episodes, and am really looking forward to more of Alan's beautiful narration.
Gaye
Still sunny Adelaide, South Australia - Wednesday, April 10, 2002 at 15:06:34 (PDT)

True sue, having a drinking companion would be an advantage. However have now decided would rather like to be 'jagged with sophistication' and therefore Amanda in PL looks good too. All that constant making up with Elyot!! Jules: loved your reply (teehee)
Branca <brancauk@msn.comfoo>
London, UK - Wednesday, April 10, 2002 at 15:02:30 (PDT)

Jules "and the English language..." *snorfle*

Fausta -- Great RR!

Georgiana -- You're quite right about the picture -- I have a copy of the "original" pic and Ms. Duncan is wearing the red suit. (Said suit was dropped by opening night, yes?)
Barbara the Wallpaperer
- Wednesday, April 10, 2002 at 14:16:42 (PDT)

I quite enjoy the photo, too, up on the April monthly "Rickmanista." I would point out, however, that it is a 'blow up' (and crop) from a photo we have all seen repeatedly before, and is showing up on a number of NYC theater sites now, such as this one. I expect it was sent out with production publicity. It is from the London preview performances of "Private Lives."
Georgiana <gellis@drizzle.comfoo>
Seattle - Wednesday, April 10, 2002 at 14:01:38 (PDT)

Magda - Have to agree with Amy about the Sherrif's scene with the children. Always brings to mind the infamous picture of the poor little English hostage and Saddam Hussein during the Gulf War. Maybe he got his inspiration from SH as it was about the same time!! On the other hand maybe SH had seen RHPOT!!!
Branca - as for heroines maybe I'd go for ET's character in JK!! Always have a drinking companion at least!!!
Sue
England - Wednesday, April 10, 2002 at 13:59:51 (PDT)

After Magda's question re Evil looks, was wondering which Heroine would we all like to be playing, opposite AR of course. Mine would have to be Mariane, as she gets the best man in the end, and has a lifetime of AR to look forward to. Any other suggestions?
Branca <brancauk@msn.comfoo>
London, UK - Wednesday, April 10, 2002 at 13:00:58 (PDT)

Fausta - re The Nose.....DDG IMHO.Thankyou
Magda
Aberdeen, - Wednesday, April 10, 2002 at 12:46:39 (PDT)

Magda - re favorite evil look, amazing how much intensity can be put into one word, "Loxley"! That scene always grabs my attention. Another favorite evil look - the sardonic, sideways glance from Hans in the elevator, "nice suit".
Angelina
US - Wednesday, April 10, 2002 at 12:05:59 (PDT)

Kirsten: You are so lucky to have met Alan. You shouldn't let it bother you that you said that. Don't worry about it - at least you have met him & have his autograph. Look at it this way he might remember you for it. That would be nice.
Hilda
- Wednesday, April 10, 2002 at 11:10:17 (PDT)

Harlii: What a wonderful text!!!! To Fausta: I asked my father and he said I could send a mail with T-Online.So I will send a mail tomorrow (today,my father has got to work on his own computer,so I cannot write .(I �ve also got to *prepare* a (short) greeting in an acceptable and understandable english ;) ). Is it ok? Best regards,Vee
Vee
Germany - Wednesday, April 10, 2002 at 10:43:16 (PDT)

thats ok i was meerly passing a statement of knowledge...
flamingkitties
- Wednesday, April 10, 2002 at 10:38:52 (PDT)

In my defence I've only skim read stuff about Hannah. She's not an essential part of my life flamminkitties.
Kirsten
- Wednesday, April 10, 2002 at 10:29:21 (PDT)

Hannah is about as msyterious as a cabbage!
flamingkitties
- Wednesday, April 10, 2002 at 10:22:37 (PDT)

Hello, remember me,no anyway i finally saw Close My Eyes today, it was good, i have always liked Steven Poliakoff, hoorah.

re: the BArchester Chronicals: it is still available from www.tesco.co.uk and the www.bbc.co.uk shop site.

#techno techno bloody techno darling#
flamingkitties <louise@bubbles16.freeserve.co.ukfoo>
southend, uk - Wednesday, April 10, 2002 at 10:21:20 (PDT)

He didn't realise that I had given him two programs; and my friend wanted one signed too, after PL (I'm shy, but she's very very shy). We'd been joking around beforehand about me pretending to be an obsessive fan (just kidding around-I'm not the mysterious Hannah I hasten to add). She joked that I should say 'Here's a spare one (when handing him the programs to sign)' like a completely desperate, manical fan, with a straight face, NOT serious-we were feeling happy after the amusing PL. By the way, it was 11.30pm, we were cold, tired and hungry-so we weren't exactly in our usual frame of mind. When he came out I just thought that it wouldn't be the wisest thing to do, he seemed too polite, dignified and down-to-earth. I waited at the back, trying think of something to say, eventually deciding not to say anything. When it came to my turn I gave him both (sorry, this seems to be a v.long recollection)programs, but he only signed one, not realising and gave both back. Instead of saying the normal thing, like 'here's another' I blurted out by mistake, in nerves 'Oh here's a spare one' at which he raised his eyebrows. Then I quickly added truthfully 'for my friend' though that moment had been hideous. He seemed relieved; and gave me a nice smile after signing the second, so it was ok in the end. I thought he was pretty darn professional. I am a big fan now, I wasn't before PL, which is superb.
Kirsten
- Wednesday, April 10, 2002 at 10:16:57 (PDT)

Kirsten, Sorry, I misspelled your name.
Melissa
NJ, USA - Wednesday, April 10, 2002 at 09:02:59 (PDT)

Hi Kristen, Would you mind telling us what you said to AR that made you cringe? I'm sure it couldn't have been that bad.
Melissa
NJ, USA - Wednesday, April 10, 2002 at 08:10:25 (PDT)

*Thud! 'mmmph!' Picks self off floor* Blimey Fausta! That picture doesn't even fit onto my screen whole! Thankyou! Now would someone fetch the smelling salts? Or the spices...
Daisy
Bristol, UK - Wednesday, April 10, 2002 at 07:57:52 (PDT)

Thank You Fausta!!!!!!!!Another spatula-droping gorgeous picture! I am counting down the days to June 28th!
Constance
NC USA - Wednesday, April 10, 2002 at 07:30:24 (PDT)

I know it's days ago since the essential discussion of everyone's favourite AR movie moment ended, but I have to say Sense and Sensibility has some seriously nice moments. Firstly when the Colonel enters and sees Marianne for the first time. Secondly, in the same scene when Elenor (Emma Thompson) looks uncomfortable and the Colonel (AR) smiles at her with natural, friendly reassurance. Can I ask if anyone's who has met AR has said/done something absolutely cringing? I did when I met him in my attempt to be collected.
Kirsten
London, - Wednesday, April 10, 2002 at 07:18:32 (PDT)

Ooh! Fausta! Just followed the link to the April monthly and up popped a pop-up. It said in very large letters: Is There Pornography on your Computer?
Um, no - but looking at that beautiful picture of AR there's certainly lots in my head!
Jules
UK - Wednesday, April 10, 2002 at 06:23:31 (PDT)

make that snail-mail, and e-mail
Fausta
- Wednesday, April 10, 2002 at 06:11:30 (PDT)

Barbara-T-W, the polka's brilliant!

Off-topic,

Vee, I'd love to add your message. Ask your dad if he can help you with the e-mail. Right now I'm very pressed for time and can only take e-mail messages. Also, there probably isn't enough time for snail-mamil. After next Monday-Wed I can't add more messages, in order to have enough time to have the book printed.

As I said in the April Monthly, please send a brief message. And also please remember that I'm not in contact with Mr. Rickman. All I'm planning on doing is hand him the book of greetings sent by the visitors to my site. I do not know if he has an e-amil address, do not know him personally, and have no contact with him, his friends or his agent(s). I have no plans to meet with him privately and have no intention of imposing on him in any such manner. People who have been supporting my site over the years know that this has been the policy of my website all along: I have no contact with AR. If you wish to send Mr. Rickman a letter, a book, or a gift, please write to him to the care of his agents, which are listed in the FAQ section above.

Special thanks to Barbara-T-W and Claudia, who are making the Welcome Back book possible,and to Suzanne for allowing me to post this message
Fausta <faustaw@yahoo.comfoo>
- Wednesday, April 10, 2002 at 06:09:25 (PDT)

Thank You Harlii for posting the words to the Winter Guest poem. That man is too talented, I tell you! It's just not fair!(lol)
Constance
NC USA - Wednesday, April 10, 2002 at 05:30:50 (PDT)

...as is the English language he so prizes, evidently...
Jules
UK - Wednesday, April 10, 2002 at 05:14:39 (PDT)

Everyone that is Writing in this sad thing are all really sad I mean Alan Rickman is the man yeah I know but Oh ny God you dont have to so SAD!!!!!!!!!!!!! Alan Rickman is great and dont insult him by callings him AR it make me sick I respect this page but if you gonna say anything dont talk about deals! Also Alan dose have a privet life you know so dont go and stick all your big noses in ok his Married is SAFE! goodbye.
Rach <-foo>
-, - - - Wednesday, April 10, 2002 at 04:11:05 (PDT)

I thing That Alan Rickman is great! I love all his films and I have to be the number one fan when it comes to Alan! Alan Rickman is a SEX GOD and will carry on to be till the end.
Rachel Watson
Lancs, England - Wednesday, April 10, 2002 at 03:58:37 (PDT)

Just thought I would let all the UK GB's know that have just noticed that Sense and Sensibility is being shown on Film Four on Thursday 18th April at 6.00pm. Followed by Emma at 11.00pm. I know the latter hasn't got our beloved AR in it, but still worth a viewing. Enjoy handsome Col. Christopher Brandon (my favourite).
Branca <brancauk@msn.comfoo>
London, UK - Wednesday, April 10, 2002 at 02:45:27 (PDT)

In answer to Magda's Favourite *Evil* character, that's easy, The Sherrif wins (for me) every time.. I haven't actually got a favourite line from the film, they're all great, I'd be here all day if I told you them all..but I do like the bit with the children too, when he looks the little girl in the eye and says "It's amazing I'm sane!"
Amy
UK - Wednesday, April 10, 2002 at 02:15:53 (PDT)

Further to my eBay comments of the other day, I hope the current 'winner' of the Barchester Chronicles video's going for $US33 isn't a reader of this GB knowing that they could have got it for $25 from a legit store - unused (see below). Similarly, I hope the person bidding up the "In Demand" cd isn't a reader given they could get it 25% cheaper at Amazon.com than the current highest bid... Really - Suzanne has a great section on where to buy the common stuff on this site (ah... Claudia maintains it now... This site is out of control! - I mean that in a positive way, Suzanne - speaking about the success of it!)

That said, some impressively hard to get AR stuff currently up for grabs at eBay. Does make you wonder if these people sit on some of it, waiting for the actor/actress to be in a popular movie, then the bidding frenzy reaps greater rewards...
Sally
Sydney, Australia - Tuesday, April 09, 2002 at 23:59:17 (PDT)

Good morning! Well, whoever brought that house subject on... why do you want to give wrong informaion in this GB? I don�t object if AR decides to live with Rima again, would be natural, wouldn�t it? I mean, he�s away for more than half a year and if I were her I�d love to have him closer at times when he�s home (London, that is...). She must be very tolerant and have a big heart... as far as I know he�s not always easy to live with... so what about this house-stuff? By the way... I�d love the air being full of spices...especially when someone like him tells me so...
Sunny <somehwo a concerned citizen toofoo>
from Germany - Tuesday, April 09, 2002 at 23:36:56 (PDT)

My favorite evil AR is the Sheriff of Nottingham ..."Make the stitches small...." "Cousin, I trust you justify your intrusion with news of profound value..." talking to Lady Marian about the children- " I cannot allow them to grow up as my enemies" Some of the best evil parts of Severus Snape were omitted from the movie. [yes, I am very unhappy about that]
Juliana <daltrey63@hotmail.comfoo>
- Tuesday, April 09, 2002 at 19:24:35 (PDT)

i like this site:)
cammie <just4nic515@yahoo.comfoo>
san jose, ca usa - Tuesday, April 09, 2002 at 18:25:59 (PDT)

Julia: Could be ressemblance in mouth and nose region. Otherwise, I'm stumped! Too portly. They're both miserable -looking though, aren't they?
Sally
London, UK - Tuesday, April 09, 2002 at 18:15:36 (PDT)

Oh, good for you, Leanne! That IS good news! I am glad he will honour his contract to the end, as he did in London.
All other interested parties: Sorry about my gloomy unfounded warnings. Sorry, AR.
Sally
London, UK - Tuesday, April 09, 2002 at 18:09:45 (PDT)

Ahhh.. Because we have had a lack of real news lately (although the new house thing does seem to corroborate well with the falling house prices conversation AR had with one of our denizens a month ago...) Suzanne has kindly uploaded this picture I found of the man's anscestor, Thomas Clio Rickman. As it states in the unofficial bio, Clio was a friend of Thomas Paine, and wrote his forst biography. Here he is in 1814! Can you see the resemblance? Thomas Clio Rickman
Julia <j_petrov@hotmail.comfoo>
Calgary, Canada - Tuesday, April 09, 2002 at 17:28:13 (PDT)

We KNOW who'll play the Professor of Potions! Duh!;)

That should be, "Defense Against the Dark Arts" teacher. All the jokes in the interviews w/ JK Rowling about chocolate used as a "medicine" for stress refer to Book #3, too. LOL.
AW
AZ USA - Tuesday, April 09, 2002 at 17:08:26 (PDT)

Geez, I'm internet free for a couple of days (writing ye olde Term Paper!) and all the good stuff hits the GB! It figures! LOL.

Love the Alan Rickman Polka! What a hoot. Barbara wins the gold for songs *about* Alan, the Public Man.;)

In other news, yes I know the sneering look in HP&SS: I thought it was the best example of "Camp" acting in the movie.

I wonder who'll play the Professor of Potions in Prisoner of Azkaban, too. Could Mr. O'Toole be enticed to come out of retirement? Alan Bates has the wrong build, but he'd be a wonderful . . . nope! I won't spill the secret!
AW
AZ USA - Tuesday, April 09, 2002 at 17:03:24 (PDT)

RE: Snape's age. I found this at the HP Galleries. A transcript of a BBC Online interview with J.K. Rowling. Snape's Age Looks like we were right about the 35-36 age thing.

And my favorite *evil* AR look has got to be as Snape. I can't find a clear picture of it, but it's when he bumps into Harry, Ron and Hermione in the corridors the day they decide to go after the stone. He does this really snappy bird-like or raptor-like movement looking from one of them to the other. Ahahah! Each time I saw it in the theater, I burst out laughing. It's too funny. I'll look and see if I can find a picture of it to post. But if you saw the movie, you know what I'm talking about.
Harlii <lmhpr00@knology.netfoo>
- Tuesday, April 09, 2002 at 16:47:22 (PDT)

Hello All! It is so nice to finally be able to contribute back to all the help I have received here!

My husband called the Private Lives publicist and he said that Alan's contract is through September and that he has not missed a date yet (in London anyway). We had wanted to find out after reading that he could pull out to do a movie or something and would hate to waste the money to go see the understudy! The gentleman said they know people want to see HIM and would refund money if he couldn't do the play, but he is in contract through Sept and can't pull out of it.

I hope this is helpful to someone! I am always here reading, but usually have nothing to contribute, but enjoy the info I get here. We are planning to go to the play in July, so I will be eager to here from the people who go earlier!
Leanne
WI USA - Tuesday, April 09, 2002 at 16:32:58 (PDT)

Ok let me be completely shallow girls. What EVIL look do you like amongst AR's various roles.
My favourite being George Sheriff of Nottingham when in his first scene he says "Loxley"
Magda
Aberdeen, - Tuesday, April 09, 2002 at 15:49:34 (PDT)

It has been acceptable to discuss AR related things during "down time" as long as the topic doesn't get out of hand or being so personal that two people should take it to email-if we are only to stick to "the facts" without any personality to our entries, why even have a guestbook-we can all read the newspapers and access internet news sites...I am not talking about extended totally off topics things here folks......
a not so concerned citizen, aka a concerned citizen, not the one listed below, however
- Tuesday, April 09, 2002 at 15:09:24 (PDT)

not that it should matter...

Alan and Rima have not moved into a new house, they still live apart.
Spice racks????? HAHAHA. Whoever thought that up really should have a tad more creativity.
Why cant we keep ON TOPIC and actually discuss his work, not his PRIVATE life (maybe should check meaning of word in dictionary)

'Friend'
uk - Tuesday, April 09, 2002 at 14:46:20 (PDT)

They haven't moved into a new house, and the grapevine has it that he IS available.
concerned citizen
- Tuesday, April 09, 2002 at 14:35:45 (PDT)

I am sure that the air is full of spices when he is cooking...when I met him his breath smelled of wine, so no doubt there is some of that too.....I am sure that those of you who have "tipped a glass" with him can attest to the excellence of the vintage-I am a wine ignoramus, and not well read or intelligent, and when I think of Ms. Horton I think of Dr Suess, so there is no hope of any meeting of the minds in my case, alas.
a not so concerned citizen
- Tuesday, April 09, 2002 at 14:30:59 (PDT)

Oh, AR and Rima moved together in a new house? Well, somewhere I read that they had already lived together for about 12 years and then got separate homes because of their different lifestyle and Rima having to stay in Chelsea or Kensigton because of her political career... I can�t see how their lifestyles have changed so far? Where does that information come from that they live together again?*** Funny, isn�t it? Nobody can "have" him anyway (his relationship to Rima is rock-solid) and we still react as if we might...sigh.
Sunny
Germany - Tuesday, April 09, 2002 at 14:08:43 (PDT)

I think people who post here know full well that Alan Rickman is NOT available for a relationship. That is the exact reason it is safe to enjoy his talents and fabulous looks. We know he is to be admired from afar and in that way only. There is nothing wrong with having the good fortune of meeting him and chatting it up a bit or getting autographs and pictures. He needs to know he is appreciated. If he did not enjoy meeting his fans, he would not go to the stage doors to meet them. He realises where his "paycheck" comes from and appreciates his fans' support. Even though we do not sign his actual paycheck, we attend his films or plays , buy his movies and create a biggeer demand for him. His managers, producers and accociates are glad for us as well. Appreciating and enjoying one of God's greatest gifts to human-kind is a great hobby for myself and others. By the way, I wonder if he built the spice-rack because the Air was full of spices............
Juliana <daltrey63@hotmail.comfoo>
- Tuesday, April 09, 2002 at 13:59:30 (PDT)

I have oft wondered if Mr. Rickman hasn't created a problem for himself with his lifestyle choices. How many female hearts sink when they read that he and Ms. Horton have taken up house together, and even if they aren't married they might as well be? He has perpetuated the hope for some people, that he is almost available, thus feeding the obsession. How nice that he is designing spice racks in his free time. No surprise that he likes to cook and that Ms. Horton is well read and intelligent. Maybe if he shows more of a public commitment he will have a quieter life.
a not so concerned citizen
- Tuesday, April 09, 2002 at 13:46:55 (PDT)

WARNING TO AUGUST AND SEPTEMBER PL-ERS???? Re. "Worried"'s posting about Alan being able possibly to "wriggle out" of his contract towards the end of the NY run, and to be replaced by understudies, I have just read a snippet in the AOL local Guide: NY-What's Going On-Private Lives-Overview:
"......For a limited, 16-week engagement, Rickman returns to NY in a revival of Noel Coward's 'Private Lives'...This production set box office records for a non-musical when it opened in London's West End in 2001..." So, "FOR A LIMITED 16-WEEK ENGAGEMENT" sounds pretty binding, but only up to, when you start counting, and by my reckoning, (from 19th April) to 9th AUGUST. So, BEWARE, anyone booking after this date, by the sound of it. It might be as well to check that Alan will still be in the play, and will not indeed be replaced by understudies.
Sally
London, UK - Tuesday, April 09, 2002 at 13:14:17 (PDT)

I'm sorry, I couldn't help myself....

The Alan Rickman Polka

lyrics:
Barbara the Wallpaperer

tune:
The Graviportal Polka
by Dr. Jane Robinson (album: Fossil Fever)

If you love the theatre, cinema or vid
C'mon over, luuvy, and put down a coupla quid
Grab a ticket, get on board, this one's all the rage
We've come a long way, baby, just to watch him on the stage.

CHORUS: Clap your hands, tell your tale,
Seven on the Rickman scale
Everybody tango to the Alan Rickman Polka!

Behold the sneering villian role that he does so well,
And see the angst-filled hero who puts himself through h*ll
The dancer moves his lanky limbs, man, has he got flair
He could do the Carioca even though he's not Astaire!

CHORUS "Alan Rickman, you're divine," or so the girls all say
They're swooning as he tangos by, and fall right in the way
Here comes a dancing Russian monk, who knows how to begin:
He'll pray that you're forgiven, but first you have to sin!

CHORUS

Hey, Mr. Rickman, come on in and tango for a spell
Don�t be so shy and quiet, you can come out of your shell!
Link arms with a lady here or do a do-si-do. . .
It may take a year to film, but we enjoy it slow. CHORUS
INSTRUMENTAL INTERLUDE

Well, honesty is beautiful, integrity and grace
Are better far than perfect teeth or a sculpted face
Can you feel the good vibrations, like a pending storm
Ev'ry time that Alan Rickman steps up to perform?

CHORUS

Barbara the Wallpaperer
- Tuesday, April 09, 2002 at 12:40:08 (PDT)

Relevant Tidbits:

Alan (and Rima) have just moved into their new custom built house, for which AR designed some features, eg the spice rack.
Alan was not able to appear in Jay and Silent Bob Strike Back because of scheduling conflicts with PL.
Alan (according to reports) is a good cook, and Rima is very intelligent and well-read.
Tht's all for now, folks...
A little Birdie...
Canada - Tuesday, April 09, 2002 at 12:34:07 (PDT)

Ah, the all-too-rare Snape... I don't mind so much that we see too little of him though (sure it's a shame but I wouldn't have been biased enough to dismiss the film simply on that ground) as much as I mind the fact that a major part of the Philosopher's Stone was lost in the process: the story revolved around the kids becoming gradually convinced that Snape was the villain, and the twist at the end. And *that* was unaccountably lost, presumably in order to favour special effect troll scenes for the benefit of the targetted very young audience. Shame. The kids loved the story as it was. My young nephews never talked about the troll to me. They were full of Dumbledore, and Snape, and the real people. I believe the reason why Snape is not so obvious as the villain in the movie is that there was no build-up at all. In the book, 'fear of Snape' is gradually impressed on the reader and the three kids' suspiscions are understandable and justified. But as far as I can see, the only reason Harry, Ron and Hermione can possibly have to believe Snape is the villain in the movie is the fact that Alan Rickman got the part... ("Harry, Harry, look, it's Alan Rickman, he's got to be Voldemort's friend. And don't worry, you'll be fine, he always dies at the end!").

Wow, that even rhymes.. ;)

Ahem, anyway, Mr Rickman *did* work magic and used the very few scenes he was given to portray the only believable Snape one could in so short a time and, oh, surprise, he was the one everybody talked about when they left the cinema. Even the critics noticed. I hope it wasn't lost on the movie team either and we'll see a lot more of him in the next HP movies.

Anyway, what I really was logging on to say is that there is an interesting article on Broadway, defending American theatre in the Guardian today. No, I'm not sure who exactly was attacking it but... ;) It briefly mentions Private Lives and other Brit plays in the last paragraph. It would make little sense to quote the bit out of context in this case, so you can read the whole thing on Guardian article on Broadway

GML
UK - Tuesday, April 09, 2002 at 12:28:46 (PDT)

Huuu,I have so much difficulties to leave Fausta�s April Photo ;) Fausta wrote something about a book ,full of greetings and so. I wanted to send a mail but the computer (which is my father�s!) starts a programme (and I don�t know how to use it...ohoom). But I would like to send a greeting,really!! Is there no other possibility???
Vee
Germany - Tuesday, April 09, 2002 at 12:28:35 (PDT)

I'm in love with The Winter Guest at the moment. I searched all last night and today for the words to the song Alan wrote that is sung during the closing credits of TWG by Liz Fraser. I couldn't find them, so I transcribed them just now. Kamen's music is pretty, but I love the lyrics. Lovely.

Take Me With You

Your eyes are still closed
Are you sleeping?
Can I touch you?
Would it make you fall?

We're sailing on through the sky
When there's a cloud slips in between us
I want to live in your dreams
Take me with you

The night is still cold
Let me hold you
Drifting onwards
Do you know how the wind blows?

We're sailing on through the sky
And I look at you close beside me
I want to live in your dreams
Take me with you

Drifting onwards
Do you know how the wind blows?
Take me with...
Take me with you

We're sailing on through the sky
You're holding close beside me
I want to live in your dreams
Take me with you

I want to live in your dreams
Take me with you

Harlii <lmhpr00@knology.netfoo>
- Tuesday, April 09, 2002 at 12:27:11 (PDT)

I agree. Zel-Anne, someone mentioned before that J.K. Rowling told AR and Robbie Coltrane, and perhaps others, background info on their characters. So they know things about themselves that we don't know. Additionally, someone here mentioned, and I agree, that what we know of Snape is from Harry's own perceptions. The perceptions of a child who has been mistreated all his life and probably holds authority a little in disregard. True, we hear what Hermione and Ron have to say about Snape, but generally speaking, we rarely saw the other professors behave as if Snape is quite as nasty as the students think he is.
Harlii <lmhpr00@knology.netfoo>
- Tuesday, April 09, 2002 at 09:56:08 (PDT)

I don't know, Zel-Anne. As I said when I first saw the film in November, it seemed to me Rickman's Snape held more menace in broad daylight (wishing Harry well in his first Quidditch match) than did all of Voldemort's slithering threats.
Georgiana <gellis@drizzle.comfoo>
Seattle - Tuesday, April 09, 2002 at 09:20:38 (PDT)

Comments/observations on Harry Potter/ Snape: I am of the opinion that AR got cheated on HP. Some of his lines were cut from the book. I think it should have been more Snape- less kids/other stuff in certain scenes. AR is just so incredibe that people are jealous/overwhelmed by his stage and screen presence -[Robin Hood for example]..... It must be something that he is used to, but it must be frustrating. I do think AR conveys an excellent menace as Snape. I would not want to be on Professor Snape's or Alan Rickman's bad side. AR seems to have the temperment of someone who would not put up with any nonsense. I love him and would watch him in anything I can get my hands on...
Juliana <daltrey63@hotmail.comfoo>
- Tuesday, April 09, 2002 at 06:30:23 (PDT)

Just something to pass on to you, in case this wasn't written down already in this GB:

from a transcript of a "Larry King Live" interview with J.K. Rowling:

Larry King: Now they're doing a movie, now. I ran into Mr. Rickman, who is going to be one of the stars of the movie.

J.K.:Yes, he's playing Snape. Good choice.

Yup! She's good....(^-^)
Zel-Anne <zelanne@yahoo.comfoo>
Philippines - Tuesday, April 09, 2002 at 05:19:25 (PDT)

Julianna - No problem. (^-^)

On Snape's age - Speaking as a well-read Harry Potter fan (I've just re-read the Sorceror's Stone for the Nth time!), I believe Ms. Rowling was pointing out Snape's age around the time of the first or second book. It is possible that Harry's parents married young because they hit it off while they were at school and probably married and had Harry when they were in their early 20's. Either way, Alan Rickman is STILL a good choice for the part--although some critical friends of mine told me that he doesn't seem to convey the "creepiness" he exudes or the "teacher-you-most-love-to-hate" characteristic so well-found in the books. I strongly suspect that its Columbus' fault that his character hadn't been so well-fleshed out (if you get my drift). My Ate told me that they should've gotten Tim Burton to direct instead of Columbus, although that Jackson guy who directed LoTR would do just as well (think of the special effects!). I'm not too keen on Spielberg as the director for the third book (RE: AI)...he might do something with the story (oh, the humanity!).

Just can't wait for the movie versions of Prisoner of Azkaban and Goblet of Fire...more of Snape to be revealed!
Zel-Anne <zelanne@yahoo.comfoo>
Philippines - Tuesday, April 09, 2002 at 04:54:36 (PDT)

EXCELLENT NEWS --I found a video site www.inetvideo.com with Alan's movies. They even have Close my Eyes and Closet Land,etc. They will CONVERT MOVIES to PAL version for all of you UK fans. It is only about $10.00 in US money to do that. Good luck and happy watching of Alan ahead. Sorry I don't know how to link to the site.
Juliana <daltrey63@hotmail.comfoo>
- Tuesday, April 09, 2002 at 03:29:44 (PDT)

Thank you. And thank you to everyone and to all my loyal citizens for your trust. I feel it is only right that I give a report (which I was planning to do anyway when the kitty was a bit larger). And yes, everyone can be assured that not only is every cent I collect going towards the opening night gift/flowers, but I will also be adding to it as well.

Suzanne <Suz@mail.usa.comfoo>
TX USA - Monday, April 08, 2002 at 21:47:15 (PDT)

There is no doubt...I repeat, no doubt that every penny sent to Suzanne will be used for the purpose that it was intended and that Suzanne will use any monies wisely. I for one, do not believe that there need be a public accounting.My trust is unshakeable as to Suzanne's integrity. Tell us if you wish, but do not feel you have to give an accounting, Empress. I cannot believe the lengths that some people will go to just to cause trouble.....
a concerned citizen
- Monday, April 08, 2002 at 20:30:01 (PDT)

Thank you to everyone who has responded to my questions the past few days. I am grateful. Juliana
Juliana <daltrey63@hotmail.comfoo>
- Monday, April 08, 2002 at 19:14:35 (PDT)

Juliana, it depends on how complete you wish your Rickman collection to be. If you blink while watching "Lumiere," you will miss him, and, even if you catch the appearance, it is a shot during filming of "Michael Collins," not unlike many seen in MC itself.
Georgiana <gellis@drizzle.comfoo>
Seattle - Monday, April 08, 2002 at 17:55:52 (PDT)

This is a very cute site. I especially enjoyed the "In Demand" video! Yummy!
Kate O'Hara <One-Eyed_Kate@excite.comfoo>
Bellevue, NE USA - Monday, April 08, 2002 at 17:47:06 (PDT)

Has anyone seen the video with AR titled "Lumiere?" Is it worth getting? I read that there are 40 different short videos- each only 52 seconds long. What does AR do in the video? Thanks for help.
Juliana <daltrey63@hotmail.comfoo>
- Monday, April 08, 2002 at 17:44:09 (PDT)

Sure, no problem, I think that's a great idea. I'll give a weekly report starting today. So far, we've collected $25.00.

Suzanne <Suz@mail.usa.comfoo>
TX USA - Monday, April 08, 2002 at 17:29:45 (PDT)

It would be nice to have an onscreen accounting for monies taken for flowers. WEATHER or NOT it be stormy or cloudy. Some nerve!
concerned
- Monday, April 08, 2002 at 16:46:50 (PDT)

Announcement:

Valerie has kindly volunteered to collect name's of those who would like to be added to the "Who's going to PL schedule." If you'd like to be included on the list, please write her at Brookdoc913@cs.com with your name and the date(s) you will be attending Private Lives. And also let her know if you'd like your e-mail address included, so that other fans who want to meet up can contact you. I have also added a link above for easier access. Valerie will then send the list to Fausta, who will put it up on a web-page next month, which I will also link to above. Thank you, Valerie and Fausta!

I also added a link above for anyone who'd like to contribute to the PL Opening Night Gift, which I am collecting for. To those who have already e-mailed me about this and are waiting for a reply, thank you for your patience! I will respond ASAP.

Thank you!
Suzanne <Suz@mail.usa.comfoo>
TX USA - Monday, April 08, 2002 at 16:25:28 (PDT)

Because there has been so much stife on this board about varous and sundry goings on about Alan Rickman I will say that I am giving this as a 'heads up' to all who might spend alot of money to see Alan late in the run. ASK QUESTIONS about Alan and his contract. I fear that many of you might book late in the run, and, as happenstance has it,Alan is able to LEAVE the show. Therefore, ask if there might be a fore-see-able 'leave of contract' If you think this is 'ill will' check the lot of B'Way shows and those who came from miles and were given the understudy.
worried
- Monday, April 08, 2002 at 14:50:56 (PDT)

Hi Vee! No, I don�t have the money at the time to go to NY... cry cry... so I silently hope that one day AR will perform a play in London again... AND then I�ll be there... no matter what!
Sunny
Germany - Monday, April 08, 2002 at 13:32:29 (PDT)

If I have not already bought my tickets for a show in Aug. Will they be hard to get? I hope not. I am flying up just for the show "Excuse me i must go pray"
Bev <celebritygirl515@aol.comfoo>
Bufird, GA usa - Monday, April 08, 2002 at 13:16:23 (PDT)

"Help! I'm a Fish" is a full-length cartoon from Denmark. I quite enjoyed it. It is out in PAL VHS/DVD in the UK (not yet available in the US). It is aimed at children. The soundtrack is also available on CD.
Georgiana <gellis@drizzle.comfoo>
Seattle - Monday, April 08, 2002 at 12:40:10 (PDT)

thanks georgina.I am so happy that Alan sings those songs. I was hoping he did. And now I know he did i can say he is a very good singer. I havn't seen "Help I'm A Fish", is it good. It has to be Alans in it. Sally, you're fight bout the age thing. I think we ( the young Alan lovers ) just have TASTE. You People might have already seen it but just incase you havn't, there is an interview with Alan available if you have Real Player on this website(sorry i don't know how to do the linking thing): http://pages.prodigy.net/emeraldegg/articles/articles.html
Hilda <hilz55@yahoo.comfoo>
- Monday, April 08, 2002 at 12:21:41 (PDT)

Thank you Melissa.I was looking for a flight from Bremen to New York with Lufthansa and found a special offer. Sunny,you will not fly to New York,will you? Is there someone who will be in NY from (Saturday) June,15th till (Tuesday) June,18th 2002?
Vee
- Monday, April 08, 2002 at 10:33:17 (PDT)

Vee- It's difficult to say which book JKR was refering to when she gave Snape's age. I believe they were on the subject of Goblet of Fire, but I'm inclined to think she was refering to the first book. If Severus had been 30 or 31 in S/PS, Harry's parents would have been 19 or 20 when they had him. It does seem James and Lily were together at Hogwarts, but it still seems a bit young.
Jenserai <jenserai@hotmail.comfoo>
USA - Monday, April 08, 2002 at 10:28:30 (PDT)

when i went into the Albery last month, ages ago and asked when PL was coming back cos i had heard it was, they looked at me like i had brought in a zoo behind me...and said it was very nice but they had no idea what i was on about...feh
flamingkitties <louise@bubbles16.freeserve.co.ukfoo>
- Monday, April 08, 2002 at 10:27:41 (PDT)

There's a very good article in the L.A. Times about the impact that DVD's are having on filmmaking today. Directors now direct with the DVD in mind; some like Oliver Stone substantially re-edit their films just for the DVD format. Also viewers are becoming more "hands on" with their DVDs and are re-editing the films at home. A very interesting article. Don't know how long it will stay up, so don't wait if you're interested in the technology.
Magda
Canada - Monday, April 08, 2002 at 10:12:09 (PDT)

Vee, You can always check out plane fares on discount ticket websites like Orbitz and Cheaptickets. Also, Expedia might be worth taking a look at.
Melissa
NJ, USA - Monday, April 08, 2002 at 09:15:21 (PDT)

PL will not come back?! My God,now I�m gonna try to fly to New York (LOL) . I�ve got the money,I think....For the ones who are going to fly to NY : could you please tell me how much you�ve paid for the ticket(s) ??? (aahh,why does my uncle/aunt/cousins family live in San Francisco and not in New York????)
Vee <verena.engelhardt@web.defoo>
- Monday, April 08, 2002 at 08:55:02 (PDT)

GML:You just brightened my day! **Great to hear news about the actors from Just Shoot Me, that and Whose Line is it Anyways are my favorite shows. ***The view clips are hilarious, thank you for those. ****Does anyone know if Alan has been to Disneyland? lol, just picture him screaming like a girl as the seat drops. I already have read somewhere that he loves roller coasters, so it IS possible. ** I have been asking my parents to go to New York for summer break, but they just give me a weird look and then change the subject...so anybody that goes-please write as much detail as you can about your encounters.
Christine (My eyes are like a dying sun) <myeyesarelikeadyingsun@yahoo.comfoo>
sorry-a bit jumpy today, United States, United People - Sunday, April 07, 2002 at 20:11:13 (PDT)

Juliana: Barcheshter Chronicles is not on DVD (at least, not legally!), ergo you will be searching for a very long time to find a Region 1 version... Best advice is to buy a PAL version and get it converted in America to NTSC. (Lucky for us in all the PAL countries - all newer VCRs now play NTSC as a built in feature!). If British prices freak you out, you can always look to Australia - we are on the same video system as the UK and its usually cheaper. You can buy Barchester Chronicles at the ABC store for $aus50 which is about $US25. Alternatively, Blackstar has it for the same price right now if you wish to go British...

eBay is only a rip off if (a) people don't set a limit (I have seen some ridiculous prices lately!) and (b) YOU don't shop around first! Just because its not for sale in your country doesn't mean it isn't for sale elsewhere, and the web takes care of that - take into account the Unauthorised biog of AR which was selling for over $100US on eBay - and it is out of print in the US - but not in the UK where it could be picked up at amazon.co.uk for 6 pounds. Although people on eBay are obviously exploiting people's ignorance, I feel the onus is on you to check first! Something like that is so ridulously easy to check on the web = think laterally! Some things can ONLY be bought on eBay (at least, if you want it in a hurry) and then I'd just advise you set your limit, If you want Fallen Angel - set your limit. A time will come when you WON'T be outbid!

Hilda, I think there are lots of teenagers now on the guestbook - certainly heaps on the forum on my website... For the most part, you guys are just acting very maturely. However, I would hardly call Brad Pitt "young" now that he is edging 40! I think I was about 12 when I observed men don't really get good looking until in their 30s somewhere...
Sally
Sydney, Australia - Sunday, April 07, 2002 at 18:27:42 (PDT)

On "Bob Roberts": I "rescued" it from the bargain bin at my local WalMart (where I also found TMD and--gasp!--MC), and was so excited . . . until I watched it and actually regretted the $5 I spent on it. Lukas Hart was played well, what little there is of him, but the music and the whole in-your-face attitude of it made me cringe, as well as the feeling that they were knowingly "preaching to the choir". Shame, too, 'cause Tim Robbins is fantastic in almost everything else.
Cate <cate8476@yahoo.comfoo>
USA - Sunday, April 07, 2002 at 18:06:12 (PDT)

Juliana, You can try IMDb.com for Barchester Chronicles and many other movies.
Valerie
NY - Sunday, April 07, 2002 at 17:14:19 (PDT)

Ooh - GML,Wickedly funny!!!Lukas Hart111 would be proud of you"Now excuse me I must pray"
Magda
Aberdeen, - Sunday, April 07, 2002 at 16:25:36 (PDT)

Yes, Hilda, he does. He also sang the song, "Intelligence," from the full-length cartoon feature film, "Help! I'm a Fish."
Georgiana <gellis@drizzle.comfoo>
Seattle - Sunday, April 07, 2002 at 15:32:54 (PDT)

hi this is in response to a scandanavian persons queries about AR.He isnt married ( thank God )but he lives with Rima Horton and has done for almost 30 years. They have no children but i do believe that he would love a few but that won't happen, apparently. hi iv read some of the messages in this guestbook and have gathered that you all seem to be adults who write in this. Well i am not an adult in fact i am 16 years old, female of coarse and totally obsessed with Alan Rickman. All my friends think I'm weird cos you know they all love all the younger actors, like Brad Pitt etc etc. But i love Alan Rickman so much. Ive seen Michael Collins about 1000 times and know practically all Devs lines in it.Ive seen Galaxy Quest and thats very funny. I ve seen some of Die Hard.I love Sense & Sensibility & Truly Madly Deeply is the best. What does everyone think of Aln in the Texas - In demand video???? Sharlene is so lucky.
Hilda <hilz55@yahoo.comfoo>
- Sunday, April 07, 2002 at 15:08:05 (PDT)

I just love him he is such a brilliant actor with such a voice.i go weak at the sound of it!! I was just wondering if anyone knows whether Alan actually sings that song with Juliet Stevensons from "Truly Madly Deeply"?
Hilda <hilz55@yahoo.comfoo>
ireland - Sunday, April 07, 2002 at 14:44:03 (PDT)

Juliana--try Amazon MarketPlace sellers. That's where I got my copy. It was $50 but very much well worth it. Through AMPS, you will participate in an auction--but I was not out bid at all.
Claudia <flipper828@aol.comfoo>
GA USA - Sunday, April 07, 2002 at 14:43:46 (PDT)

GML - you are very wicked LOL
Sue <butbeingfrenchwecanexcuseyou?!?foo>
- Sunday, April 07, 2002 at 14:16:45 (PDT)

Michaela, I love QDU also. By the way , the woman who played Crazy Cora in that movie, Laura San Giacomo, plays in the same weekly comedy show "Just Shoot Me" with Enrico Colantoni [GQ]here in the U.S. Does anyone know where to buy a copy of "Barchester Chronicles'' besides EBay? As far as I am concerned , Ebay is a way to take advantage of people. The copy of Barchester needs to be Region 1. Thanks for your help. Juliana
Juliana <daltrey63@hotmail.comfoo>
- Sunday, April 07, 2002 at 13:53:52 (PDT)

Harlii, thanks a lot. Uh, no, I wasn't referring to you or anybody in particular, why would I? Just pointing out I didn't have the time (OK, was too lazy) to search the Net for the info. I'm still a little confused, but then so was Suzanne apparently, so it makes me feel better! :)

Valerie from NY, moving to England does sound a *little* drastic :)... there are ways of converting VHS NTSC to VHS PAL, so presumably, there are ways of converting PAL to NTSC format. Try your local university TV studio... try the yellow pages (if you have yellow pages in America?), try the internet. There *must* be somebody somewhere who can do it for you. And even if they ask for serious (but reasonable) cash, go for it: I wouldn't say it's worth doing for every AR flick, but The Barchester Chronicles is a gem.

Bob Roberts... can't say I've been tempted to watch it twice myself, but that's purely because I thought it a little too un-subtle. I'm still glad he chose to play in it. The message is a good one, even if the form is a little simplistic. Sadly enough, it probably *was* an eye-opener for some people (who must have had them firmly shut before ;).

Scandinavia from Burgos (wow, I once knew a girl who came from there. She used to come back from her holidays home with jars of the most juicy black olives I've ever had)... ahem... oh yes, you wanted to know about Mr Rickman's lovers? Well, it's a big secret of course, so don't tell anybody, but we *all* are. Suzanne keeps a roster somewhere... I believe there is a free slot on Wednesdays between 10 am and 10.15 am.. :D

*ducks and expects very annoyed email from Suzanne* :)

GML (yes, I know, easily amused...)
UK - Sunday, April 07, 2002 at 13:29:12 (PDT)

Sunny- misery loves company and I'll wail with you if you like; I missed PL in England and I'll miss it here in the US. (Living vicariously through those who ARE going/have gone is something of a consolation prize, but vexing, too, since it generates so much envy!) Valerie- I've had success converting PAL videos to NTSC. Around here, it's $15 per 2 hours worth of video, which is expensive, given Barchester's length, but maybe a better option than nothing. I have issues with my Barchester tapes, too- they claim to be "Universal" format, but I think that simply means that the picture quality is horrid on both American AND British VCRs.
Laurel <laurelb@flash.netfoo>
CA USA - Sunday, April 07, 2002 at 13:27:55 (PDT)

Well ladies... ALL OF US -at least those who don�t live in the US and/or have saved enough money to be able to afford the trip to NY and see HIM- HAVE TO BE VERY BRAVE NOW **** I wrote a letter to the producer of PL in London and received a kind but finaly reply to my question whether there are any plans to take PL on the programme again later this year... well,the answer is >quote:" No, there is currently no plan for any revival. Mr.Rickman is so busy with filming schedules and such that it would probably be very hard to tie him down again with any runs - even the recent run had to be paused while filming committments were met..."< and so on**** All my hopes are crushed and down for ever seeing him on stage. Who knows when he finds the energy and the time to be on stage again if he concentrates more and more on the filming business? I feel down. But what can I do? Nothing. I retreat to my shell and wait for the films to come... oh my, I never thought I�d react like that. Sorry didn�t want to spoil the Sunday with all this wailing.
Sunny <HDSunny1@aol.comfoo>
lonely Germany - Sunday, April 07, 2002 at 13:10:01 (PDT)

Some of the anonymous posters have more to say, and a better attitude, than some of the "identified" posters. It should be obvious that if one chooses to denigrate Mr. Rickman on the "Alan Rickman Guestbook" that such postings are going to cause trouble. Perhaps that is the intention of some of the posters. We who frequent this guestbook have known posters who simply want to start a conflict. Attacking Mr. Rickman, other posters and creating factions is one way to do this. It would be nice if we would simply ignore such postings in future, and if the DOC could try to remain impartial, no matter how tempting it might be to get into the middle of it all.
a concerned citizen
- Sunday, April 07, 2002 at 13:05:49 (PDT)

Magda, you've given me some hope that I'll like Bob Roberts as I must be the only one on this site that actually likes QDU (I'm a Tom Sellek fan also). :)

I don't often give people advice, but I'm giving some now. I don't want to be critical of people here,but I think we should remember that even though he probably never looks at this site, he may have someone else monitor it for him. What do you think he feels about fans that tear each other apart? Probably, with fans like this who needs enemies. Can't we just act like adults and accept that we all have different views?
Michaele <mmh1324@comcast.comfoo>
Chattanooga, TN - Sunday, April 07, 2002 at 13:02:16 (PDT)

It's right here GML. At least some of what you asked. You're right. I'm not busy, if you were referring to me.

So AR *is* still involved in "The Actors"? Ann (NJ) reported this back on March 19th:
"The following is from Backstage (West):
The Actors, a black comedy adapted from Neil Jordan's short story, is set to begin shooting in late March in Europe. Actors is about a struggling actor who helps a friend swindle a gangster by playing a role. He must then portray a variety of characters in order to avoid serious repercussions. Edward Norton and Alan Rickman were at one time attached to the project but recently dropped out because of scheduling conflicts. The casting director is Susie Figgis."
Suzanne (confused) TX USA - Thursday, April 04, 2002 at 15:03:25 (PST)
--------------------------------------------------------------------------------
Here's a link to the Showbiz Ireland site Gaye found.
Georgiana Seattle - Thursday, April 04, 2002 at 14:38:05 (PST)
--------------------------------------------------------------------------------
I've found a web-site with some information about the film "The Actors" currently being filmed in Dublin. Is this the one Alan is supposed to be in? Here's the site (sorry don't know how to do the link thing)
http://www.showbizireland.com/news/april02/04-cain02.shtml
Gaye Adelaide, South Aust. - Thursday, April 04, 2002 at 13:43:04(PST)

Harlii
- Sunday, April 07, 2002 at 12:37:35 (PDT)

Uh, please forgive this busy person who lost the thread a while ago, but could somebody tell me whether the Actors (in which AR was cast but had to pull out because of Private Livescommitments) is an alternative name for 'Standing Room Only' or a different film altogether? Thanks...

GML
UK - Sunday, April 07, 2002 at 12:31:44 (PDT)

Hurry and delete this Claire. This is uncalled for. It's hateful and rude and directly made in response to something wicked said about Sally. Are you unable to delete your own stuff or you just don't find it offensive?

Ed - Just to reinforce your message, as sarcastic wit doesn't always travel the Atlantic well. STALKING IS NOT ACCEPTABLE BEHAVIOUR.- The original post to which this refers is deleted as is any subsequent posting, this is not a place to conduct arguments.
Claire - Sunday, April 07, 2002 at 09:04:09 (PDT)

Harlii
- Sunday, April 07, 2002 at 12:17:12 (PDT)

I saw three-quarters of "Bob Roberts" once and I have no desire to go back and catch what I missed. I put it in the "January Man"/"Quigley Down Under" category of AR Films That Can Only Be Viewed Once.

What I didn't like about it was the underlying sense of "God, this movie is like so politically courageous and creative!" when it really is pretty pedestrian in theme. Frank Capra and Jimmy Stewart did it better in 1938 and at least "Mr Smith Goes to Washington" had Claude Rains in it.
Magda
Canada - Sunday, April 07, 2002 at 12:07:47 (PDT)

The musical portion of Bob Roberts was the worst--yes. But the documentary concept was hard for me to digest as well--almost as bad as The Blair Witch Project or whatever the name of that movie was!

I have nothing against documentaries (a well made one that is) but the constant camera motion and noise was hard to watch.

But I do think The Man is cute as a button in Bob Roberts!
Claudia <Flipper828@aol.comfoo>
GA USA - Sunday, April 07, 2002 at 11:51:17 (PDT)

I bought a copy of Barchester Chronicles only to discover it is not compatible with my American VCR. I was willing to buy a British VCR but someone told me it won't work with an American TV. Does anyone know how to fix this situation or should I just move to England?
Valerie <brookdoc913@cs.comfoo>
Great Neck, NY - Sunday, April 07, 2002 at 11:41:14 (PDT)

hello, everybody!!! this is my first email but i hope it wasnt the last. i want to know all about alan, specially all his lovers. Is he married???do live with someone??? thank you for your answed.
scandinavia <nyctea@hotmail.comfoo>
burgos, spain - Sunday, April 07, 2002 at 11:35:47 (PDT)

sorry,too fast : available
Vee
- Sunday, April 07, 2002 at 11:32:59 (PDT)

Hi ,it�s me again ;) ....I�ve just read that some DVDs are avialable. The DVDs are: *Dark Habor* , *Michael Collins* , * Mesmer* , *Quigley Down Under* , *The January Man* , *Truly,Madly,Deeply* and *Bob Roberts* (All as UK-Import....ihr Gl�ckskinder ;o) )
Vee
- Sunday, April 07, 2002 at 11:31:58 (PDT)

Just a question: Does anyone know in which book Snape is 35 or 36? In every book it could be possible.
Vee
- Sunday, April 07, 2002 at 11:16:10 (PDT)

Michaele- I'll be interested to see what you think about Bob Roberts. It was the only AR movie I haven't been able to watch all the way through, though I think I could have managed if it hadn't been for the "musical" portion of the film. Ack.
Laurel <laurelb@flash.netfoo>
CA USA - Sunday, April 07, 2002 at 10:56:48 (PDT)

You guys haven't given my much hope for Bob Roberts. When I get it, I'll give you my review.
Michaele <mmh1324@comcast.netfoo>
Chattanooga, TN - Sunday, April 07, 2002 at 10:05:28 (PDT)

I don't know, Healing Hands, I don't know!
|Sally
London, UK - Sunday, April 07, 2002 at 09:20:35 (PDT)

Ed - Just to reinforce your message, as sarcastic wit doesn't always travel the Atlantic well. STALKING IS NOT ACCEPTABLE BEHAVIOUR.- The original post to which this refers is deleted as is any subsequent posting, this is not a place to conduct arguments.

Claire
- Sunday, April 07, 2002 at 09:04:09 (PDT)

Constance, as Sue said, there are one or two lines left out of "Private Lives" that make reference to the duration of the marriage of Elyot and Amanda, the time since they have been divorced, and the difference in ages between Elyot and Sybil in the play. The "Not that much older" line of Sybil's is followed by a gesture where Elyot sort of pats her head into his chest and stares innocently at the rafters that never fails to get a laugh. So in this production, you assume that Amanda and Sybil are older than their recently-acquired spouses and it works just fine.
Georgiana <gellis@drizzle.comfoo>
Seattle - Sunday, April 07, 2002 at 08:32:25 (PDT)

To anyone who's interested - TMD is on special offer in HMV at the mo, on DVD. It's only �9.99 which is very good for a DVD. I bought it the other day and it is really good!!!! Go buy it!! LOL Kirstie xx P.S You can find it in the A-Z of DVD's section NOT the Clear Out section!!! LOL
Kirstie
London, England - Sunday, April 07, 2002 at 08:29:16 (PDT)

What I don't understand Sally is why you're so interested in an actor that you have so many negative things to say about???!!!! Just a simple question.
Healing Hands
- Sunday, April 07, 2002 at 08:15:37 (PDT)

Zel-Anne, thanks for posting the link to J. K. Rowling's interview. I just couldn't remember where I read about Professor Snape's age. I appreciate it.
Juliana <daltrey63@hotmail.comfoo>
- Sunday, April 07, 2002 at 07:32:27 (PDT)

Just on the subject of Harry Potter's age in relation to Snape's age thing: There are partial transcripts of J.K. Rowling interviews on information about characters and stuff to be found at The Harry Potter Galleries. And this is what the author says about the Potions Master's age:

"Professor Snape is 35 or 36 years old"
Zel-Anne <zelanne@yahoo.comfoo>
Philippines - Sunday, April 07, 2002 at 06:25:18 (PDT)

Re: Bob Roberts - as much as like Tim Robbins, I have to say this film lack something, its kinda documentary style, its trying to make a statement but it kinda leaves you not caring cos they well, the ending makes me go "huh?"
flamingkitties <louise@bubbles16.freeserve.co.ukfoo>
southend, uk - Sunday, April 07, 2002 at 06:18:08 (PDT)

All I can say about Bob Roberts, Michaele, is Fast Forward, Fast Forward, Fast Forward! But The Man is adorable in it.
Claudia
GA USA - Sunday, April 07, 2002 at 04:44:09 (PDT)

Where was I? Enrico Colantoni-Galaxy Quest-oh yes. He was the leader of the aliens who were being invaded and needed the help of the crew of the NSEA Protector. Well, I couldn't believe it when I saw this guy at the Almeida, but when Ana, the actress who was telling me about them all said to go and talk to him-he loved people going up to him-this was an opportunity not to be missed, so off I went. When I said his name, he focussed on me at once, smiled, and was immediately chatty. I asked him how long ago they'd actually made GQ and he said three years. He was at the Almeida because they were rehearsing Neil LaBute's The Distance From Here , which opens when King Lear comes off. I asked him if he had the lead role,he said no, he was one of six. He then drew towards me a little and shook my hand, and I took the opportunity to ask him about AR. I said something like, oh, so he knew Alan Rickman, and what was he like?! He sad he was a great bloke, the best,and I said,"Are you saying that because you know him?" and he said "Yep"! He asked me if I was a friend of his, so I hastily said oh no. AND THEN HE SAID: "He's going to America soon to do a play. He's going on....AND TOLD ME!!!!!!!!!!!!!!!!". And then he stopped smiling,either because he'd had enough, or he could see I was talking to him for AR and not for him. So I said my thanks and left it at that.
And so, because he made me feel as though sometimes life gives you something when you've stopped looking for it( ain't it the truth?) because he gave me this information freely, and I hadn't had to ask or even thought about asking, I shall go and see him in his new play. And I shall also go because he is all the things that AR isn't when you meet him-smiling, open, friendly, chatty, young, innocent, free of hidden agenda and unjaded! (And I'll still go to Alan's play, all he same!)

P.S. I decided I shouldn't say when Alan departs for the US in view of the obvious secrecy AR wants about this, though I will say- it's pretty soon. I would trust all the people I know from this GB with this info., but there ARE people here who lurk, I am sure, who read the GB without contributing, and so we dont know who they are, as, also, we dont know those people who for hidden reasons contribute without leaving info. about themselves.For instance, call themselves "concerned citizens", "interested onlookers" and so on, or who just leave an initial.
Sally
London, UK - Sunday, April 07, 2002 at 04:10:38 (PDT)

I have just found that DVD.Empire.com is selling Bob Roberts. I have not seen much discussion of this movie here. How did the rest of you like. I hope it is worth it, because I just ordered it.
michaele
Chattanooga, TN - Saturday, April 06, 2002 at 19:14:19 (PST)

Well Gaye - don't stop watching eco-challenge: Argentina just yet - still another 3 episodes to go! You've got ARs narration for a whole month here! 1 episode per week...
Sally
Sydney, Aust - Saturday, April 06, 2002 at 17:30:27 (PST)

Jules, I am pretty sure I read it in an interview with J. K. Rowling, but sorry to say I don't remember the source.
Juliana <daltrey63@hotmail.comfoo>
- Saturday, April 06, 2002 at 16:44:38 (PST)

Juliana: I promise to tell Part 2 tomorrow. I am not being evasive-Saturday is a busy day and it's very late again!
Sally
London, UK - Saturday, April 06, 2002 at 15:52:27 (PST)

Jules, in the books, Harry's age is known, so the calculations for his parents' ages and their contemporaries can easily be deduced. That age, 36, is about right according to the book, though it's never said explicitly.
Harlii
- Saturday, April 06, 2002 at 12:50:24 (PST)

Juliana - where on EARTH do you get your information about Snape's age? Certainly not from the books...
Jules
UK - Saturday, April 06, 2002 at 12:25:39 (PST)

Blow Dry is showing everyday for the next week on Sky Box Office and Front Row!
Sharon
Oxford, England, - Saturday, April 06, 2002 at 11:35:39 (PST)

Sally, I only have the advantage of knowing Enrico Colantoni's name quicker because here in the U.S., he is one of the stars of a weekly comedy show about a fashiion magazine. The show is titled "Just Shoot Me." He is great in GQ; I did not realize it was him until the second or third time I watched it. Looking forward to the rest of your story.
Juliana <daltrey63@hotmail.comfoo>
- Saturday, April 06, 2002 at 08:41:27 (PST)

Regarding Private Lives- I have not seen the play, but I did read it. In my estimation, it makes better sense for Elyot and Amanda to be older. Then, their getting back together seems more probable. AR in anything is great, no matter what his age. Professor Snape is supposed to about 36 or so.
Juliana <daltrey63@hotmail.comfoo>
- Saturday, April 06, 2002 at 08:37:32 (PST)

Frankie posted this on her yahoo group. I thought it was interesting and hope she doesn't mind that I've copied it here. She found an article on Hugh Jackman in the Sunday Herald and pulled out the pertinent AR bits:

"He enjoys living in London, and after a couple of years of non-stop working, he's taking a break to look after young Oscar while his wife oversees production in London of a short film called Standing Room Only. Although Jackman has a role (alongside Alan Rickman, Joanna Lumley and Maureen Lipman), he explains the film is really his wife's project. 'It's based on a true experience we had in New York waiting in line for tickets for Al Pacino in Eugene O'Neill's Hughie. Four mornings in a row we had to try . They only released eight tickets for each night. Debs has written this fantastic, funny story. It's also a silent movie.'"

Silent Movie!?!? No voice!?!? Ah well, maybe the movie will actually be released in theaters (unlike TSFJG, so far).

The link for the Hugh Jackman article, for those interested, is (hopefully this will come out okay) Jackman Sunday Herald article.
Annette
Mansfield, TX - Saturday, April 06, 2002 at 08:36:17 (PST)

Constance- I believe all references to their ages were removed from the play except where his new bride says "You are not that much older"(Sorry I don't have the play for the proper quote) and his face is a picture and the audience creased up. No wigs, just the ubiquitous hair dye which inproved over the run. Hope you all have a wonderful time in NY, wish I was going!
Sue
Engalnd - Saturday, April 06, 2002 at 08:13:53 (PST)

To Our {{Private Lives}} experts: Having re-read the play recently, I understood that Eliot is in his late 30's and yet AR is in his mid 50's; does AR wear a hair piece and a lot of make-up for the play in order to appear younger or are they re-aging the characters ( the same could be said for LD as Amanda, I suppose)in this new production? Thanks in advance!
Constance <madaboutron4@yahoo.comfoo>
Cary, NC 27513 - Saturday, April 06, 2002 at 07:28:33 (PST)

On a lighter note: If anyone has a teenage daughter who has May's Teen People magazine go to the crossword puzzle on page 177. 14 across is ---- Rickman (Harry Potter's Professor Snape}.

Constance, Entertainment weekly magazine lists all the Talk Show guests for the coming week . Although I'm sure someone will post the info if AR is going to be on.
Valerie
NY - Saturday, April 06, 2002 at 05:06:28 (PST)

Anyone having trouble getting dvds of AR films in their region might find this useful: if your kids have a playstation 2 you can get them a cheat cartridge which , according to the publicity, 'allows you to play movies from any region on your PS2 in full colour'. and the wonderful thing is, this device is called a - wait for it - AR2! Must be destined for us. Go on ,treat your little darlings..
Jane
UK - Saturday, April 06, 2002 at 04:52:46 (PST)

Sally, I was in row C (6,7,8) you were probably sat behind me or something daft like that! I am glad some one else froze - my mother was complaining how hot she was!
Elizabeth
UK - Saturday, April 06, 2002 at 04:49:54 (PST)

I'm sorry, my English is very bad. In Spain, to love Alan Rickman is very hard. Very, very hard. Mesmer, Rasputin and many others aren't edited here. But I'm keeping the faith! Kisses for everybody.
Gloria <gloria0164@hotmail.comfoo>
Elche, Spain - Saturday, April 06, 2002 at 03:16:08 (PST)

Well done, Juliana. Gosh, that was quick! I couldn't even find his name on my video box! They dont have the wit to give you a cast list, do they, on the boxes-just the names of the leading actors. So it was lucky one of the women in the group gave me his name. They were actresses too. Her name was Ana Reeder and she said she had been in "Time and the Cuckoo" (in the States), but I was too muttish to have heard of her, though I had vaguely heard of the play, I thought. Was this big in the States or has it been over here, can anyone tell me?

Elizabeth: Good Heavens! I was in row D and my legs froze from that half hour thunder storm coming from the stage. Where were you? Yes, he WAS in TMD wasn't he, I'd forgotten that. I remember him from Morse, A Touch of Frost and all sorts of things from all over the years that you're too young to remember!!

Sorry, I'll have to stop there, I must get out. Won't be long, I hope.
Sally
London, UK - Saturday, April 06, 2002 at 03:01:35 (PST)

Re Eco-Challenge Argentina: I've tuned into it three times now on Discovery and it's NEVER AR narrating it! Someone with a really boring voice like the guy who does Emergency Vets. No fair.
Jules
UK - Saturday, April 06, 2002 at 02:57:13 (PST)

I do hope Discovery will air Eco Challenge-Argentina here in the States soon. I have been looking for that on their website forever with no luck. The broadcast in Austrailia makes me hopeful!
Claudia
GA USA - Saturday, April 06, 2002 at 02:51:16 (PST)

Sally, I was there to(King Lear that is)where were you sitting? I spent most of the first half wondering where I had seen Glouster before - stupid me didn't bother to look in a programme! It was George from TMD. Anyway, I better go because I am totally OT.
Elizabeth
UK - Saturday, April 06, 2002 at 01:00:09 (PST)

Thanks to Sally from Sydney, I watched a very enjoyable programme on Discovery Challenge this morning. The Eco Challenge - Argentina, beautifully narrated by Alan Rickman, was well worth watching. I didn't have any idea what it would be about, but I must say that the superb scenery and naration made it very watchable. Maybe one of Alan's lesser works, but a gem never-the-less.
Gaye
Adelaide, South Australia - Friday, April 05, 2002 at 21:20:32 (PST)

Daisy: Every time I hear or read "The Bells" by Edgar Alan Poe, I wish that I could hear AR perform it. I was on a forensics team in high school, and we rehearsed it often and occasionally someone performed it in competition. It's challenging, and let me tell you, there is nothing to make one cringe half as much as hearing amateurs trying to perform that thing. Years later, I was present at a one-man performance of some of Poe's lectures and work done by Norman George (who was magnificent, by the way), and he was able to finally do it justice. I'm betting that AR's take on it would be a good deal different, but, oh, it would be fantastic! (He'd be quite good at "The Raven" as well . . . "Nevermore!")
Jennifer <jelleebaby@yahoo.comfoo>
MD USA - Friday, April 05, 2002 at 18:06:43 (PST)

Sally, was it Enrico Colantoni from Galaxy Quest? I hope so , because I want to read the rest of the story. Looking forward to it.
Juliana <daltrey63@hotmail.comfoo>
- Friday, April 05, 2002 at 16:38:10 (PST)

Paid a return visit to the Almeida (Theatre) in London, this evening to see King Lear which I confess I have never ever seen, all three and a bit hours of it! It really was good, complete with a half hour thunderstorm with sound, lights and real water. Anyway, at the end I sat in the huge bar area where, as I have told you before, not only the punters, but also the actors, come out to afterwards to relax and mingle. So I sat there looking on, and sure enough, out they all trundled, which was exciting, but there was also the usual smattering of semi-familiar faces which again I remarked on last time-those actors who you know you've seen somewhere before but can't place. Well, there was one guy who looked so familiar that when I saw him talk to these women next to me, I just had to ask who he was. He was young, wearing a baseball cap, medium height, fit, pale, wide eyed, kind of pleasant-looking and American. Any guesses? Tom Cruise?-well maybe he ain't so young-and I'd have known him. No, it was an actor called Enrico...(no, I won't even give you the surname) . Now, I am going to bed now, as it's 1.15 a.m, which gives you all night to remember and then tell me which film he's been in which has been of great interest on this GB. As soon as someone's told me, I will tell you the rest of my story-and I think you will want to hear it. Now there's a challenge for you (!) but there are no prizes for guessing, only the second half of the story unravelled...Georgiana, I don't want you to answer this please, even if you know, as you will probably guess it, so give one of the others a chance! You can e-mail me or put your answers on the GB. To make it easier, the first initial of his surname is C......!!!!!
Sally <sallyphillips@btinternet.co.ukfoo>
London, UK - Friday, April 05, 2002 at 16:29:01 (PST)

My husband recently passed the Richard Rodgers Theatre and noticed the poster displayed was of the faces of Ms. Duncan and Mr. Rickman. 'Private Lives' was written above the faces.
Diane
- Friday, April 05, 2002 at 16:03:11 (PST)

LOL*** I�ve already seen your answers to my *May I write in german?* a few weeks ago ; guys,your are really nice and FUNNY ;))) I said : Alan Rickman is certainly a wonderful actor bla bla (I forgot the rest) and NOT something ..how did you say? transsexuell? ... I know it�s better for all of us to write in english.Please,forgive me ;)
Vee
- Friday, April 05, 2002 at 13:31:51 (PST)

To answer to Daisy. I love his voice when he pronounce the word "spicies", " and the air is full of spicies...", I'd like to find out a nice poem with that word and I'm sure I can imagine him read it out loud.
Nathalie <ng_ttt@club-internet.frfoo>
Paris, - Friday, April 05, 2002 at 13:23:54 (PST)

Caroline: ARs Proper Address will never be published within this GB! I think it�s not fair,he�s got a privatelive as well.
Vee
- Friday, April 05, 2002 at 11:42:56 (PST)

Georgiana - some are shot in order, very rarely but yes, its a matter of budget, cost efficiancy, when i shot my documentary i was gonna shoot it in order but it was completely impossible due to the many restrictions that productions have, faf i hate preparation!
flamingkitties <louise@bubbles16.freeserve.co.ukfoo>
southend, uk - Friday, April 05, 2002 at 10:37:10 (PST)

I dunno about poems about AR, Daisy, but I've long wanted to put AR in front of a microphone, with a sheaf of Yeats' love poems in front of him. AR read "The Cap and Bells" as at an Amnesty International benefit about ten years ago.
Ann W
AZ USA - Friday, April 05, 2002 at 08:44:22 (PST)

I believe, fk, that, rarely, some films are shot in chronologic or script order. Wasn't "A Beautiful Mind"? Must make it easier on the actors (not to mention the make-up department).
Georgiana <gellis@drizzle.comfoo>
Seattle - Friday, April 05, 2002 at 06:59:01 (PST)

Very observant, Juliana! That scene was shot and would have been early in the film, before David and Alexis go driving in the rain and discover The Young Man. The producer, Jeff Sharpe, spoke about it when the film was shown at the Second International Maine Film Festival. They left it out because they thought it would have telescoped the plot too obviously. But David is the origin of the injuries The Young Man has when we first meet him.
Georgiana <gellis@drizzle.comfoo>
Seattle - Friday, April 05, 2002 at 06:50:31 (PST)

Duh. Would perhaps be helpful if I suggested mine. The Tiger by William Blake. (Tiger, tiger, burning bright etc.) Doesn't that just make you think of AR? No?....anyone?...Darn.
Daisy
Bristol, UK - Friday, April 05, 2002 at 06:39:32 (PST)

*Sigh* Trust me to go from no copies of TMD to two. Why does that always happen to me?
I was wondering, there's been discussions about what songs remind 'us' of AR, but what about poetry? Does anyone have a particular poem that makes them think of HE?
Daisy
Bristol, UK - Friday, April 05, 2002 at 06:36:48 (PST)

i dont know if any of you are aware of these fantastical inevntions called aeroplanes, which carry people to different places, actors can be in one city one afternoon and another in another continent by midnight, as i am sure you must be aware films aren't shot in order of script, they are shot in best order of location, actor availablity and such and soforth, AR can quite possibly be in Ireland for a two weeks on and off for rehearsals in NY at the same time...anyway
flamingkitties <louise@bubbles16.freeserve.co.ukfoo>
southend, uk - Friday, April 05, 2002 at 05:03:33 (PST)

Hello Do any of you guy's know Alan Rickman's Proper address? This goes for Stezi as well!
Caroline <m.lock3@ntlworld.comfoo>
Swindon, ? England - Friday, April 05, 2002 at 04:36:24 (PST)

WARNING-POSSIBLE SPOILER for Dark Harbor. On the back of the dvd box, there is a picture of AR and the young man. AR has just smacked him across the face. This is not the beach scene or the kitchen scene, because AR is wearing a suit. What scene is this, because I don't recall it in the movie. Are there 2 versions out? I am just wondering.
Juliana <